Music Education Commons^™

The Relationship Between Music Performance Anxiety And Self-Efficacy In Sixth To Eighth Grade Instrumental Students, Brian Bersh

Doctoral Dissertations and Projects

This research study examined the relationship of self-efficacy to performance anxiety, as outlined in social cognitive theory. The purpose of this nonexperimental, quantitative study was to test the theory of social cognitive theory that relates self-efficacy to anxiety. MPA and music performance self-efficacy (MPSE) were tested within the context of a school setting for instrumental music-making. The participants (N = 228) included a stratified random sample of Grade 6 to 8 instrumental middle school students located within the Mid-Atlantic region. To determine levels of MPA and MPSE, participants completed the Music Performance Anxiety Inventory for Adolescents and the Music Performance …

Sound To Symbol: Teaching Music Literacy, Katherine Herzberg

Graduate Teacher Education

Music educators aim to teach music literacy, which is the ability to read music; however, resources for differentiating specifically in the field of music are difficult to find. This paper analyzed available research on creating meaningful ways to represent sound aside from traditional music notation and using this notation to differentiate instruction. Graphic notation, as opposed to standard notation, is therefore analyzed as a potential tool for differentiation both in terms of its benefits when created by teachers or textbook companies as well as when students create their individual graphic notation. Other issues addressed include a focus on aural preparation, …

The Impact Of Singing Engagement On Food Intake Of Individuals With Alzheimer’S Disease And Related Dementias: A Multi-Site, Repeated Measures Study, James Hiller

Department of Music Faculty Publications

Malnutrition among older adults with Alzheimer’s disease and related dementias (ADRD) is a serious and long-recognized health concern. Identifying nonpharmacological means for enhancing the volume of nutrition intake is an urgent need. Researchers have explored the use of music and music therapy as nonpharmacological avenues in this regard, but most music-based studies related to food intake focus on receptive interventions wherein participants are exposed to recorded music during meal times. The purpose of the present research is to investigate whether residents with ADRD would significantly increase their volume of food intake during the midday meal immediately following 30 minutes of …

“Compassionate Dictatorship”: Leading Old Singers In Community Choirs In Australia, Dawn Joseph Dr, Jane Southcott Dr

The Qualitative Report

In Australia, the ageing population generate challenges, pressures and opportunities for both governmental and community organisations. Involvement in community choirs offers older people diverse benefits that increase with ongoing participation. The music directors/conductors (MD/C) of community choirs are pivotal in the success of ensembles. This paper forms part of our wider study into Well-being and ageing: community, diversity and the arts in Victoria, Australia and addresses the questions, how do music directors/conductors (MD/C) of community choirs understand working with older people? And, how do older choir members understand the role of their MD/C? We interviewed two MD/Cs and thematically analysed …

A Musically Embedded Curriculum For Rural Elementary Schools, Rachael Marie Dubay

Masters Theses

Rural school districts across the nation have been at a crossroads for decades. The amount of funding and resources provided to these small towns is often meager and falls short to provide the schools and students with the proper education, teacher training, curriculum, building maintenance, and other necessary educational materials. School officials and board members in these areas across the nation each year have had to make the hard decisions of what to prioritize and what will have to fall by the wayside. Unfortunately, cuts in budgetary and educational reform have regularly faced music education programs and it has become …

Music Education Transformation: How Orff, Kodaly, And Suzuki Promote Academic Success, Michelle M. Angeli

Masters Theses

We all need Music in our lives. Music education is valued less in the education system, but present data from these literature sources of articles, books, and research, tells us another story. For decades school systems have struggled with whether or not to include Music in the education system. There are many values for Music, including individual growth and development. In this research study, I intend to showcase the central benefits of Music to help show there is a need for these programs and to help promote music programs based on their own merits and not just because of academic …

Analyzing Perceptions Of Music From A Songwriting Perspective, Jackson Stephen Reynosa

Communication Studies

This study seeks to understand listeners’ perceptions of music from a generational and songwriting approach. A total of 123 participants aged 18 and older took part in an open-ended survey design that measured their subjective music preferences. Four different sections tested participants’ music taste, music tied to generations, an original song made by the researcher, and songwriting in a holistic sense. It was found that participants exercised individualism and authenticity in their responses throughout. By using the Uses and Gratifications Theory, it is explainable that people listened and sought out music for their own unique reasons. By applying Mood Management …

Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts, Makenzee Brown

LSU New Orleans Theses and Dissertations

The proposed public history project, Within These Walls (WTW), will be one component of a larger exhibit produced by Dillard University’s, Library Archives and Special Collections entitled The Star Burns Bright: History of Dillard’s Theatrical and Musical Arts, Faculty and Students. WTW will focus on Dillard’s historic African American faculty, students and alumni who became prominent painters, musicians, writers, actors and directors among them Adella Gautier, Randolph Edmonds, Ted Shine Frederick Hall, Theodore Gilliam, and Brenda Osbey. This exhibit will also highlight the many art programs, across genres, offered at the university between 1935 and 1970. This exhibit will demonstrate …

Music Education As A Potential Mediator For Social Decline, Gabriel V. Trees

University Honors Theses

Many cultures around the world are experiencing a decline in social wellness. This may be attributed to the decrease in quality and quantity of social connections people have been experiencing in recent times. Among the activities that seem to help humans feel connected and accountable to each other are the community singing, dancing, and drumming that has been part of our human heritage since before the beginning of written history. Active participation in group music making has been shown to promote prosocial attitudes and behaviors. Music education for preschoolers and primary school students may be an effective method of providing …

“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project, Cameron Dusman

Masters Theses, 2020-current

Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions …

Exploring Moroccan Music Through Experiential Learning, Tai Knoll

Honors Projects

As a music educator, I value a comprehensive and well-rounded music education that is inclusive and dynamic – an education that introduces students to the global world they live in and fosters compassion and understanding of cultures different from their own. However, I did not fully understand how I could provide that for my students and how to do so in a respectful and appropriate way that did not other or appropriate the culture I was attempting to honor. That desire to learn more about teaching world musics and representation in the classroom drove me to pursue answers through the …

Lived Experience Of Music Therapists As Musician-Therapists, Kotoe Suzuki

Expressive Therapies Dissertations

The dissertation research explored the lived experiences of music therapists who are performing musicians. A conceptual foundation of music therapists as musicians, a “musician-therapist” who is deeply versed in the unique properties of music can be identified in the literature (Ansdell & Verney, 2008; Nordoff & Robbins, 1973). The objectives of this study were to explore three topics: 1) deeper understandings of music therapists’ musical improvisation both in clinical and nonclinical settings, 2) the connection between music therapists’ personal and professional musical growth, and 3) identity formation. A qualitative method was chosen for this research including reflexive/embodied/interpretative phenomenology, and arts-based …

A Performance And Pedagogical Approach Of "Adagio" From Mozart's Clarinet Concerto, K.622, Nicole A. Pierson

Honors Thesis

Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791) composed his Clarinet Concerto, K.622 during his final years for his dear friend, Anton Stadler. Praised by many performers and scholars, the Clarinet Concerto, K.622 is recognized as one of the best of concertos from the Classical era. This thesis is divided into three sections. The first section covers the historical context of the concerto and its intended instrument, the basset clarinet. The second chapter examines sources, in the format of an annotated bibliography, to define aspects of a historically-informed performance from both a performance and pedagogical standpoint. The final …

Producing Thacker Jr. A Guidebook To Production & Reflections Of A Student Director, Ava Street

Honors Theses

This narrative documents a student’s preparation and execution of the children’s music and literature program entitled, Thacker Jr. Radio Hour. The author documents and analyzes experiences over the course of two academic years preparing and producing the program. The author describes the process of production including content creation, marketing, budgeting, fundraising, and casting. The author recounts and reflects upon her experience in the role of Thacker Jr. Executive Director and her desire to create student-centric arts programming. Finally, the author evaluates the immediate impact of the program on the LOU community and predicts how her experience will shape her …

Survey And Analysis Of Undergraduate Music Education Percussion Methods Courses In Relation To The Practical Needs Of Secondary Music Educators In American Public Schools, Bryan C. Pickering

Dissertations, 2020-current

The majority of Bachelor’s degrees in Music Education require students to enroll in a series of instrumental methods or techniques courses. These courses cover fundamental techniques and pedagogical approaches that prepare students for their future careers as music educators. Due to the percussion instrument family having a large scope of material that needs to be covered, it is commonly perceived by those who teach the classes, that Percussion Methods classes within an undergraduate Music Education degree operate on time frames that make equal coverage of all instruments and topics a pedagogical challenge within a standard academic semester.

The purpose of …

University Music Engagement: A Mixed Methods Examination Of University Student Music Participation And Institutional Responsibility For Expanded Opportunities, Daniel B. Warren

Masters Theses, 2020-current

School music participation in the United States has continued to decline over the past 70 years, the effects of which can be seen on university campuses across the country. This decline has become a commonly understood trend among those observing the state of K-12 public schools, and universities have been largely overlooked as a place for students to continue—or, even less often, begin—to explore musical interests and opportunities. What are possible explanations for this decline? Do universities themselves have an obligation to provide or expand music lessons, ensembles, and musical resources for students as part of the university experience?

