A Fragile [In] Tension, Jose Homero Gutierrez, Jose Homero Gutierrez

Electronic Theses and Dissertations

The exhibition, a FRAGILE [In] TENSION, is a compilation of 6 sculptural installation works—the result of two and a half years of work in the ceramics workshop— combining various ceramic procedures, incorporating crochet techniques, and repurposed materials. Each of the materials represents specific memories of the past linked to a place of origin and people deeply attached to me, representing complementary feelings. Ceramic objects were created on the potter's wheel and subsequently joined, modified, intervened, and added to their corresponding installations following a series of self-directed design rules. The sculptures are an emotional, psychological, and physical response to the past …

Nepantla: The Space In-Between, Samantha Shamard

All Theses

The word Nepantla is from the Mesoamerican Nahuatl language and is used by theorist Gloria Anzaldúa to describe a space of mixed, and borderland identity. Nepantla: the space in-between creates a physical manifestation of my experience as a mixed Latina woman raised in American suburban culture. This series is made up of ceramic objects on wall-mounted altars made of wood panels adorned with wallpaper and paint. The surfaces utilize visual references and color schemes from 90s girls’ bedrooms and Mexican pop-culture. Ceramic bones and cacti mounted onto the altar forms are all made through molded ceramic processes, which for me …

Aiii Sài Gòn Hông?, Jackie Ta, Ngoc Uyen Phuong Ta

All Theses

“Aiii Sài Gòn Hông?”

In Saigon, “Ai… hông?” is a phrase that street vendors often shout to advertise what they sell for the day. This body of work, “Aiii Sài Gòn Hông?” (Translates: “Saigon, anyone?”) invites the audience to take a glimpse into the vivid everyday life in contemporary Vietnam through a perspective of a Saigon local. Utilizing the modalities of painting and sculpture, I collect, accumulate and organize parts of the streets and marketplace by manipulating and amplifying certain key visual elements. The goal of the work is to reconstruct an experiential space that speaks not only to the …

Effects Of Surface Noise On Printing Artifacts: An Artistic Approach To Hiding Print Artifacts, Samuel New

All Theses

This research focuses on improving the quality of Fused Filament Fabrication (FFF) 3D printing by using fractal noise to mask certain print artifacts (e.g. layer lines and stair-stepping). The use of textures is quite common in digital sculpting for aesthetic reasons. This study focuses on finding specific textures that minimize visible 3D print artifacts.

Footed Blue Bowl, Emma Gillam

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

North Coast Otters Public Arts Initiative: Commemorative Auction Catalog, J. M. Black

Archives & Reprint Series (imprint)

In 1999, a citizen science program for submitting river otter observations was created through the Humboldt State University Wildlife department. In 2017, Jeff and Gilly Black from the HSU Wildlife department were inspired by the public arts initiative by The Art of Fundraising project of England's Dartmoor National Park. In 2019, a special partnership with Ink People Center for the Arts, North Coast Open Studios, HSU’s Art Department, Crescent City Art, and the Trinity County Arts Council led to local North Coast artists decorating more than 100 3-foot-tall otter sculptures. The sculptures were displayed at shops, galleries, schools, and other …

Kiss/Caress, Laurie Green

Ought: The Journal of Autistic Culture

Like many aspects of self, my sexuality remained under wraps for the first three decades of my life. I felt desexualised in my body, unaware of my autism but deeply aware of my alienation and social position. Unable to find a sexual reflection in popular culture and bombarded with tropes of toxic masculinity I turned my sexual desires inwards. Only with my closest confidant, my partner, did any semblance of sexuality emerge, mediated by images and symbols imbibed as a teenager. My deep desire for connection that extended into sexuality felt ossified and unaired—kept in an air-sealed wrapper, like a …

S.O.S., Sondra P. Schwetman

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

There are two major bodies of work I generate: one is based on three-dimensional clothing construction, and the other is allegorical figurative work. Both bodies of work display their own poetry. Working with materials such as: Forton MG resin, fibers, bronze, found objects, etc., I feel that possessing knowledge in as many mediums as possible is necessary so that one can achieve a “vision” that is a basis for communication. It is my desire to start a dialogue about women’s issues, cultural change, and contemporary miasma. S.O.S. addresses a variety of related issues: bearing witness to our current times, social …

Material Analysis And Conservation Treatment Of Louise Nevelson’S Sculpture Dawn’S Image, Night, Kaela Nurmi

Art Conservation Master's Projects

Louise Nevelson’s large-scale, matte black assemblage sculpture Dawn’s Image, Night, 1969, is owned by and currently on display at SUNY Buffalo State College. The paint layers exhibited significant amounts of dust, some damages, vandalism, and unsightly fingerprints. Extensive scientific analysis and archival research were utilized to design an appropriate treatment and long-term preservation plan. Methods of analysis include: Fourier transform infrared spectroscopy, pyrolysis-gas chromatography-mass spectrometry, microchemical testing, and xray fluorescence spectroscopy. The project also addresses the ethical considerations surrounding the prior removal of original components for safety considerations, repainting as a possible treatment, and the overall obstacles of treating a …

Rupturismes: Art Sonor A Mallorca, Un Poc De Context, Antoni Pizà

Publications and Research

Antoni Caimari (1943-2021), com sap tothom, no era un músic com els altres; i tampoc no ho volia ser. Encapçalava els títols de les seves obres musicals amb les inicials EB o «esbós» (com altres compositors les inicien amb Op.) per donar una idea que no tenien res a veure amb les composicions tancades i immanents dels mestres del passat. Aquests EBs no tenien partitura perquè, com va dir Llorenç Barber, un altre compositor donat als aforismes, estaven alliberats de la tirania de la «partiturocràcia».

