Sculpture Commons^™

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

On The Cover: Artist’S Statement For Sin City Sucker Mask, Lisa Tucker

The Graduate Review

Lisa Tucker creates conceptual, mixed-media sculpture using found materials. She makes artwork that encourages people to think about the uncomfortable things about which we do not often talk. Her artwork uses visual/verbal puns that relate the concept of the work to the material used to create it.

In The Attic Of A Barn, Hunter Pylant

Electronic Theses and Dissertations, 2020-2023

I create wooden and metal sculptures that are abstractions of old memories that examine, celebrate, and embody my rural culture, upbringing, and heritage. I aim to honor my family's memory and keep their passion for craft alive through working with the tools that have been passed down from them. When I find myself struggling in life I always look to my personal history to find answers. I am reminded of my family's rural and military backgrounds and of the tradespeople from my family: carpenters, blacksmiths, farmers, and soldiers. Through their chosen trades and tools, generations from my family were able …

Culture For Sale, Jessica L. Cartwright

College of Graduate Studies: Theses & Dissertations

In a post-colonial world, one would expect much of the servitude of the past to have ended, but this is not the case. In places such as the Bahamas new forms of or neo- colonialism has come to exist specifically under the guise of tourism. Writing amidst the end of colonialism in the twentieth century, Franz Fanon argues that sblack person exists in a liminal state. They must assimilate to the white society in order to be accepted, but not so much so thatbecause that it threatens whiteness. It is through Fanon’s writing on race that I have developed a …

A Gun For Every Woman, Gentë Retkoceri

Theses and Dissertations

Six centuries ago in Kosova, my home country, unmarried women known as sworn virgins, were forced to adopt a male persona and carry a gun to protect themselves. But today, guns have become tools of oppression and violence against women. And while the legal system carries penalties for domestic violence, marital rape is excluded. To shine a light on, and expose the topic of hidden violence, my thesis uses artivism to address a sensitive but provocative issue, exhibiting a large-scale sculpture of a gun, designed to provoke raw emotions; to challenge visitors to consider the terror felt by women threatened …

Sun Tunnels (1973-76) By Nancy Holt: One Earthwork's Interdisciplinary Approach, Hikmet Loe

Creative Collaborations

In 1973, American artist Nancy Holt (1938-2014) extended her studio practice into the land, employing light, vision, and perception through photography, film, installations, and poetics. By creating her monumental earthwork Sun Tunnels (1973-76), Holt became a leader within Land art, one of the few female artists working in a male-dominated discipline.

Sun Tunnels—located near the border of Western Utah and Eastern Nevada—is comprised of four concrete tunnels placed in an “X” pattern on the Great Salt Lake Desert’s alkaline floor. Each tunnel measures 18’ (L) x 9’ 2 1⁄2” (D); the overall work measures 9’ 2 1⁄2” x 68’ …

Wound-Dwelling: Empowerment Through Masochistic Experiences, Nizlyn

MFA in Visual Arts Theses

The psychoanalytic concept of the Skin Ego Theory describes the skin as a passage for pain and pleasure to travel through. Remnants of external experiences as well as internal struggles affect the penetrable barrier of the somatic wrapping and leave inscriptions on the flesh. Through my work, I have been exploring the skin’s ability to protect, envelope, and inscribe meaning through my papercuts, oil paintings, and clay sculptures. I procure the marks on my body through kink and BDSM, which then influence the work. Though my bruises may fade with time, my skin becomes tougher. By recontextualizing Skin Ego Theory …

Mother Water, Crystal J. Hammerschmidt

Master's Theses or Doctor of Nursing Practice

Water is life. That which nurtures, sustains and nourishes. My mother is truly my water. The one who gave me life and has supported and nurtured me though and through. While wading through the challenges and adversity of graduate school, she has been there every step of the way; and while I struggled to find what I was trying to say, I was quietly toiling over thoughts of my own fertility, maternal instincts and desire to nurture something and I began to acknowledge the mortality of my own mother.

The materials and images I combine are deeply connected to my …

Mfa Thesis Exhibition - Enormous, Wendy (Suat Huay) Tan

Master's Theses or Doctor of Nursing Practice

Artist Wendy (Suat Huay) Tan

MFA Sculpture

Artworks Statement

We all see the world in different ways and we all see it from a human scale. Observing small creatures in nature has always fascinated me. There is a small world that exists just below our feet which is full of beauty and excitement. These seemingly insignificant little creatures such as ants can represent a microcosm of human existence.