In …

A Survey Of Modern Companion Pieces Outlining Specific Compositional Similarities Between Ralph Vaughan Williams' Dona Nobis Pacem And Mack Wilberg's Requiem Aeternam And Let Peace Then Still The Strife, Joel Dunlap

Dissertations

Companion compositions can best be described as musical works composed to specifically coordinate in conjunction with a preexisting musical work. For the sole purpose and intention of complementing or coalescing with another work, the two companion compositions could share similar subject matter, choral/vocal or orchestral themes, and motifs, length, text treatment, context. Evidence in this survey will expound upon various examples of companion compositions from prominent modern-day composers.

The primary objective of this research is to study specific compositional characteristics, correlations, and relationships between Mack Wilberg’s two original compositions – Requiem aeternam and Let peace then still the strife with …

Analysis Of A Research-Based Show Choir Competition Adjudication Rubric: Reliability And User Perceptions, Ladona Tyson

Dissertations

A weighted rubric, created in a prior pilot study, used for adjudicating nine show choir competitions was statistically analyzed to determine reliability. A survey and ten interviews with adjudicators were examined to ascertain user perceptions. Results from an intraclass correlation coefficient indicate that the Tyson Rubric has excellent inter-rater reliability. Survey respondents indicated that the Tyson Rubric provides a step towards standardization in the genre of show choir, though improvements were suggested. Interviews were transcribed and coded, revealing themes of bias in show choir adjudication, the need for standardization in the genre, and the need for improved adjudication training. The …

Sense-Making, Meaningfulness, And Instrumental Music Education, Marissa Silverman

John J. Cali School of Music Scholarship and Creative Works

The purpose of this paper is to re-examine the nature of “meaning” and “meaningfulness” in the context of instrumental music education. By doing so, I propose to expand the ways in which instrumental music educators conceive their mission and the ways in which we may instill meaning in people’s lives. Traditionally, pursuits of philosophical deliberation have claimed that meaningfulness comes from either personal happiness (e.g., Jeremy Bentham and John Stuart Mill) or an impersonal sense of duty (e.g., St. Augustine, St. Thomas Aquinas, and Immanuel Kant). However, philosopher Wolf (2010) criticizes these positions in favor of a broader perspective, one …

Effects Of Chair Testing In Orchestra On Student Motivation: Student Perspectives And Applications From Motivational Theories, Rosanna Christine Honeycutt

Graduate Theses/Dissertations

The purpose of this descriptive study was to examine how string students perceive achievement on chair testing through the lens of attribution and achievement goal motivational self-theories. A teacher survey was administered to identify the goals of chair testing in two high school and seven middle school orchestra classrooms. A student survey was used to collect data in those same classrooms on (a) the reasons why students do and do not do well on chair tests, (b) the perceived goals of chair testing and (c) the ratings of motivation and self-achievement. Qualitative techniques were used to analyze attributions within both …

Secondary School Chorus: Practical Implication Of Praxial Music Education In Sight-Singing And Ear-Training, Euna P. Kim

Masters Theses

High school chorus students are often required to sing and memorize a diverse range of choral repertoire for performances. In the process of performance preparation, students learn many techniques including basic breathing, vocalization, blending of the voice, singing in pitch, keeping the rhythm, and following dynamics. Sight-singing is an essential technique for singers because music requires coordination of sight and singing through recognition of notation and rhythm. When a group of singers have a higher skill level of sight-singing, the learning of the song is easier and more efficient. The competency of sight-singing level of a group of singers allows …

Moments Of Music: A Qualitative Case Study In A Metropolitan Community Chorus, Katherine Iooss

Masters Theses

Making music in collaboration with others has impacted the strength, development, and connection amongst people throughout American history. Community music ensembles can strengthen social bonds and improve collaboration between citizens. Developing interest and skill in choral singing can provide an avenue for social connectedness in adulthood, as well as reduce stress throughout adolescence. This qualitative study focused on participants’ professed benefits from voluntary participation in a community chorus and the effect of rehearsal participation on perceived stress and/or energy level. The study was situated in a non-auditioned community choir in a densely populated metropolitan suburb in Northern Virginia. Data was …

Teaching Elementary School Music: A Composition Approach, Lauren Amanda Hammer

Masters Theses

The 2014 National Music Standards emphasizes the importance of the three artistic processes of creating, performing, and responding. The Massachusetts Music Standards follow both the 2014 and the 1999 standards. The 1999 music standards are as follows: singing, reading and notation, playing instruments, improvisation and composition, critical response, purposes and meanings in the arts, roles of artists in the communities, concepts of style, stylistic influence, and stylistic change, inventions, technologies, and the arts, and interdisciplinary connections. Both standards mention either creating, improvisation, or composition, but are music educators emphasizing the importance of these standards? In Massachusetts, following both sets of …

