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The Thirty-Seventh George Eliot Memorial Lecture, 2008- George Eliot's Dorothea? 'That Fair Bright Useful Woman': Mrs. Nassau Senior In George Eliot's Life And Writing, Sybil Oldfield

The George Eliot Review Online, ISSN: 2831-5375

Who was Jeanie Senior before Octavia Hill introduced her to George Eliot in October 1866? Born Jeanie Hughes in 1828, the cherished daughter and only sister of seven brothers, she had started life as a happier Maggie Tulliver - keenly alive, with a questioning intelligence and an intense capacity for feeling. She could bum with indignation as well as overflow with impulsive generosity. Tall, golden haired and blue-eyed, she was also an exceptionally gifted musician with a marvellous singing voice, so it would have seemed that born into an affectionate, lively, well-to-do Squire's family, she had been allotted almost too …

Margaret Wolfit (1929-2008), Lucy Amis

The George Eliot Review Online, ISSN: 2831-5375

My Mum, Margaret Wolfit (Amis) passed away on 20th September. I wanted to write to reassure everyone that she didn't suffer for long and that 2008 was a decent year in many ways. As you may know, she'd been treated for breast cancer thirteen years ago and came through well for over twelve years, but in August 2007 was re-diagnosed, this time affecting her chest. At the time (August 2007) she had some fluid drained from her lungs and was more or less fine within about forty-eight hours - indeed she was performing only a few days later. The doctors …

Editors' Note- 2009 Special Issue

The George Eliot Review Online, ISSN: 2831-5375

The Conference on 'George Eliot's Beginnings' at the Institute of English Studies on 1 November 2008 was organized by Rosemary Ashton, Beryl Gray and Barbara Hardy. The publication in volume form of Scenes of Clerical Life in 1858 was the point at which Mary Ann Evans became 'George Eliot' and we think it appropriate to mark this event by publishing the proceedings of the Conference as a Special Issue.

Death And Recollection: The Elegiac Dimension Of Scenes Of Clerical Life, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

Perversely, though perhaps appropriately for a paper on death, I want to begin at the end. George Eliot's last novel, Daniel Deronda, ends with a good death: that of Ezra Mordecai, dying with the arms of Mirah and Deronda around him, and feeling 'an ocean of peace beneath him'. The deaths that immediately precede it in her fiction, Grandcourt's drowning in the same novel, or the deaths of Featherstone, Casaubon and Raffles in Middlemarch are of a different order: those figures go more or less unlamented to their graves, and their passing may even be a form of liberation for …

Notes On Contributors - 2009

The George Eliot Review Online, ISSN: 2831-5375

Lucy Amis is the daughter of Margaret Wolfit and currently works at the International Business Leaders Forum, a London-based educational charity which focuses on how global companies can conduct their business in ways that demonstrate respect for their workers and nearby communities.

Juliette Atkinson currently teaches at the Open University. Forthcoming works include the monograph Victorian Biography Reconsidered: a Study of Nineteenth-Century 'Hidden' Lives (OUP) and an edition of critical responses to George Eliot's novels that will appear as a volume in the series Bloom s Classic Critical Views (Facts on File, 2009).

Josie Billington teaches at the University of …

George Eliot's Middlemarch As A Translation Of Spinoza's Ethics, Miriam Henson

The George Eliot Review Online, ISSN: 2831-5375

In 1846 John Chapman of Newgate Street published a translation of David Strauss's Das Leben Jesu. Although no translator was accredited, this book was the result of two years' arduous work by Mary Ann Evans, the woman who would later achieve renown as George Eliot. Strauss's presentation of Jesus is that of a historical figure; he denies his divine status, and suggests that the miracles written about in the Gospels are mythic in nature. Although Mary Ann was distressed by Strauss's destruction of all the 'miraculous and highly improbable' elements of the Gospel, she too had, for some time, been …

Orchestrating Society: The Merging Of Language And Voice To Create Social Bonds In Romola, Jennifer Diann Jones

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's Romola (1863) reflects her interest in using musical metaphor to explain how relationships are formed. She explores more fully than she has done before this point in her career how language and the human voice function as music; she theorizes the function of voice more explicitly than she had done before as she examines how it can possess the listener and incite people to action.

There are very few scenes of actual musical performance in Romola and in George Eliot and Music, Beryl Gray correctly observes that the few musical scenes we are given are unsatisfying. It is …

Japanese Branch Report- 2008, Miwa Ota

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 29 November 2008, the twelfth Annual Convention of the George Eliot Fellowship of Japan was held at Kinki University.