Ants live with us on every continent and their existence may seem valueless but in fact their lives have enormous ecological importance. One in every thousand insects is an ant. Their total …

Inhumane, Jordan Brown

Master's Theses or Doctor of Nursing Practice

My Goal is to bring awareness to the plight of wild creatures who have lost their habitats due to pollution and urban sprawl. I will be making porcelain vessels that influence people to think about their role on the environment. Both terrestrial and aquatic life has been impacted by humans through poaching, non-traditional medical practices, and human activity in the ocean. By making impressionable clay urns, I hope to bring light to these issues that affect animals. Through research I have been enthused by the steep historical forms from Greece, China, and Europe. Their exceptional skill and knowledge of the …

Assimilating Antiquated Attachments, Brittney Wegener

All Graduate Theses, Dissertations, and Other Capstone Projects

Intention is a stage set for all the world to perceive. I intend to shake the status quo, I intend to break loose from that which I think I know, I intend to learn, and yet unlearn, I intend to make and be the most liminal that I can be bridging the spaces in between. I hope in the following lines that you too may come to believe in the we. Down the rabbit hole she goes, into the deep confines of her mind. Upon approaching the curious, contorting caterpillar she’s asked, “Whoooo are yooou, I said AGH WHOO ARE …

Ouroboros, Haley R. Biere

Graduate Theses/Dissertations

My work uses both painterly and sculptural elements to convey my personal transgender experience. My work is for the little girl who I was, who was incapable of speaking out or expressing themselves. I create work for others that face similar situations, as well as for those who face feelings of gender dysphoria, as I did and still do by not conforming to the gender I was assigned. Working the way that I do is a way for me to rediscover myself after years of shoving my identity to the side for the sake of others. Growing up in rural …

Current(S), Austin Raye Navrkal

Graduate Student Theses, Dissertations, & Professional Papers

Current(s) addresses my perspective of the subtle changes that happen as the seasons slowly transition to act as a metaphor for the subtle changes that have happened to me over the course of my time in graduate school.

Perplexions: Perceptions, Plexi And Prose, Amy B. Nelson

College of Graduate Studies: Theses & Dissertations

An understanding of our world is unique to each individual and their experiences. While experiences are often shared, we all process them according to our own schema. Through exploration into the multiple facets of plexiglass, my work examines trauma, loss and its lasting effect on a person's memory of the past, present and perception of the future. These experiences can cause an abrupt shift in personal schema and reshape one’s perception of the world. Through the combination of visual and linguistic stimuli, my trauma-informed work can be a catalyst for my viewers to discuss what they are experiencing and why. …

Spectrum Of Shit, Hannah Hiaasen

Theses and Dissertations

Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …

Until Its Calmness Can Claim You, Gabrielle Mchugh

Theses and Dissertations

This is an invitation to pause //

This is an externalization of my inner landscape, a highlight of what I value in my everyday and what comprises my lexicon of a sacred space. The following is a journey of nets, quiet, the sacred, space, and the in-between; where I share research and questions that are the foundation for my thesis work, Until Its calmness can claim you.

// This is an invitation to find moments of quiet in the noise

Until One Resembles The Other, Chad E. Mundie Jr.

Theses and Dissertations

A written accompaniment to Chad Mundie’s thesis exhibition titled Until One Resembles the Other, conceived during the years 2021-22 and installed at The Anderson Gallery, Richmond from April 9-22nd.

The following writing explores themes of labor within the home, generational knowledge, interiority, exteriority, and emotional residue through a series of essays surrounding areas of interest within my practice. The writing concludes with documentation of the show and an accompanying explanatory text.

Dregs / Lessons From The Things Around Us, Juan-Manuel Pinzon

Theses and Dissertations

The writing in Lessons From the Things Around Us is in support of the work in my MFA thesis show, dregs. I detail the progression of my making and thinking over the last two years. I expand on the material and personal relationships that have manifested themselves in the work and influenced my approach to the things that surround me. Finally, I point to a more expansive definition of Craft, rooted in its material sensibilities, and the possibilities already present in the field that this definition creates.

Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan

Theses and Dissertations

This thesis examines an alternative processing mechanism surrounding the act of healing after traumatic experiences in life. Using a methodology of iterative patterning and tool-pathing, a collection of inflatable garments and wooden mannequins analyzes defense mechanisms learned in early childhood development. This work highlights an essential body of recent scholarship that takes cuteification seriously to restore a childlike approach to mastering fear. This paper will review the definitions of cuteness and childlike humor and then describe how visual culture has implemented these components to subvert established power.

