Book and Paper Commons^™

Cyborgs, Paul Sunday, Special Collections, Fleet Library

Artists' Books

saddle stitch with soft cover; cover; interior spreads and pages. Black and white photographs of part human, part robot women.

Reunion, Karen Hanmer, Special Collections, Fleet Library

Artists' Books

hand sewn, foldout flaps, leather spine and upholstery fabric cover boards; cover; interior spreads and pages. A tender tribute to the lasting relationship of the artist's parents. Edition of 25 numbered and signed copies. Images of the author's parents, William and Frances Salic Cecil, are printed on rectos with folding overlay showing William Cecil in isolation; text on facing pages. "Vintage photographs [reproduced as pigment inkjet prints] and brief text document a couple's many separations and ultimate reunion. I began Reunion shortly after the death of my father. My mother predeceased him by 34 years. He never remarried. I am …

Superstition Highway, Marshall Weber, Special Collections, Fleet Library

Artists' Books

case bound with cloth spine, paper covered boards, hand painted; cover; interior spreads. Reading almost like a drug-induced trip, Marshall Weber writes of a tough patch of road somewhere in the desert West where strange folk appear. Images and text all hand painted by Fred Rinne.

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

Little Nemo In Slumberland: So Many Splendid Sundays!, Winsor Mccay, Special Collections, Fleet Library

Illustration

[150] p. : chiefly col. ill. "Splendid Sundays, 1905-1910". Includes bibliographical references. Gift of Tim Finn.

Chunji-Changjo (Heaven And Earth): The "Creation" Paintings Of Yona (Hyunmee Lee), Hyunmee Lee, Frank Mcentire

Exhibit Catalogues

Catalog of paintings by Yona, an abstract painter from Seoul, Korea. Exhibited at Utah State University in 2005.

Afterwards, In The Blank Wood, Hanneline Visnes, Special Collections, Fleet Library

Nature

15 unnumbered pages : illustrations (some color). "... includes a series of new drawings of recurring patterns and images of trees and birds. The patterns represent a desire to order nature, the flowers and symbols rather than actual representations of flowers. The patterns are placed between trees that, in a simple way, become a landscape - a wood." --Cornerhouse Publications. Limited edition of 500. Designed by Robert Johnson.Blind embossed illustrations of trees on cloth covers. Sewn binding. Pale blue-green cloth. Gift of the Museum.

Rm, Levi Hammett, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

Visionaire 45: More Toys, Yellow Set And Blue Set, Stephen Gan, Cecilia Dean, James Kaliardos, Greg Foley, John Galliano

Visionaire

5 dolls, 1 set of snap-off pieces : plastic, color ; 11 x 7 x 4 cm + 1 case (15 x 47 x 4 cm) + 1 sheet (15 unnumbered panels : color illustrations ; 13 x 98 cm, folded to 13 x 7 cm) + 1 leaflet, "The issue is released as two sets (Yellow and Blue) of five toys each; each set contains photos of all 10 characters in an accordion-fold catalog along with a set of accessories including a toy cell phone, martini, flower, and camera that the characters can hold. Each set sold separately."--Publisher's Web …

Springback Ledger Bindings, Peter D. Verheyen

Librarian Publications

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks. As a style, the springback is firmly rooted in the "trade" binding tradition. …

2005 Preservation Calendar, Donia Conn, Central New York Library Resource Council

Librarian Publications

Text and images illustrating common preservation problems affecting library and archival materials including books, papers, photographs, scrapbooks, textiles, audio recordings with tips on preserving them. From the 2005 Central New York Library Resource Councils (CLRC) 2005 calendar.

Millimeter Binding / Edelpappband, Peter D. Verheyen

Librarian Publications

What we call the “millimeter” binding in North America is a “nobler” version of the German “pappband,” or paper binding, hence the name “edelpappband.” The technique is based on the German case (Bradel) binding which is covered in paper. What distinguishes the technique is that cloth, leather, or vellum trim is added to the head and tail, foredges, and/or corners for greater durability, making the book more elegant at the same time. This article describes how to complete a binding using this technique.

2sday, Ashley Pigford, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class.

Alluvium, Mare Blocker, Special Collections, Fleet Library

Artists' Books

hand-sewn couplets, linked at spine; letter-fold wrapper, partially open; back cover; front cover; page spreads. copy 2 of 40

Exquisite Pain, Sophia Calle, Special Collections, Fleet Library

Artists' Books

264 pages : ill. (some color) ; 19 cm. "Original French edition c2003 Actes Sud, Alres, France, translated from French by Charles Penwarden"--Colophon. "I left for Japan on October 25, 1984, unsuspecting that this date would mark the beginning of a 92 day countdown to the end of a love affair."--Backcover.