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Military, Art & The Inbetween, Andrew Storck

Masters Theses

I find myself navigating life from the perspective of both a civilian and military service member. Everyday, I am between domestic, civilian spaces and military memories as my military service has impacted every aspect of my adult life. Serving in the United States Air Force allowed me to travel the globe while working alongside people from every class and race, on missions focused on tasks greater than ourselves.

My artistic practice explores how my time in the military has affected my transition back into civilian life by using sculpture and installation to express a variety of emotions. I hope my …

Traveling Troubled Wallflower, Julius Cavira

Masters Theses

Cavira is an interdisciplinary Conceptual artist... nuff said.

Holding Spaces, Zibby Jahns

Masters Theses

I’ve focused my graduate studies at RISD on the conceptual and social function of chairs as an investigation into comfort and grief. Grief is an apprehension: defined both as “to grasp” and as “anxiety/loss”.

With the multitude of deaths due to the inadequacies of our government and healthcare system, and the general anxiety everyone has been feeling through this pandemic, it has felt difficult to grieve for any individual person, in person. We have to grieve in the ways capitalism has taught us: silently, behind closed doors, without much time or fuss or drama, mourn with dollars and move on. …

All At Sea, Yangyang Mao

Masters Theses

What is the reality of young people born between 1985 and 1995 in China? How do they feel about themselves? As one of the generation, I feel like I’m often haunted by futures that failed to happen. Reasons are multiple and are closely influenced by the social context, such as the implications of the Cultural Revolution (1966-76) and One Child Policy (1980-2016), which has marked each individual’s growth in this age with unfading recollections.

Messy Resurrections, Mia Rollins

Masters Theses

Mediated through conversations with a Replika chatbot, “M”, Rollins outlines six examples of scientific and technological phenomena that not only can be understood as metaphors for aspects of the human experience, such as memory, grief, hope, desire and love, but are also concrete examples of the ways in which the past and future have material impacts on our presents, our current identities, and are entangled with our own becomings. Rollins argues for a posthuman perspective that embraces the possibilities of information technologies while still recognizing that we are embedded in a material world of great complexity. Through linking Karen Barad’s …

Shalom, Zoe Schwartz

Masters Theses

I am a Jewish Filipina American, a hybrid of two hyper feminine archetypes: the Jewish American Princess and the Pinay Beauty Queen. Generations of assimilation, colonization and genocide taught my matriarchs to internalize the white male gaze. It was not until I looked in the mirror that I saw her. She understands the importance of performance and appearances because she knows, in a world that will not protect you, there is safety in conforming to feminine norms. She uses her knowledge of pop culture, beauty standards, humor, class symbols and social acceptability to imitate and perform desirable [white] femininity and …

Transnationals; Or, The Modern Frankenstein, Kai Ji

Masters Theses

“Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow.”

The title of this thesis is adapted from the title of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the quote above is said by the scientist in the novel. To associate the word “Frankenstein” with “transnationals” is not to refer to the transnational as the monster, but to …

Visibility, Jamie Valdez

Electronic Theses, Projects, and Dissertations

I am a woman, activist, artist, mother, and wife. My art practice questions the role of

institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing

visibility to what is ignored, I create works that are critical to the unfair expectations that society

fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through

different conceptual strategies, my work questions what society has taught us about gender

roles and explores the pedagogies that our institutionalized education has systematically

perpetuated for women and girls from early educational experiences.

Shaping The Witch: A Visual Art Thesis, Amanda Cobb

University Honors Theses

This thesis is an exploration of the complex and interconnected nature of folklore, personal mythology, and re-enchantment as expressed through the lens of puppetry. I have drawn inspiration from the works of deeply reflective works concerning the psychological nature of mythologies of Joseph Campbell and Carl Jung, as well as the magical and beautiful work of artists Jim Henson, Brian and Wendy Froud, and Mercer Meyer. Through working in the medium of puppets, I have given consideration to the possibilities and limitations of these forms in expressing the complexity of narrative, personal mythology, the anxiety of disenchantment, lost and reclaimed …

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

Echoed Sites And The Unknowable Object, Joseph Canizales

MFA in Visual Art

This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

Monuments Are For The Living: The Confederate Mound Monument And The Falsehood Of Reconciliation Statues, Janelle O'Malley

Student Projects

In 2015 the Southern Poverty Law Center (SPLC) began tracking Confederate symbol usage in the United States, namely focusing on confederate flags and monuments. That same year a white supremacist fatally shot nine Black worshippers at the historic Emanuel African Methodist Episcopal Church in Charleston, S.C. The shooter in this case had confederate symbols all over their home. This sparked conversation nationally about confederate symbolism and its true purpose. In turn, the conversation led to highly contested debates on confederate monuments and statues. Between 2015 and 2020, 148 confederate statues were removed from the public eye. But the most shocking …

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.

“For My Will Is As Strong As Yours And My Kingdom As Great”, Anna L. Cone

Theses and Dissertations

My work responds to trauma, systems of power and abuses of power. The pieces give materiality to unseen labor and devalued knowledge, often disseminated from the “feminine,” domestic spaces of kitchens and baths, through practices of magic, astrology, ritual and baking. My materials–jello, hair and kitchen ingredients–refer to complex histories, brought present through film and performance.

Bare: The Modern Female Nude Uncovered, Tasha A. Determan

Honors Thesis

My honors thesis criticizes representations of the female nude and advocates for diverse expression of the female body. The research encompasses two series of artwork and a written component examining and reflecting upon the artwork. The first series is Venus of Fruit, which assesses past depictions and associations of the female nude specifically objectification and sexualization in western art. The sculptures are four cast bronze nude figures within an apple, a banana, and a pineapple. The figures are Venuses trapped within nature, beauty, fertility, and sexualization. The second series is Venus Anew, which examines the naked and the …