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Articles 1291 - 1320 of 1392

Full-Text Articles in Sculpture

Portrait Of Mignon Doran, Unknown Jan 1973

Portrait Of Mignon Doran, Unknown

Morehead State University Art Collection

An unsigned 1973 charcoal portrait of Mignon Doran.


"Bald Eagle", Gene Gray Jan 1973

"Bald Eagle", Gene Gray

Morehead State University Art Collection

A 1973 painting of a bald eagle by artist Gene Gray. This is a numbered print.


Mornings By The Sea, Ben Shahn Jan 1973

Mornings By The Sea, Ben Shahn

Morehead State University Art Collection

A 1973 colored lithograph by artist Ben Shahn.


The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston Jan 1973

The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …


Sculpture And Its Environment, Eric J. Hansen Jan 1973

Sculpture And Its Environment, Eric J. Hansen

All Master's Theses

The discussion about sculpture in this paper will be limited to the following three points:

1. The incorporation of the base into a sculpture; the removal of the base from a sculpture and what effects this has on the piece and its environment.

2. Variations on similar forms, and how they relate to baselessness.

3. Completely freeing the sculpture of any structural contact with the ground plane.


Portrait Of Adron Doran, Ogden Jan 1972

Portrait Of Adron Doran, Ogden

Morehead State University Art Collection

A 1972 portrait of Adron Doran by an artist named Ogden.


Morehead State University - Mignon Complex & University Breckinridge School, Douglas Adams Jan 1972

Morehead State University - Mignon Complex & University Breckinridge School, Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Mignon Complex and University Breckinridge School on the campus of Morehead State University by Douglas Adams.


Perched Bald Eagle, James Fenwick Lansdowne Jan 1972

Perched Bald Eagle, James Fenwick Lansdowne

Morehead State University Art Collection

A 1972 color print of a perched bald eagle by J. F. Lansdowne.


John Lewis, Unknown Jan 1972

John Lewis, Unknown

Morehead State University Art Collection

A 1972 bust of John Lewis created from coal.


Morehead State University - Doran Student Building (Aduc), Douglas Adams Jan 1972

Morehead State University - Doran Student Building (Aduc), Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Doran Student Building (ADUC) on the campus of Morehead State University by Douglas Adams.


Morehead State University - Button Auditorium, Douglas Adams Jan 1972

Morehead State University - Button Auditorium, Douglas Adams

Morehead State University Art Collection

A 1972 color print of Button Hall on the campus of Morehead State University by Douglas Adams.


Polystyrene And Urethane Foams In Sculpture, Victor C. Connor Jan 1972

Polystyrene And Urethane Foams In Sculpture, Victor C. Connor

Masters Theses

No abstract provided.


Super Slick Synthetic Softys, Dennis Smith Jan 1972

Super Slick Synthetic Softys, Dennis Smith

All Master's Theses

The following thesis is the thought pattern I use during the conceptual stages of my sculpture. "Super Slick Synthetic Softys" bombards the imagination with thousands of images. Images are of immense importance to the artist. His mind must be in constant motion, forever conceiving new and different forms and images.


Mark's Art And Bridge Construction, J. Mark Erlander Jan 1972

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.


The Micro-Environment Museum, John Clark Gleason Jan 1972

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.


Johnson Camden Library, Douglas Adams Jan 1972

Johnson Camden Library, Douglas Adams

Morehead State University Art Collection

A 1972 colored print of the Johnson Camden Library by Douglas Adams.


The Exploration And Utilization Of Unpredicted Movement In Kinetic Sculpture, Relying On Wind As A Natural Force, Using Metal Rod And Cloth Sails As The Medium, Gary A. Grohmann Jan 1972

The Exploration And Utilization Of Unpredicted Movement In Kinetic Sculpture, Relying On Wind As A Natural Force, Using Metal Rod And Cloth Sails As The Medium, Gary A. Grohmann

Masters Theses

No abstract provided.


Design Of Spatial Interstices, Byron Hiroyuki Kato Jun 1971

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.


Dominant Aesthetic Influences Affecting My Work As An Artist, Noel Kenneth Heffley Jan 1971

Dominant Aesthetic Influences Affecting My Work As An Artist, Noel Kenneth Heffley

Masters Theses

No abstract provided.


The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston Jan 1971

The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …


A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles Jan 1971

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.


Sculptural Furniture, Gary Galbraith Jul 1970

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.


The Record Of A Masters Thesis Exhibit, Gary Michael Green Jul 1970

The Record Of A Masters Thesis Exhibit, Gary Michael Green

All Master's Theses

This thesis documents the preparation, exhibition, and audience reaction to an art exhibit created by the author.


Beethoven, Jack Coughlin Jan 1970

Beethoven, Jack Coughlin

Morehead State University Art Collection

An undated print of Beethoven by printmaker Jack Coughlin.


Tchaikovsky, Jack Coughlin Jan 1970

Tchaikovsky, Jack Coughlin

Morehead State University Art Collection

An undated print of Pyotr Ilyich Tchaikovsky by printmaker Jack Coughlin.


Bela Bartok, Jack Coughlin Jan 1970

Bela Bartok, Jack Coughlin

Morehead State University Art Collection

An undated print of Bela Bartok by printmaker Jack Coughlin.


Chopin, Jack Coughlin Jan 1970

Chopin, Jack Coughlin

Morehead State University Art Collection

An undated print of Frédéric Chopin by printmaker Jack Coughlin.


Helm Place, Woody Huston Jan 1970

Helm Place, Woody Huston

Morehead State University Art Collection

An 1970 color print of Helm Place in Lexington, Kentucky by Woody Huston.


Morehead State University - Bald Eagle, Gene Gray Jan 1970

Morehead State University - Bald Eagle, Gene Gray

Morehead State University Art Collection

A 1970 color print of a bald eagle by Gene Gray.


Ashland, Woody Huston Jan 1970

Ashland, Woody Huston

Morehead State University Art Collection

A 1970 color print of Ashland in Lexington, Kentucky by Woody Huston.