Leveraging Non-Traditional Notation And Technology To Enhance A Fourth Grade Recorder Unit, Stephenie Mokriakow

Theses

This action research project analyzes the traditional methods of teaching recorder to fourth grade students to expand upon these traditional methods and create a unit that leverages technology and non-traditional notation as well as introducing students to traditional music notation. The unit includes lessons that are scaffolded to meet the desired end results. The learning objectives include understanding of basic rhythm patterns and beginning notes on the recorder. The culmination of the lessons will end with a series of songs that the teacher will use to assess students.

In Addition: A Supplement For Beginning Band Method Books, Darren Cordray

Theses

This project provides an in-depth look into system of instruction that is used in many beginning ba.11d classes in our society. First, tl1e \\'Ork. describes a fe\v of the isst1es that music education faces today, such as budget cuts, declining music literacy, and program changes in schools. Next, the work examines the literature based around the subject of beginning band methodology. This will include a look into new methods that can be used in begiiming band classes, an examination of the proper way to create sound on common band instruments, ways in which music reading skills and audiation skills are …

The Incorporation And Effect Of Movement In The Elementary Classroom, Caroline L. Rhett

Honors Theses

The main purpose of this thesis project was to examine the incorporation of movement in preschool and elementary classrooms and identify its effects. A review of methodology from musicians/educators such as Zoltán Kodály, Carl Orff, and Emile Jacques-Dalcroze provided a foundation for the research topic. Other factors surrounding music and movement included the physical, mental, and developmental aspects. These factors were studied through the lens of authors and researchers such as Howard Gardner.

The practice used was primarily observation, which took place in local music classrooms as well as at a Carl Orff Workshop. Observation led to the conclusion that …

Hand Posture For Beginner Piano Playing Using Plush Toy Assisted Learning, Kumanan Shugeshini

Student Works (2020-2029)

This research paper explored the possibilities of using an animal plush toy as a tool to teach piano playing hand posture among participants formed by children age four up to six years old. The idea of Plush Toy Assisted Learning (PTAL) originates from AAL or animal assisted learning. Adopting a case study that involved a quantitative and a qualitative research framework, this research reveals an in-depth observation of a proposed new pedagogical idea in developing a proper hand posture using an animal soft toy as a tool towards children. Methodology includes a self-reflexive account of the researcher as a teacher …

Inclusive Ensembles: Differentiating For The Singer On The Autism Spectrum, Natalie Wilkins, Natalie A. Wilkins

Honors College Theses

Exceptional children belong in music classrooms. Music ensemble directors need to overcome complex challenges to meet the goal of inclusion, because ensembles often include a mixture of ages, grades, social and intellectual development stages, musical skills, and a wide variety of diverse learning needs. This study focuses on how a choral ensemble director may create an inclusive environment for students on the Autism Spectrum.

This study reviewed the current research on inclusive rehearsal environments. Analysis revealed varied methods for differentiation that allows students with special needs to thrive in a music classroom and also revealed that music can be a …

Bridging The Gap: An Academic Recital For Solo Voice Featuring The Music Of Underrepresented Female Composers Throughout History, Keiley Vieau

Honors Theses

Keiley Vieau, mezzo-soprano, presented her honors thesis senior academic voice recital on Friday, April 19th, 2019 at 3pm. The performance took place at the Lee Honors College in the lounge. This recital was put on in collaboration with pianist Molly Sanford. Music performed included works by all female composers, such as Barbara Strozzi, Clara Schumann, Fanny Mendelssohn Hensel, Nadia Boulanger, Augusta Holmès, Liza Lehmann, and Amy Beach. This abstract will provide a brief overview of the theme of this recital as well as address the basic musical characteristics of certain pieces from the repertoire programmed.

The recital was based solely …

A Case Study Of Two Preservice Elementary Music Teachers As Culture-Bearers, Julius Kyakuwa

LSU Doctoral Dissertations

The integration of music from unfamiliar cultures in music classrooms is part of education curriculums around the world. International music education organizations also have goals for using a variety of musics in music education programs as one way of educating students to meet the 21st century global education targets. In the American education practice, the concept and principles of multiculturalism have been prominent in classroom subjects for over 50 years. In music education, multicultural approaches continue to be included in music standards and curriculum guides across the United States. Music educators, likewise, often use culture-bearers to expose their students to …