Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Syracuse University (32)
- University of Southern Maine (23)
- Lesley University (17)
- DePaul University (13)
- Rhode Island School of Design (9)
-
- City University of New York (CUNY) (7)
- University of Nebraska - Lincoln (6)
- Virginia Commonwealth University (5)
- University of Arkansas, Fayetteville (4)
- Washington University in St. Louis (4)
- Southern Methodist University (3)
- University of Texas at El Paso (3)
- Claremont Colleges (2)
- Georgia Southern University (2)
- Missouri State University (2)
- Technological University Dublin (2)
- Wayne State University (2)
- Bank Street College of Education (1)
- Bethel University (1)
- Binghamton University (1)
- Bowling Green State University (1)
- California State University, Monterey Bay (1)
- California State University, San Bernardino (1)
- East Tennessee State University (1)
- Indiana State University (1)
- James Madison University (1)
- Kennesaw State University (1)
- LSU New Orleans (1)
- Louisiana State University (1)
- Murray State University (1)
- Keyword
-
- Art (23)
- Photography (19)
- Bookbinding (15)
- Drawing (12)
- Juried Work (11)
-
- Student Publication (11)
- Student work (11)
- Undergraduate (11)
- Printmaking (9)
- Illustration (8)
- Book arts (6)
- Bradel binding (5)
- Chicago (5)
- Conservation (5)
- German case binding (5)
- Memory (5)
- Collage (4)
- Painting (4)
- Queer (4)
- Tutorials (4)
- Video (4)
- Advertising Design (3)
- Archives (3)
- Art Education (3)
- Art Institute of Boston (3)
- Art School (3)
- Bookbinding and the Book Arts (3)
- Chinese American (3)
- Clam shell box (3)
- Comics (3)
- Publication Year
- Publication
-
- Librarian Publications (31)
- Albert A. Howard Book History Collection (23)
- Asian American Art Oral History Project (13)
- Taking In (11)
- Theses and Dissertations (10)
-
- Masters Theses (9)
- Art Institute of Boston (AIB) Course Catalogs (3)
- Art Theses and Dissertations (3)
- Graduate Theses and Dissertations (3)
- Selected Works Temporary Series (3)
- Zea E-Books Collection (3)
- Graduate School of Art Theses (2)
- Graduate Theses/Dissertations (2)
- Honors College Theses (2)
- Honors Projects (2)
- MFA in Visual Arts Theses (2)
- School of Art, Art History, and Design: Theses and Student Creative Work (2)
- Scripps Senior Theses (2)
- All Faculty and Staff Papers and Presentations (1)
- All-Inclusive List of Electronic Theses and Dissertations (1)
- Art and Design Student Scholarship and Projects (1)
- Books (1)
- Capstone Projects and Master's Theses (1)
- College of Arts & Sciences Senior Theses (1)
- College of Graduate Studies: Theses & Dissertations (1)
- Creativity and Change Leadership Graduate Student Master's Projects (1)
- Criticism (1)
- Dissertations, Theses, and Capstone Projects (1)
- Electronic Theses and Dissertations (1)
- Electronic Theses, Projects, and Dissertations (1)
- Publication Type
- File Type
Articles 1 - 30 of 159
Full-Text Articles in Book and Paper
Numb., Anna Rapson
Numb., Anna Rapson
Masters Theses
Social media platforms, from their conception, posed a break in the lived experience of the average human being’s day to day routines. Although access to information has always been shaped by portals into other lived realities—through photojournalism, print legacy media, news broadcasts both on radio and television—social media has posited a novel phenomenological architecture where borders between embodied reality and perception of lived experience are simultaneously blurred and reinforced. This morphed duality of consciousness positions the body and mind in tension, deconstructing pre-social media conceptions of the ontology of lived experience. In a digital world shaped by limitless input by …
Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md
Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md
Masters Theses
In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …
There Was Time And Place, Mary G. O'Connor
There Was Time And Place, Mary G. O'Connor
Graduate Artistry Projects and Performances
There was Time and Place is body of work that explores the relationship between reality and imagination as it relates to themes of creativity and transformation through time and place. Inspired by surrealism, automatism, science fiction, and poetic theory, the exhibited drawing-centered lithographs create encounters with fictional designs of rendered objects, machinery, and architecture. These encounters estrange us from monotony and banality of the current moment, reminding us that there is time and place for imagination in our routines.
The Queer South, Brylan Cole
The Queer South, Brylan Cole
School of Art Undergraduate Honors Theses
Lesbian, Gay, Bisexual, Transgender, and Queer people in the Southern United States are systematically and culturally made invisible, both in historical and contemporary contexts. I founded The Queer South magazine alongside Reid Pinckard, organized the exhibition Prioritizing Pleasure in the Queer South, and created a body of work to amplify LGBTQ+ Southern voices. Through community organizing, writing, and the making of objects, my practice provides representation to an underserved and overlooked community in the region I call home.
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa
Theses and Dissertations
Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.