An Icelandic Saga, Part I, Dorothoy Iannone, Special Collections, Fleet Library

Artists' Books

[12] pages : illus. Booklet published on the occasion of the exhibition: Dieter Roth & Dorothy Iannone, held May 22-Sept. 11, 2005, Sprengel Museum Hannover. Title from colophon: An Icelandic Saga, 1978, 1983, 1986. Booklet originally issued mounted on the inside backcover of the Roth/Iannone exhibition catalog. Notes for an autobiography, part II, Berlin 1978, continued on the request of D. Schwarz.

Hunkering : The Last Gaebberjabb Number Eight And Ix/Xviths Or Aleatory Annexations Or Odd Bondings Or Fortuitous Encounters With Incompatible Realities Or Love, Anguish, Wonder ... / Largely By Walter Samuel Haatoum Hamady ; Augmented By Henrik Drescher, Patrick Flynn, David Mclimans, Peter Sis, And William Stafford., Walter Samuel Haatoum Hamady, Special Collections, Fleet Library

Artists' Books

[160] pages : illustrations (some color), portraits. Hamady, Walter. Interminable gabberjabb ; 8. The eighth book in Hamady's "series" known as Interminable gabberjabbs. Edition of 108 copies. Mounted, signed collage on page [24]. Includes handprinting, marbled endpapers, collage, rubber stamping, maps, envelopes, postage stamps, special papers and mounted elements. "Here is the fade-out volume of an unforseen series begun in 1976. It was printed on our single-owner, all-manual, Vandercook SP-15 in more than 285 press-runs utilizing a numerosity of colors, typefaces and papers--hand, mould and machine made. In addition to the usual lay-ons of languid letterpressing, there is an affluence …

Conversations In The Sky, Andre Bassuet Lee, Special Collections, Fleet Library

Artists' Books

1 folded sheet. Numbered and signed edition of 100 copies Photography and design by André Lee. Printed in Osaka, Japan --colophon. "When I look at the modern Japanese landscape, I see continuous lines of communication, telephone wires connecting friends and family. The Japanese sky is unique in it's infinite lines against a mountainous and architectural backdrop. Can you imagine all the conversations going on in the sky through telephone threads?"--colophon. A single thread runs through the entire text and covers. Accordion fold. Text and back cover printed in light blue on white. Cover printed in light blue and green on …

It Wasn't Little Rock, Clarissa Sligh, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : illustrations (some color) . Commemorates the 50th anniversary of the U.S. Supreme Court's Brown vs. Board of Education (1954) decision. "This softcover edition of 150 books was printed on an Indigo Digital Press"--Colophon. Author describes her family's experience with racism and school integration. As a high school student, the author was named lead plaintiff in Clarissa Thompson et al. v. County School Board of Arlington County (June 1956), a school desegregation class action suit filed in U.S. District Court. Metal spiral binding. Signed by the author on the title-page. Curated title for Fleet Library Special Collections …

Terminal Home, Marcia Ciro, Special Collections, Fleet Library

Artists' Books

3 folded sheets : color illustrations. Title from box. In oval shaped cloth wrap box (18 x 13 x 5 cm) with metal clasp. Photographs and text printed with archival ink on Moab paper. Limited edition of 8 copies. Library has copy no. 6. Gift of the artist. RISD Alumna, BFA, GD, 1977. Fleet Library at RISD Alumni Collection.

Aggregate Memory, Macy Chadwick, Lisa Onstad, Special Collections, Fleet Library

Artists' Books

cloth covered box exterior; accordion, dos a dos, housed in a clamshell box; cloth covered box interior; page spread; "Returning again, past and present converge"; page spread; "Days steeped..."; page spread; inside front cover. number 34 in an edition of 65, a collaborative work signed by both artists

Nightfall Faces, Carolyn Leigh, Special Collections, Fleet Library

Artists' Books

drum leaf binding with hidden built up compartment holding BB's. Enclosed in a collaged and painted wrapping envelope, held with woven ribbon. Book closed with wrapper; book closed with wrapper open; interior spreads; back cover; cover. Visions of a primitive ritual dance performed around a fire are evoked through these images of tribal masks. Rhythmic sounds can be made by shaking the book like a maraca.

Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind

Faculty and Staff Publications

Students at higher education institutions need to learn how to use the library and to give public speaking presentations, and most will experience Speech and or Library Anxiety. We review Library and Speech Anxiety, and a collaboration between librarians and faculty that produced a freshman course Library Demonstration Assignment. We describe its generation, implementation, and refinement and its effectiveness in preparing students to use the library and to practice public speaking with confidence.

Taking In: Aib Photography 2004, Aib Students

Taking In

This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.

Vellum On Boards, Peter D. Verheyen

Librarian Publications

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find …

Beach Boxes, Judy Gelles, Special Collections, Fleet Library

Artists' Books

Pamphlet stitch variation, machine sewn, with hard cover; cover; title page; interior spread; interior pages; interior spread. Black and white photographs of beach houses with each building highlighted in color. No text. RISD Alumna.

Feed The Birds, Whitney Lauren Fong, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's Papermaking class.

Fortunes Of War, Brian M. Johnson, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.