Sculpture Commons^™

Browning's "Confessions": A Curious Monologue, Tony Jack Howard

Forces

No abstract provided.

Familial Hypercholesterolemia: A Killer That Will Be Understood, Jean S. Helgeson

Forces

No abstract provided.

Alone In The Dark, Lin Kaillies Kasian

Forces

No abstract provided.

Untitled, Adanna B. Craft

Forces

No abstract provided.

Untitled, Marla Knowles

Forces

No abstract provided.

A Portrait Of Polluted Water, Jeff Speed

Forces

No abstract provided.

Some Of Us, Scott Dwight Huffmaster

Forces

No abstract provided.

Untitled, Bill Wilkinson

Forces

No abstract provided.

1991 Forces, Peggy Brown

Forces

No abstract provided.

Sky Full, Patrick Hughes

Morehead State University Art Collection

A 1991 color print titled "Sky Full" by Patrick Hughes.

Voyaging: William Bennett And Elizabeth Schoyer, University Of Richmond Museums

Exhibition Brochures

Voyaging: William Bennett and Elizabeth Schoyer

February 14 to March 07, 1991

Marsh Art Gallery

Introduction

For both William Bennett, sculptor, and Elizabeth Schoyer, painter, art is a voyaging: invoking, acknowledging, celebrating the forces and mysteries of life's passages.

Bennett builds up, with stone, glass, copper, lights, and wood, exquisitely crafted monumental forms: The Voyage, The Boat over Ocean over Ocean, Stigmata, Bed of Dreams, Belly Scepter among them. The titles signal the theme of quest, while axial forms draw the viewing into ritual alignment. One come to Bed of Dreams as an altar; Stigmata, part anchor and part …

1990 Forces, Peggy Brown

Forces

No abstract provided.

Untitled, Stacy Remmy '90

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Stacy Remmy '90 (Untitled, p. 11) is an Art major from St. Louis, MO.

Creating The Paradox In Form, Dennis A. Peterson

Dissertations and Theses

The intent of this thesis project was to create visual and psychological illusions and paradoxes by manipulating sculptural elements. This format embodied balances between man and nature and social comment.

Portrait Of Cora Wilson Stewart, Sam Mckinney

Morehead State University Art Collection

An undated portrait of Cora Wilson Stewart by Sam Wilson.

Bald Eagle, Hugh Hirtle

Morehead State University Art Collection

An undated color print of a bald eagle by Hugh Hirtle.

Portrait Of James Turner Morehead, Unknown

Morehead State University Art Collection

An undated portrait painting of James Turner Morehead by an unknown artists.

Eagle Statue, Unknown

Morehead State University Art Collection

A metal statue of an Eagle looking to the left. It sits above the free speech area on Morehead State University's campus.

On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1990) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Christopher Silliman and Javier Tapia; many notable fixtures of the Richmond scene (Wolfgang Jasper, Andras Bality, Diana Detamore, Davi Det Hompson); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.

Portrait Of Charles Slaughter Morehead, Unknown

Morehead State University Art Collection

An undated portrait painting of Charles Slaughter Morehead by an unknown artist.

Richard Lippold: Space As A Metaphor For The Spiritual In Art, Curtis L. Carter

Philosophy Faculty Research and Publications

No abstract provided.

Dudelsacks: Sculptural Extensions In Blown Glass, Cristine C. Corcoran

Dissertations and Theses

This thesis project consists of 19 sculptures. The medium is hot blown glass. The work interprets and extends the visual and metaphorical qualities of bagpipes. The utilization of the German dudelsack references the playful improvisational nature of these international and culturally diverse forms.

1989 Forces, Peggy Brown

Forces

No abstract provided.

Untitled (Red), G Brunken

Morehead State University Art Collection

A 1989 untitled lithograph by artist G. Brunken.

On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1989) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as James Bradford, Reni Gower, Richard Carylon, and Richard Kevorkian; and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery, such as Clemens Weiss. The September issue features a discussion on the controversy around the National Endowment for the Arts (NEA) as it came under pressure from Senator Jesse Helms. Authorship was at the time anonymous.

No Title, Mell Popenic

Morehead State University Art Collection

An untitled 1988 painting by Mell Popenic. Presented in Memory of Miss Patti Bolin by Ginny Hudgens Ellington in June of 1992.

On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané

English Publications

"On Art: by Lydia Douce" provides coverage of a year (1988) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Barbara Tisserat, Gerald Donato, James Bradford, Joe Seipel; many notable fixtures of the Richmond scene (Mary Holland, Joan Gaustad, Donald Crow); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.

Mallard, Unknown

Morehead State University Art Collection

A 1988 wooden sculpture of a mallard duck by an unknown artist.

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …

Karen P. Sinclair's Review Of Sidney Mead's Te Maori: Maori Art From New Zealand Collections, Karen P. Sinclair

Pacific Studies

No abstract provided.