Music Education Commons^™

Gender-Specific Mentorship For Collegiate Female Band Directors, Laura M. Johnson, Douglas T. Owens

College of Arts and Letters Posters

The purpose of this study was to provide insight on the impact of gender-specific mentorship for aspiring female collegiate wind band conductors. The areas of focus included impactful mentorship methods, identifying mentors, and potential improvements for the wind band field. This research project was approved for an IRB exemption by the Old Dominion University College of Arts and Letters Human Subjects Review Committee. Two Qualtrics surveys were created for this study to reflect the differences in the level of experience of wind band conductors. Female collegiate/university band conductors and current/former music education or conducting graduate students completed Survey A (N …

Learning To Play A Musical Instrument Affects Student Behavioral Health, Christopher Lafser

Masters Theses

This thesis proposal, entitled “Learning to Play a Musical Instrument Affects Student Behavioral Health”, consists of a research paper detailing how learning to play a musical instrument has made a significant impact on the behavioral health of students, and the need for this study in today’s society. This study will provide readers with solid research and evidence for the results obtained from this musical education study in the hopes it can show that music therapy needs strengthening in these areas. Through research, clinical studies, assessments, test results, and surveys, this project will show if there are physiological benefits and psychological …

Cultivating Socially Just Concert Programming Perspectives Through Preservice Music Teachers' Band Experiences: A Multiple Case Study, Christian Matthew Noon

Theses and Dissertations

As the music education profession continues to adapt to the needs of an increasingly pluralistic society, scholars and practitioners have begun to concern themselves with issues of social justice (e.g., equity, diversity, inclusion, or access). For band directors, one way to address such topics is through the purposeful programming of music by underrepresented composers or music that otherwise conveys messages about societal issues. As such, undergraduate music education majors who participate in concert bands might encounter a variety of compositions. Further, given that those ensemble experiences may be a primary factor in preservice music teachers’ commitment to their degree programs—and …

Gender-Specific Mentorship For Collegiate Female Band Directors, Laura M. Johnson

Music Theses & Dissertations

The purpose of this study was to provide insight on the impact of gender-specific role models and mentorship for aspiring female collegiate wind band conductors. The areas of focus included methods of impactful mentorship, identifying role models, and potential improvements for the wind band field. This research project was approved for an IRB exemption by the Old Dominion University College of Arts and Letters Human Subjects Review Committee.

The subjects in this study were separated into two groups. Those that completed Survey A were either female collegiate/university band conductors, current music education or conducting graduate students, or former music education …

An Instrumental Approach To Sight Singing: The Use Of Mock-Fingerings, Catherine E. Howland

Senior Theses

This pilot study was designed to test whether mock-fingerings could be a beneficial strategy for sight singing. The researcher hypothesized that mock-fingerings would help students to be more accurate sight singers. Participants, wind instrument players at the college level, were asked to sight read two examples, one while “fingering along” and one with their hands still. Mean scores were compared among music majors and non-majors, and it was found that the mock-fingerings did not have a significant effect on the mean scores of participants. The mean scores were often comparable between the fingering condition and the control condition, suggesting that …

The Hybrid Ensemble Model, Melanie Emily Riley-Gonzalez

Masters Theses

Music education plays a significant role within the public school and needs to be available to all students. Students should have opportunities to learn with voice or instrument and learn the art of performing for an audience. Students that are unable to attend music classes in a traditional class setting or have selected different pathways for their education other than a traditional classroom setting, may be excluded from opportunities to work with others in a collective music environment. Limited options are available for students to remain in their school ensembles when schedule conflicts arise for example, with advanced classes or …

Young Children’S Behaviors During Favorite-Music Repertoire And Other-Music Repertoire, Vanessa Caswell

Theses and Dissertations

To gain understanding regarding early childhood music repertoire selection, the purpose of this qualitative case study was to examine young children’s music behaviors demonstrated in response to their favorite-music repertoire and other-music repertoire performed in informal early childhood music classes. My guiding research questions were (a) what was the favorite-music repertoire of young children, and (b) what did parents, Alli (an early childhood music teacher), Kat (an early childhood music teacher), and I notice about behaviors young children demonstrated during performances of their favorite-music repertoire and other-music repertoire during our informal music classes?

I purposefully sampled three young children and …

Acoustic Measures Of The Singing Voice In Secondary School Students, Elizabeth M. Wallace

LSU Doctoral Dissertations

Descriptions of voice quality in vocal and choral music often rely on subjective terminology, which may be perceived differently between individuals. As access to software used in acoustic measurement becomes more widespread and affordable, music educators can potentially combine traditional descriptive terminology with objective acoustic descriptors and data, which may improve both teaching and singing. The secondary school choral music educator has specific challenges, in that they teach students who experience drastic physical and acoustic changes of the voice as they grow from children to adults. The purpose of this study was to objectively analyze various acoustic characteristics of the …

A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers

LSU Doctoral Dissertations

Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).

Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Caryl Clark And Sarah Day O'Connell, Eds. The Cambridge Haydn Encyclopedia, Denis Mccaldin

HAYDN: Online Journal of the Haydn Society of North America

A review of "Caryl Clark and Sarah Day O’Connell, eds. The Cambridge Haydn Encyclopedia"

The Challenge Of Just-In-Time Teaching (Jitt): A Case Study In Music Education Pedagogy, Nicholas Batcher

Q2S Enhancing Pedagogy

It is nine o’clock in the morning in my “Intro to Music Education” classroom. The students enter the class room and begin to almost immediately begin debating important current trends in music education. Topics range from making sure music classrooms utilize a diverse range of repertoire (music) and literature; to LGBTQ+ students in the classroom; to teaching music to students with special needs; to the efficient use of technology in the music classroom. This is not your typical “sage from the stage” lecture. These students are actively participating and engaged from the moment class begins, and as the class continues, …

March 2020 School Of Music News, Wmu School Of Music

School of Music News

• 3/12/2020 Update - Changes to the status of events, including cancellations, will be updated on a daily basis.
• School of Music Responses to COVID-19
• 3/13/2020: Message from the Director Regarding COVID-19

"Seeing" Music Theory: Graduate Music Theory For The Visually Impaired Music Student, Moriah Leigh Wilson

Masters Theses

Visually impaired individuals often encounter obstacles when seeking to become financially independent and obtain marketable skills. An increase in technology has allowed visually impaired persons, who desire to further their musical skills, the capability to seek further education. However, there is a lack of curriculum, especially in higher education, for teaching music theory skills to visually impaired individuals. Because a foundational knowledge of music is developed through music theory, it is essential that music educators at higher education institutions are prepared and equipped to properly and adequately teach and prepare visually impaired individuals for the music industry. By building on …

School Based Assessment Of The Secondary School Integrated Curriculum (Kbsm) Of Music Education In Peninsular Malaysia, Soo Mei @ Jake Lina Lee Lee

Student Works (2020-2029)

The purpose of this study is to identify differences of attitude (affective, cognitive, evaluation and conation) and the perception (knowledge, satisfaction, understanding, experience and effective) of music teachers toward the School Based Assessment (SBA) of the Secondary School Integrated Curriculum (KBSM) in the lower secondary public schools in Peninsular Malaysia in terms of gender and teaching experience demography. This study also identifies the opinion of the stakeholders (education officers, examination syndicate officer, principle, parents, teachers and students) toward the implementation of SBA. The study also aims to identify the students’ musical ability and band achievement based on the Standard Performance …

I Am Still On My Way: The Influence Of Motivation In Transforming Identities, Zijia Cheng

The Qualitative Report

This article explores how my identities were transformed from a piano learner and player to a piano teacher and researcher by employing motivation. My musical background, piano learning experience, understanding and knowledge have formed me as a piano learner and player. My musical identities provide motivation which influences the establishment of my new identities. To investigate my background, an autoethnographical method was employed. Through this qualitative study, I found that my identity, interests and choices of research methodologies in music education are influenced by my understandings and beliefs gained from my own learning experience.

Senior Recital, Brody Roland

Honors Theses

No abstract available.

Opera And Children’S Literature: 1895-Present, John P. Delooper

Publications and Research

This presentation discusses the findings resulting from the creation of a comprehensive bibliography of English Language children’s opera books published from 1895 to present. Historically opera was often assumed to be an elitist art in the United States and was thus seldom discussed in library collection development literature, and equally rarely highlighted in children’s literature periodicals. Recently, two librarians, supported by a Carnegie Whitney grant from the American Library Association, investigated the impact of opera themed children’s books by compiling a bibliography which documented instances of opera in published English Language children’s literature over the last 125 years. By analyzing …

An Analysis Of Harmonic Color Use By Impressionist Composers, Lennon J. Ashton

Undergraduate Honors College Theses 2016-

Harmony is the musical element that truly distinguishes Western music from other kinds of music around the world. This is the vertical aspect of music that results when two or more pitches are heard simultaneously. The type of harmony that has formed the basis for most music over the past few centuries is known as tonal harmony. Tonal harmony involves having a tonal center, using major and minor scales, and using tertian chords that are related to one another and to the tonal center in various ways.

There was a period of time when tonal harmony and its principles were …

Creating Life-Long Relationships With The Arts: A Caring Philosophical Approach, Jennifer Sparkman Bartee

Electronic Theses and Dissertations

It is important to understand how performing and visual arts teachers make their classes personally relevant for students. This study examines what the intentions of elementary performing and visual arts teachers who chose to teach with additional affective content. Four research questions were addressed in this study: 1) What are the instructional intentions of care-oriented elementary arts teachers? 2) What are the affective intentions of care-oriented elementary arts teachers? 3) How are these intentions actualized (or not actualized) within elementary arts classrooms? 4) What is the significance of these findings for elementary schools throughout the country?

