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Articles 1921 - 1950 of 3229
Full-Text Articles in Book and Paper
Mr. Noir: The Big Black Cat, Alexis Mahon, Fleet Library, Special Collections, Jan Baker
Mr. Noir: The Big Black Cat, Alexis Mahon, Fleet Library, Special Collections, Jan Baker
Animals
This book was created for Jan Baker's artists' book class.
Mythos Chronos Logos, Ruth Laxson, Special Collections, Fleet Library
Mythos Chronos Logos, Ruth Laxson, Special Collections, Fleet Library
Ruth Laxson Artist Book Archive
[22] leaves : ill. Part 1: Mythos (chance chants) -- Part 2: Chronos (timing) -- Part 3: Logos (logic). Cover title. Sewn in grey colored thread; five-hole Japanese stab binding with hinge-fold. Issued in grey paper boards; hinge-fold edged in grey cloth. Black endpapers. Printed in black and white. "Printed on various papers with hand set type: Caslon & Franklin Gothic ... Edition 40."--Colophon. Library has copy no. 24. Signed by the artist.
Losing Karl, Gunta Kaza, Fleet Library, Special Collections, Jan Baker
Losing Karl, Gunta Kaza, Fleet Library, Special Collections, Jan Baker
Stories
This book was completed for Jan Baker's artists' book class.
The Field, Mary Mccarthy, Special Collections, Fleet Library
The Field, Mary Mccarthy, Special Collections, Fleet Library
Artists' Books
case bound in suede covered boards, enclosed in a suede covered box; box exterior; first opening; cover; interior spreads and pages. The day unfolds as the mist rises in a country field, little by little revealing the teeming wildlife found there.
Xiong Mao = [Panda], Xichan, Special Collections, Fleet Library
Xiong Mao = [Panda], Xichan, Special Collections, Fleet Library
Artists' Books
10 unnumbered pages : all color illustrations. Title from label mounted to cover. Handpainted? ink and watercolor, black, grey, and green. Artist name from red ink stamp on last page. 惜春. Cover boards in green cloth with a repeating pattern printed in dark green and blue. Title and stamp in Chinese characters. Accordion fold. Gift of Jan Baker.
How Havana Stole From New York The Idea Of Cuban Art, Pedro Álvarez, Smart Ass Press, Special Collections, Fleet Library
How Havana Stole From New York The Idea Of Cuban Art, Pedro Álvarez, Smart Ass Press, Special Collections, Fleet Library
Artists' Books
[22] pages : all ill. Series: Pinspot ; no. 7 Title on backcover altered Gift of Smart Art Press.
Prague, Venezia, Amsterdam, Providence, Sophie Kelle, Fleet Library, Special Collections, Jan Baker
Prague, Venezia, Amsterdam, Providence, Sophie Kelle, Fleet Library, Special Collections, Jan Baker
Culture
This book was completed for Jan Baker's artists' book class Printed Books.
Matt And Sara, Amy Eisenfeld, Fleet Library, Special Collections, Jan Baker
Matt And Sara, Amy Eisenfeld, Fleet Library, Special Collections, Jan Baker
Stories
This book was completed for Jan Baker's artists' book class, Printed Books.