The Room That Remembers: A Sanctuary Built From Silence, Kayla Brown
The Room That Remembers: A Sanctuary Built From Silence, Kayla Brown
Graduate Theses/Dissertations
This installation is a process-based paper artwork that seeks to protect, enlighten, and discover what healing can be in silence. Through the creation of immersive art objects and experiences, I seek understanding and resolutions for my lived experiences. I utilize the physicality of paper in conjunction with the fragility of topic to enhance the meaning behind my material choices. I transform the idea of a traumatic room into an activated space of healing: one that rest, time, and momentary silence exist as choice rather than by force.
Adaptive Compulsion, Amanda A. Santos
Adaptive Compulsion, Amanda A. Santos
Electronic Theses, Projects, and Dissertations
Adaptive
Adjective
Adap.tive ( ə-ˈdap-tiv)
of, relating to, or being a heritable trait that serves a specific function and improves an organism's fitness or survival
Compulsion
Noun
Com.pul.sion (kəm-ˈpəl-shən)
a repetitive behavior or mental act that a person feels driven to perform to alleviate the anxiety and distress caused by an unwanted thought or urge, known as an obsession.
For years we have lived in unprecedented times. From the worldwide quarantine in 2020 resulting from the pandemic, to our current US political crisis. The constant barrage of events is overwhelming and demoralizing.
The work in this gallery is a display …
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Journal of Humanities and Social Sciences
The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …
How To Walk On Water: Living Through The Absurd, Esther Du
How To Walk On Water: Living Through The Absurd, Esther Du
Masters Theses
Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …
A Personal Manual Of Escapism, Qing Wen
A Personal Manual Of Escapism, Qing Wen
Masters Theses
In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?
It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …
Enduring Words: Resistance Through Sculptural Libraries, Alex C. Jacobs
Enduring Words: Resistance Through Sculptural Libraries, Alex C. Jacobs
LSU Master's Theses
Enduring Words: Resistance Through Sculptural Libraries is a thesis exhibition that challenges book censorship by transforming reading into a public and defiant act. Through direct sculptural interventions, the exhibition confronts cultural erasure, questions who controls the literature we consume, and highlights the role of art in safeguarding contested knowledge. This thesis focuses on a current body of exhibited sculptural works that embody the tension between access and erasure. These installations engage with the viewer by using a lighthouse built of books and a speech-bubble-shaped library embedded with censored texts. They do not quietly mourn the suppression of knowledge; they confront …
Forever Tree, Alyse A. Petersen
The Paradox Of Value, David Enrique Guarnizo
The Paradox Of Value, David Enrique Guarnizo
Theses and Dissertations
The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …
National Parks Field Journal, Isadora Davis
National Parks Field Journal, Isadora Davis
Art and Design Student Scholarship and Projects
A handwritten, richly illustrated field journal by Binghamton University art major Isadora Davis, recording a trip through national parks in the American West via SUNY Broome's BIO 217: Ecology of National Parks. Davis uses colored pencil drawings and pressed botanical specimens to record landscapes, birds, mammals, and plant life in Grand Teton, Yellowstone, Wind Cave, and Badlands National Parks, as well as Custer State Park. Davis's sketches and diagrams visually explore how to decode past landscapes from current formations, while her written entries explain species diversity, animal behavior, and the mechanisms causing geological formations and geothermal events. Part memoir of …
Texas Gothic, Taryn Uribe Turner
Texas Gothic, Taryn Uribe Turner
Art Theses and Dissertations
The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.
Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.
And yet, there is hope!
Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
間, Lele Dai
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
Earth/Unearth [On The Nature Of G-D And Creation], Macs Herdrich
Earth/Unearth [On The Nature Of G-D And Creation], Macs Herdrich
Honors Projects
Inspired by creative research, EARTH/UNEARTH explores the nature of the divine and the act of creation. This triptych of poetry features poems such as “EXPERIENCE OF A TREE (AND SKY)”, “RITUAL/SENSUAL”, and “THE THING THAT DOESN’T COME FROM THINKING” as meditations on the following questions: Is there a hierarchy that exists from G-d to dirt? How does inspiration flow through the hands to creation? And in the strain of creation, how do we care for our bodies? Each section concludes with an opportunity for visual meditation and reflection.