It Takes A Muscle: Wholes, Holes, And Other Voids, Saar Shemesh

Theses and Dissertations

IT TAKES A MUSCLE¹

In the BELLY of the BEAST, the HUMAN

in the deep end of a SWIMMING POOL

in a GRAVE, looking up/out from within

at the base of a CRATER, ABYSS, PIT

the room as a CRADLE, INCUBATOR

architecture as MOTHER MOULD.²

____________________________

¹ Title is borrowed and abbreviated: Spectral Display, “It Takes A Muscle To Fall In Love,” 1982.

² For what American-English delineates as ‘mold,’ British-English uses ‘mould’ and is more specific in its technicality. The former doesn’t distinguish in spelling between mold (fungus) and mold (mould). I’m not particularly a fan of …

Stations Or There Goes Nothing, Jeremy D. Lawson

Theses and Dissertations

Jeremy Lawson uses bright, expressive, abstract painting in conversation with minimalist sculpture to encourage a meditation on the death of the self, the potential for it's transformation, and the struggle to maintain the tools beyond language necessary to experience the sublime.

Damned Ol' Dirt, Molly Morningglory

All Theses

damned ol’ dirt centers mindfulness and embodiment practices to foster relationships with the self, each other, and the land. These relationships intend to collectively imagine and then build an emotionally and environmentally sustainable and joyful future. My practice foregrounds clay with digital video, photography, and fabric dyeing, recording the imprint of performance. I use my hereditary understanding of clay and fibers, a trained attunement to the natural world, and my background of performance in craft (via demonstration of tactile techniques) to transfer knowledge and skill to the viewer. Through the creation of tableaus and documents of rituals based in materiality, …

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

"Illumination The Sculpture Of James O. Clark" Catalogue, T. Michael Martin

Faculty & Staff Research and Creative Activity

It has been a challenging journey to mine and sift through the body of work of James O. Clark to select a representation of his studio practice and 50-year career. While curating "Illumination: the Sculpture of James O. Clark," I encountered more than the common curatorial concerns such as artwork availability, scale, aesthetic and conceptual themes, transportation and presentation issues. During my conversations with Clark, we found ourselves in an unprecedented pandemic – impacting travel, shipping, and studio visits.Throughout this process, Clark and I remained flexible to ensure a representation of his career could be exhibited without compromise. Selections for …

Martin Puryear: 40 Years Since Sentinel, Merlyn I. Maldonado Lopez, Shannon Egan

Schmucker Art Catalogs

Artist Martin Puryear’s commitment to seeing objects as connected to history and culture resonates with a moment when Gettysburg College reflected on the significance of its own historical place and time. As the College approached the sesquicentennial anniversary of its founding, it decided to mark the occasion not with a ball or parade, but with “an intelligent artifact,” a permanent marker that both recognizes its maker and offers its own history. In 1980, Associate Dean of the College Robert Nordvall suggested to President Charles Glassick that they ought to commission a monumental sculpture on campus. Glassick then created the Ad …

Barbara Johns: A Lasting Legacy In National Statuary, Hannah Knight

History in the Making

No abstract provided.

Insight Ar. Relating Virtual Sculptures To Real Places., Volker Kuchelmeister

Frameless

InSight AR is a site-specific Augmented Reality project and mobile phone app produced for the popular Sculptures by the Sea Bondi exhibition, to be held in Sydney Australia in 2021. It forms uncanny relations between virtual sculptures, visitors, the environment and the art on site. The project is comprised of three parts: an outdoor work using AR plane detection and geo-location, AR image and spatial tracking for an indoor exhibit and a 3D map of the coastal walk, also presented in AR. The work is designed to be playful, fun and it encourages its viewers to share their experience on …

Tools For Wellbeing, Barbara Knezevic, Michael O'Hara, Claire Louise Bennett, Marysia Wieckiewicz-Carroll, Linda Quinlan, Suzanne Walsh, Maja Ćiric, Maeve Connolly, Sue Rainsford, Peter Maybury

Books/Book Chapters

No abstract provided.

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

Typographic Interventions: Disruptive Letterforms In Public Space, Clark A. Goldsberry

Journal of Social Theory in Art Education

We are surrounded by typography—on billboards, aluminum cans, pill bottles, and pixelated screens—but artists and art teachers, seeking out the materiality of their lived environments, should be able to look at text in different ways. Many artists utilize letterforms as a medium of juxtaposition and recontextualization (Gude, 2004) by placing text in places we don’t expect to see it, or they subvert the messages we expect to read. Typographic interventions can be seen everywhere, by all types of artists, makers, activists, and dissidents. These interruptions could be framed as forms of socially engaged art (Helguera, 2011; Mueller, 2020) that “suspend …