Visionaire 32: Where? Hermès, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Hermès
Visionaire 32: Where? Hermès, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Hermès
Visionaire
55 postcards : color illustrations ; 10 x 18 cm + 1 case (19 x 13 x 4 cm), Postcards laid in Hermès leather travel pouch with interior loop holding a pencil; accompanied by flock drawstring bag with Hermès insignia on front; all laid in Hermès box with lifting lid and stiff paper slipcase. Limited edition of 3500. The participants include Mario Testino, Bruce Weber, Pedro Almodovar, Andreas Gursky, Gregory Crewdson, Nadev Kander, Jeff Burton, Nan Goldin, David LaChapelle, Wolfgang Tillmans, Karl Lagerfeld, Thomas Nutzl, Peter Lindbergh, Lauren Greenfield, Fabien Baron, Oliver Wasow, and Armin Linke. "Stephen met Jean-Louis Dumas, …
(In)Versions, Julie Chen, David Turner, Special Collections, Fleet Library
(In)Versions, Julie Chen, David Turner, Special Collections, Fleet Library
Artists' Books
[28] pages : color illustrations. Illustrated card stock in accordion fold format, with text mounted on inside back cover; illustrated within cutout mats. When book is unfolded, 2 separate multidimensional scenes are revealed, one from each end. Issued in hardcover box (23 x 27 cm) attaching at the side. Windows centered on the front & back of box. "(In)versions is a collaborative bookwork which combines drawings by David Turner with monoprint & collage elements by Julie Chen. The pages were printed on a Xerox DocuColor 40 and then cut using a Universal Systems laser cutter. This book was partially produced …
Cyber Egos, Béatrice Coron, Special Collections, Fleet Library
Cyber Egos, Béatrice Coron, Special Collections, Fleet Library
Artists' Books
8 unnumbered pages : illustrations. Title from cover. "This booklet was made from the original papercuts of an artist book created in an edition of three in 2000"--back cover. Folded sheet, instant book. Gift of Jan Baker.
Light Leaks, Kate Copeland, Special Collections, Fleet Library
Light Leaks, Kate Copeland, Special Collections, Fleet Library
Artists' Books
3 volumes : color illustrations. Cyanotype on kitakata with gold foil stamping, bound into pamphlet stitch books. The paper is treated with emulsion, bound into a book, and exposed to sun for a day. The cyanotype pages capture patterns of shadows; each book becomes a sun dial. Signed by the artist on page [4] of cover. Three booklets in paper envelope. Gift of the artist. RISD Alumna, Printmaking, MFA, 2006. Fleet Library at RISD Alumni Collection.
Alphabetica Ii: Explorations Around The Alphabet By Senior Design Students At Pratt Institute In New York, Werner Pfeiffer, Special Collections, Fleet Library
Alphabetica Ii: Explorations Around The Alphabet By Senior Design Students At Pratt Institute In New York, Werner Pfeiffer, Special Collections, Fleet Library
Artists' Books
French fold pages hand sewn and glued, with paper cover; cover; interior spreads and title page. 12 students in Pfeiffer's class at Pratt Institute created this digital alphabet book.
Artifacts, Laura Davidson, Special Collections, Fleet Library
Artifacts, Laura Davidson, Special Collections, Fleet Library
Artists' Books
wooden box with compartments. Leather bound book, fabricated "archaeological" artifacts; case bound; box exterior; box interior; interior and accompanying notebook; . Leather bound "archaeologist's field notebook" includes sketches of an imaginary dig and archaeological specimens, housed in a wooden box.
B, Werner Pfeiffer, Special Collections, Fleet Library
B, Werner Pfeiffer, Special Collections, Fleet Library
Artists' Books
accordion fold, machine sewn, volvelle, match book structure, folded broadsides, all enclosed in a hinged plastic box with an elastic cord and plastic bead closure; cover; interior pages and spreads; four small books. Sampling of book works made by 9 Pratt Institute students in Pfeiffer's class, featuring the historical, culinary, ethnic, natural, and cultural diversity of Brooklyn.
Getting There, Being There, Marcia Ciro, Special Collections, Fleet Library
Getting There, Being There, Marcia Ciro, Special Collections, Fleet Library
Artists' Books
concertina, flag book, with tabbed paper wrapper; paper wrapper; cover, book closed; pages spreads; interior pages unfolded, back cover. number 6 in an edition of 25, signed by the artist
The Self Inside The House, Susan Viguers, Special Collections, Fleet Library
The Self Inside The House, Susan Viguers, Special Collections, Fleet Library
Artists' Books
pamphlet stitch variation, made from one folded piece of paper, with pop-up elements, enclosed in a paper wrapper; cover; cover (without slipcase); interior spreads and page; colophon. Using architecture as a metaphor, the artist muses on the aging process and how what is on the outside of us does not always reflect the real self, the part of us that is inside.