Ripe Spoils, Yan Cynthia Chen
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
Chinese-English Dictionary Enable Select Search …
Experimentation On Manual Paper Making Using Mango Seed Fibers, Mercy Wanduara
Experimentation On Manual Paper Making Using Mango Seed Fibers, Mercy Wanduara
Textile Society of America: Symposium Proceedings
This paper seeks to explore the use of Kenyan mango fiber as a core ingredient in papermaking. Mango is a tropical fruit grown in many countries around the world, including Kenya. The fruit tree grows naturally and has a maturity period of approximately three years. When this juicy fruit is ready for harvesting most of the fruits are harvested for consumption but plenty of them find their way into compost because of overproduction and lack of market. Moreover, the fruits are either consumed whole or juiced. The core of the fruit is a hairy seed which has little value to …
The Favela Blossoms: Voices Of Favelas In São Paulo, Brazil, Vasti Cruz
The Favela Blossoms: Voices Of Favelas In São Paulo, Brazil, Vasti Cruz
Scripps Senior Theses
This project spotlights improvised housing in the peripheral areas of São Paulo, Brazil, better known as favelas. For over a century, the favela has been known as a place of death, violence, crime, and oppression. Paradoxically, the first favelas in Rio de Janeiro were named after a plant that produces flowers. However, today, these communities are rarely compared to their beautiful, symbolic-of-life namesake. Instead, this prejudgement is rampant not only globally, but also within the proper city– which perpetuates social division. When favelas are discussed in the media, they often reference those in Rio de Janeiro; however, favelas are present …
Color Nirvana, Elizabeth Thomas, Chai Avery
Color Nirvana, Elizabeth Thomas, Chai Avery
P-12 Lesson Plans
In this art lesson for grades 6-12, students will consider how color reads differently depending on chromatic surroundings and experiment with color scheme arrangements to create their own linear collage with adhesive-backed papers. This lesson is based on the exhibition NIRVANA, Polly Apfelbaum displayed at the Zuckerman in the fall of 2023.
“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson
“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson
Criticism
Defining text as anything that can be read, self-identified learner and artist Kameelah Janan Rasheed explores reading as radical communion within her multifaceted textual practice. A 2021 Guggenheim Fellow, Rasheed’s work spans vast bodies of knowledge and temporalities to interrogate both the aesthetic and the limits of the text. At times producing collages with letters cut out from books in her own expansive library, and at other times posting scans from various books that are marked up with her rigorous note-taking, Rasheed approaches the text as an invitation to commune with the author in order to collectively arrive at new …
Infinitely Incredible Configurations, Jenni Oughton
Infinitely Incredible Configurations, Jenni Oughton
Masters Theses
As a designer, I am intent on charting out a radically different perspective on the future. To instigate movement beyond current design thinking centered on problem solving, I propose a shift toward design fiction—a deliberate and direct inquiry into the realm where design meets science fiction, and how that merges with reality. My practice uses science, speculative fiction, and technology as positive models to both generate prompts and spur design outcomes. I borrow from the author Isaac Asimov's three categories of science fiction narratives to instigate a way of structuring this design endeavor: What if ..., If only ..., If …
Unearthing Complexity: Tangible Histories Of Water And Earth, Alexis Violet
Unearthing Complexity: Tangible Histories Of Water And Earth, Alexis Violet
Masters Theses
Unearthing Complexity investigates conceptions of time and surface through geological stories of the water and earth. Building on theories of deep time, hydrofeminism, critical zones, and grounding, I hope to foster a deeper awareness of time scales other than our own and a more tangible understanding of the embodied experience of matter in the universe. Working toward a new literacy of the water and earth in which they are recognized as living, changing bodies to which we are inherently tied at a molecular level, the site of this multiscalar inquiry occurs in the coastal zones of the Narragansett Bay where …
Soul Furnace / فرن الأرواح, Isa Ghanayem
Soul Furnace / فرن الأرواح, Isa Ghanayem
Masters Theses
“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …
Making Then Meaning, Ben Denzer
Making Then Meaning, Ben Denzer
Masters Theses
This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning
At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.
I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.
I think meaning comes from …
The Voice Of One Crying In The Wilderness, Megan Kenyon
The Voice Of One Crying In The Wilderness, Megan Kenyon
MFA in Visual Art
I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …
Salty: A Diffractive Inquiry Of Visceral Knowing And Embodied Aesthetics, Mei Ling Chua
Salty: A Diffractive Inquiry Of Visceral Knowing And Embodied Aesthetics, Mei Ling Chua
Dissertations, Theses, and Capstone Projects
This dissertation takes a diffractive, onto-epistemological approach to everyday practices with salt in order to articulate an expanded understanding of meaning making and knowledge production. This research reckons with and challenges dominant modes of knowing that engage a Cartesian perspective to situate knowing as the exclusive domain of the mind in both form and topic of inquiry. This research acts simultaneously as both a direct practice of and metacognition about knowledge production by examining 1. the embodied (including sensory and emotional aspects) and 2. the relational (including interpersonal and socio-cultural) dimensions of experience as visceral knowing. This articulation of …
Continuing, Shauna Le Ann Smith
Continuing, Shauna Le Ann Smith
Graduate Theses/Dissertations
Taking something whole, breaking it apart, and making it into another form of wholeness is the essence of both papermaking and grief. The papermaking process involves separation, maceration, and forming of new life; the grieving process involves a similar evolution. Creating this body of work has been a pursuit of continuation—a part of me forming new life. Using papermaking processes, I create work that is visually quiet. The details are only noticeable through sustained attention and close proximity. The quiet visual qualities are intended to create a viewing experience that is meditative and slow. The lack of details of the …