To respond to these …

Fine, Elaine - Covid-19 Journal, Elaine Fine

Personal Journals

COVID Diary submitted by Charleston/Coles County, IL resident and musician, Elaine Fine

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

Curricular Change In Collegiate Programs: Toward A More Inclusive Music Education, Bryan Powell, Donna Hewitt, Gareth Dylan Smith, Beatrice Olesko, Virginia Davis

School of Music Faculty Publications

Despite decades of discussion, debate, and incremental gains, acceptance of popular music education in collegiate institutions is still in its inception. Higher education (and indeed, education in general) in the United States is rife with pervasive inequality and injustice, excluding large numbers of potential students on the basis of race, class, income, and cultural orientation. If music education is to continue and thrive in the 21st century and beyond, widespread curricular changes are needed in preservice music teacher education to move toward a model that is inclusive, equitable, diverse, and culturally responsive. The purpose of this paper is to illuminate …

Theorizing Trikāla: A Generalized Intervallic Approach To Pulse Transformation In South Indian Carnatic Music, Robert L. Wells

Music

The rich rhythmic/metric construction of South Indian Carnatic music is characterized, in large part, by intricate interplay between an internalized metric cycle called the tāḷa and performed phrases that may generate expressive tension with this tāḷa. Thus, informed listeners, who track the tāḷa using standardized hand gestures (kriyās), may experience substantial internal tension. A common source of such tension is trikāla technique, in which the performed pulse unit expands or contracts over constant tāḷa. While trikāla has been thoroughly described performatively, historically, and culturally, it has received little attention within the music-theoretic realm. Thus, this paper seeks to …

Senior Trumpet Recital, Cheyenne Vannest

Senior Honors Theses and Projects

This document consists of program notes, the repertoire selection process, and reflections following my senior trumpet recital. The program was as follows; Sonata for Trumpet and Piano by Eric Ewazen, The Lost Chord by Arthur Sullivan, Concerto in E-flat by Joseph Haydn, and Slavische Fantasie by Carl Höhne.

Music Identity And Listening Preferences Of Students In High School Performing Ensembles, Caitlin Harris

Masters Theses

The purpose of this qualitative action research study was to examine and identify the listening preferences and musical identity of high school members of performing ensembles. Participants were involved in five stages of data collection; the initial questionnaire, the first listening journal, a feedback questionnaire, the second listening journal, and individual interviews. Data was collected during the 2017-2018 school year, and participants completed all phases during their personal time. Three research questions framed this study:

1) How do the listening preferences of students help shape their musical identities?

2) Do students’ listening preferences outside of school conflict with their in …

Claude V. Palisca As Music Educator: The Yale Seminar On Music Education And The Norton Anthology Of Western Music, Jelena Dj. Simonović Schiff, Jere T. Humphreys

School of Music + Theater Faculty Publications and Presentations

Claude V. Palisca (1921–2001) was a prominent American musicologist and music educator. He authored books and articles about Renaissance and Baroque music theory and developments in musicology, but is most widely known as the founder and first editor of the Norton Anthology of Western Music (NAWM) and coauthor of A History of Western Music, the two music history textbooks that are still in use in classrooms worldwide. In this article, we trace Palisca’s first idea of the NAWM’s structure, content, and purpose through his writings and activities between the 1950s and late 1970s. The central part …

Teaching For Musical Understanding Through The Core Music Standards: Creating, Performing, And Responding In The Elementary Music Classroom, Amanda Lynn Ijames

Murray State Theses and Dissertations

This study investigates the implementation, assessment, and instructional needs of elementary music educators of the First District of the Kentucky Music Educators Association in teaching for musical understanding through the artistic processes of creating, performing, and responding of the Core Music Standards. The overarching goals of music education are to teach students to become musically literate and independent makers of music. The researcher conducted an online survey and interviews of members to determine their current instructional and assessment practices and their challenges so that an action plan could be created to assist elementary music educators. Through this study, the researcher …

Music Notation-To-Color Synesthesia And Early Stages Of Music Education: A Grounded Theory Study, Eduardo Sola Chagas Lima

Dissertations

Problem

Synesthesia is a neurological condition characterized by over-abundant neural connectivity between commonly highly specialized areas of the brain. The developmental form of the condition often results in automatic and consistent cross-sensory associations between perceived stimuli and commonly unrelated brain regions. This research contemplates the specific form of music notation-to-color synesthesia and its impact on early stages of music education. Synesthetes with this mode of the condition tend to involuntarily yet consistently associate music-notational concepts with colors, thus rendering their assimilation of these concepts unique and individualized. The purpose of this study is to determine the extent of these individualized …

Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova

Theses and Dissertations--Music

The main purpose of this monograph is to provide a faceted study of Marin Goleminov’s Concerto for Viola No.1, a work of art complexly revealing its creator’s constructive study of style – including national style. It is hoped that this will, among other things, assist in deepening relevant performances and researches.

This document examines the M. Goleminov Concerto for Viola and Orchestra no.1, 1950 (Концерт за Bиола и Oркестър Hомер 1 Марин Големинов, р.1908–п.2000). It would bring essential features of it to the attention of a broader audience, perhaps beginning with inquisitive violists. If, with the necessary selectivity, …