The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner
The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner
All-Inclusive List of Electronic Theses and Dissertations
The purpose of this study was to explore the validity of Machover's (1949) interpretation that attention to both the hips and buttocks drawn by male subjects in their first male Draw-A-Person Test (DAP) or the drawing of a female figure first are significant indicators of male homosexuality. The hypothesis was that the frequency of these homosexual indicators among non-instituted homosexuals would be significantly higher (P = < .05) than the male heterosexual group. One hundred homosexual and 100 heterosexual males were selected from groups of volunteers from two universities, one bookstore and a community center in the New York City area. The subjects were administered a DAP test in booklet format and a questionnaire. The drawings were classified for homosexual indicators blindly and independently by three judges who were trained in the use of the Machover interpretation of the DAP. Chi square analyses were calculated for the frequency of hips and buttocks and for the drawing of a female figure first and no significant differences between the self identified homosexual and heterosexual male groups in the expected direction were found. It was concluded that the lack of any significant difference between the scores of the homosexual and heterosexual males in this study casts considerable doubt on the validity of the male homosexual interpretations explored. Speculations were made concerning the widely discrepant results from past studies and this investigation. The majority of the past research had been conducted within institutional settings and there have been cultural changes over the last fifty years in both psychology and society's tolerance for the male homosexual. Unlike any previous DAP study, one-hundred urban homosexual and one-hundred heterosexual males were randomly selected. This researcher cautions that the DAP test should be interpreted with other available information, and results based on its independent use are viewed with much skepticism. Implications for future research were discussed.
Frontage Road, Ric Collier
Frontage Road, Ric Collier
Exhibit Catalogues
Frontage Road is a profound collaborative exhibition initiated by a simple conversation with Anne Ewers, General Director of the Utah Opera.
Depression-Era Printmakers Of Utah, Will South
Depression-Era Printmakers Of Utah, Will South
Exhibit Catalogues
Documentation of significant prints made during the Depression-Era in Utah. It presents, for the first time, through the print mediem, the visual veiwpoints of eighteen Utah artists during this agonizing and debilitating era. Essay by Dr. Will South
Alternative Traditions In The Contemporary Arts: Subjugated Knowledges And The Balance Of Power, Estera Milman, Ken Friedman, Stephen Perkins, Owen Smith, Special Collections, Fleet Library
Alternative Traditions In The Contemporary Arts: Subjugated Knowledges And The Balance Of Power, Estera Milman, Ken Friedman, Stephen Perkins, Owen Smith, Special Collections, Fleet Library
Art History
v, 7-111 pages : illustrations. This publication marks the twentieth anniversary of The University of Iowa's Alternative Traditions in the Contemporary Arts (ATCA) project ..."--title page verso. Metal spiral binding. Author is RISD Alumna. Fleet Library at RISD Alumni Collection. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.
Behind The Lines: Drawings And Objects, Michael David Hall
Behind The Lines: Drawings And Objects, Michael David Hall
Exhibit Catalogues
Behind the Lines is an apt description for the Salt Lake Art Center's exhibition of Hall's drawings and sculptures.
Accounts, Maureen Cummins, Special Collections, Fleet Library
Accounts, Maureen Cummins, Special Collections, Fleet Library
Artists' Books
1 book, 39 pages. "..printed by Maureen Cummins in the summer of 1999 at Oregon College of Art and Craft. The found ledger pages are financial accounts kept by the cotton-trading company of C.A. Burgess, and span the years 1862 to 1868. The text is excerpted from the WPA Oklahoma Slave Narratives.."--Colophon. The book was printed in an edition of ten copies, bound into boards covered with indigo papers handmade by Dieu Donne. The type is Gill Sans Bold, handcast by Michael Bixler. You hold copy number 3"--Colophon.
Japan: The World Of My Dreams, Nicholas Felton, Fleet Library, Special Collections, Jan Baker
Japan: The World Of My Dreams, Nicholas Felton, Fleet Library, Special Collections, Jan Baker
Culture
This book was completed for Jan Baker's artists' book class.
