Sculpture Commons^™

Inspiration And Realization, Shannon Wright

SWITCH

Artist Shannon Wright reflects on her personal experience with art, and sculpture in particular, including the differences between the inspiration and realization stages of art creation.

Funerary Stela Of Heni, Risd Museum, Antoine Revoy, James Allen

Channel

Offered symbolically, the images and hieroglyphics depicted on the right of this funerary stela ensured that Heni, a local high official, would never experience hunger or thirst in the afterlife. The slightly awkward proportions of Heni’s figure are typical of monuments of the First Intermediate period, when there was no centralized government in Egypt. The lack of royal control over artistic production during this time allowed artists to experiment, as seen in the multiple levels of relief on Heni’s kilt, the particular green of the hieroglyphs, and the striped border. 2134-2040 BCE

2013 Forces, Scott Yarbrough

Forces

No abstract provided.

Chair And Table, Risd Museum, Tony Cokes, Rosanne Somerson

Channel

Richard Artschwager was a scientist and a furniture maker before becoming an artist. Through a witty transformation of material and scale characteristic of Pop Art, his work considers the relationship between art and everyday objects as it explores ideas about both sculpture and furniture. The exaggerated thickness of the chair and table negates their traditional function: the narrow space between the seat and tabletop make it impossible to sit there. Artschwager’s use of Formica® with a simulated wood-grain pattern raises questions about what is real, fake, or a simulation of something else. In the case of his Exclamation Point, Artschwager …

Body As A Vessel, Matt Chenoweth

Department of Art and Design

No abstract provided.

David Lucas, David Lucas, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.

Sculpting The Future: New Public Art Incubator Seeks To Enable Regional Artists To Produce Commissioned Public Art Through Uni, Northern Iowa Today, Winter 2013

Art on Campus Documents

Various articles on art at the University of Northern Iowa (also formerly known as Iowa State Teachers College).

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Art & Design Faculty Research

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

[ ] (Making Sense Of What Is Known And What Is Unknown, Jake Weigel

Electronic Theses and Dissertations

The ontological curiosity of how "things" work and how our perceptions are shaped are two of the most innate and difficult questions to answer as there is a vast amount of information that is unknowable. The great void of this unknown is the driving force behind all mystical, alchemical and religious endeavors throughout human history, which seek to alleviate the discomfort of such nature. The art that I create is from a complex development of research and experience into this area of philosophy. It seeks to visualize the immaterial in order to have a better grasp on the difficult questions. …