Musicology Commons^™

The Poetic Horn: Rethinking Expressive Intent In Schumann's Adagio Und Allegro, Op. 70, Samantha Duhé

Graduate Student Research Symposium

At first glance, Robert Schumann’s Adagio und Allegro for horn and piano, Op. 70 appears to be simply one showpiece out of many the composer wrote in his later years to appeal to a middle class market of amateur musicians. The piece is often dismissed as such, and as a result, scholars tend to exclude it from their discourse on Schumann’s expressive musical techniques. Adagio und Allegro is yet to have been investigated in light of this discourse. One of the composer’s musical devices, recognized by Berthold Hoeckner (1997), is to mimic the sound of a tone fading into the …