Relation, Anne Lovett, Women's Studio Workshop, Special Collections, Fleet Library
Relation, Anne Lovett, Women's Studio Workshop, Special Collections, Fleet Library
Artists' Books
[12] pages : illustrations. "A Sunburn Editions Book." Black boards with no spine connected by one sheet (2 pages) folded accordion style with glued-on flags, offset duotone on Mowhak Superfine paper. Printing method: Offset lithography, duotone. Binding: Concertina, case bound. Structure: Fold book (flag book).
Ivy Leaves, 1998-1999, Ivy Leaves Editorial Staff
Ivy Leaves, 1998-1999, Ivy Leaves Editorial Staff
Ivy Leaves
The 1999 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Asa Moran, Christopher Fyock, Jennifer Brown, Andy Burleson, Brian Gaines, David Parker, Emily Reese, Jill Roberts, Heather Rollins, Jeanna Simmons, Susan Wooten, and Wayne Cox. Cover art by Jill Roberts.
Visionaire 27: Movement, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Alexander Mcqueen
Visionaire 27: Movement, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, Alexander Mcqueen
Visionaire
1 volume (unpaged) : chiefly color illustrations ; 32 cm, Limited edition of 6000 numbered copies. "Contributor list: Alexander McQueen, Alex Gonzales, Chris Levine, Fabien Baron, Francois Berthoud, Hussein Chalayan, J. Abbott Miller, Jeremy Scott, Karl Templer, Katy England, Maison Martin Margiela, Marcus Mam, Marcus Tomlinson, Mario Testino, Martin Margiela, Mert Alas & Marcus Piggott, Nick Knight, Paul Carlos, Raul Martinez, Ross Bleckner, Sean Ellis, Steven Klein, Steven Mdisel, Thierry Perez, Tony Oursler, Tony Payne, Victoria Bartlett, WK Eddy Desplanques."--Publisher's Web site "One of our most conceptual issues - not only because it was based on the abstract notion of …
Handmade Paper, Elizabeth E. Eddins, Fleet Library, Special Collections, Jan Baker
Handmade Paper, Elizabeth E. Eddins, Fleet Library, Special Collections, Jan Baker
Nature
This book was completed for Jan Baker's artists' book class, Papermaking.
The Heart Of Home, Home Of The Heart, Julie Chen, Risd Students, Special Collections, Fleet Library
The Heart Of Home, Home Of The Heart, Julie Chen, Risd Students, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : color illustrations. Title from binder cover. Front and back covers of the text have varying titles. A two-sided tunnel book, incorporating collage, color photocopy, rubber stamp, letterpress and found objects. This book was produced as part of a Visiting Designers class offered by the Graphic Design Dept., fall 1999. Julie Chen was the visiting instrutor. Molly Schoenhoff was the teacher's assistant. Participating students: Laila Ahmadinejad, Alex Ching, Kathleen de Carvalho, Maria O'Callahan, Erica Saladino, Samantha Troy, Shani Tow, Teresa Hendrosobono, Yuka Petz, Anna Snyder, Queenie Wong, Liza Andersson, Lisa Winter, Mariana Keyes, Emily Muldoon. Edition of …
Everyday Problems Of American Democracy, John Thomas Greenan, Special Collections, Fleet Library
Everyday Problems Of American Democracy, John Thomas Greenan, Special Collections, Fleet Library
Artists' Books
1 book object. Altered book by an anonymous RISD Illustration Studies student. Unique book. The cover of the book, "Everyday problems of American Democracy" was used to create an artists' book with a new text block. The new text is primarily a repeating sentence reading, "It's gotten so, everyone thinks they're someone" The book has a hand-stamped spine label and a date due slip, with dates stamped from October 26, 1971 to March 22, 1997. Original book was published: Boston : Houghton Mifflin Co., 1940. This book was created by a RISD Illustration Studies student and placed in the library …