The morning session began with an opening remark by Yosie Abe (Shoin University), followed by a welcome address by Itsuyo Shimizu (Kinki University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Chizuko Watari (Kanasai Gaidai University), and the third by Keiji Yata (Tokyo Kasei University). The first paper was 'Maggie's Struggle in The Mill on the Floss' by Muneaki Shinoda (the Graduate School of Osaka City University). He drew …

Review Of Private Sphere To World Stage From Austen To Eliot, Elizabeth Sabiston

The George Eliot Review Online, ISSN: 2831-5375

Elizabeth Sabiston's Private Sphere to World Stage from Austen to Eliot is a somewhat perplexing book. Ostensibly, Sabiston sets out to contribute to ongoing discussions about the difficulties faced by nineteenth-century women writers, who 'were confronted with the dilemma of effecting an elision of public and private spheres' (2). The first three chapters, on Persuasion and Northanger Abbey, lane Eyre, and Wuthering Heights, argue that the central protagonist of each novel offers an image of confident female authorship. Anne Elliot is presented as a heroine who 'against all odds ... strives for autonomy' (36), Jane Eyre moves from making amateur …

'The Stream Of Human Thought And Deed' In 'Mr. Gilfil's Love-Story', Melissa Raines

The George Eliot Review Online, ISSN: 2831-5375

In George Eliot: The Emergent Self, Ruby Redinger explains that it was through the demands of authorship that the woman Marian Evans 'evolved into another self, her writing self', essentially becoming George Eliot. Literary biographies of George Eliot in the last few decades have all, to varying degrees, focused on this transformation of the woman into the author. When considering George Eliot's first work of fiction, I think it significant that it is during the writing of the second 'scene' of Scenes of Clerical Life, 'Mr. Gilfil's Love-Story', that Marian Evans first chose to write and sign a professional letter …

George Eliot And The Female Tradition: A Little-Known Source, Lorna J. Clark

The George Eliot Review Online, ISSN: 2831-5375

In an essay published in the Westminster Review in 1856, George Eliot delivered a scathing indictment of 'Silly Novels by Lady Novelists' which (she claimed) lack verisimilitude, 'intellectual power' and 'moral qualities'. The skill of such a writer 'is in inverse proportion to her confident eloquence'; the picture of life that she draws is 'totally false'. Her motivation is merely 'the foolish vanity of wishing to appear in print' or 'busy idleness'. Finally, these hapless female novelists are likened to La Fontaine's ass. Not surprisingly, faced with such a sweeping condemnation, critics have found Eliot's relationship with gender issues and …

Idlers And Collaborators: Enter The Dog, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

Both George Eliot and her older contemporary, Charles Dickens, introduced dogs into their fiction before introducing any into their homes. By the time Dickens was given the first of his many dogs he had invented Ponto, the sagacious pointer described by Jingle in The Pickwick Papers; Bull's-eye for Oliver Twist; and Jerry's performing dogs for The Old Curiosity Shop. Before George Eliot received her first dog - the Pug presented to her by her grateful publisher John Blackwood - the narrator of her first story, 'The Sad Fortunes of the Reverend Amos Barton', had justified in the following terms the …

Review Of Victorian Turns, Neovictorian Returns: Essays On Fiction And Culture, Penny Gay, Judith Johnston, Catherine Waters

The George Eliot Review Online, ISSN: 2831-5375

The inside of this volume offers exactly the pleasurable variety and range of interest promised by its outside (the beautifully reproduced cover image is Ernest Dudley Heath's Piccadilly Circus at Night, 1893). As its title suggests, the volume, divided into two sections, seeks to capture, in Part One, the diverse ways in which the Victorians explored in fiction the multiple 'turns' in new directions the age was taking, and, in Part Two, the imaginative updatings of these fictions, in literature, film and theatre, as well as in scholarship, in the burgeoning afterlife of Victorianism.

The editors note in their introduction …

Scenes Of Clerical Life: George Eliot's Own Version Of Conversion, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Before the publication of Scenes of Clerical Life, few people would have thought that Miss Evans had all the qualities for writing fiction, or, what is more, that she would become a great novelist. She was in her late thirties when she came to fiction writing, although, at the approach of middle age, most novelists have already tried their hand at it. Yet, as she confessed in her Journal, when she started writing the first story of Scenes of Clerical Life, it marked a new beginning for her, because she had always dreamt of writing fiction: 'September 1856 made a …

Presidential Address--Why Documentary Editing Matters, Michael E. Stevens

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The title of my talk tonight is “Why Documentary Editing Matters.” The question I seek to answer is critical, especially in an era that has seen rapid change in how we make information accessible.We need to know the answer to the question in order to explain our work to funders. But we also must also explain to ourselves why we choose to dedicate our energies to this endeavor. The significance of what we do is not based on how we publish our work, but in the value we add.

Association For Documentary Editing Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona And 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Association for Documentary Editing:

• Business Meeting, 23 October 2008, Westward Look Resort, Tucson, Arizona
• 2009 Annual Meeting, Springfield, Illinois, October 15–17, 2009

Recent Editions, Linnéa Caproni

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

This semiannual bibliography of documentary editions recently published in the fields of American and British history, literature, and culture is generally restricted to scholarly first editions of English language works. In addition to the bibliographical references, Internet addresses are provided for the editorial project or the publisher.

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

No abstract provided.

Review Of The Moravian Springplace Mission To The Cherokees, Volume I, 1805–1813 And The Moravian Springplace Mission To The Cherokees, Volume Ii, 1814–1821. Edited And With An Introduction By Rowena Mcclinton; Preface By Chad Smith., Angela Pulley Hudson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Noted historian William G. McLoughlin once observed that in addition to mirroring U.S. political structures, the nineteenth-century Cherokee Nation shared two other trends with the young Republic: slavery and Christianity.1 Indeed, even as Cherokee people fought to retain their eastern lands in the first decades of the nineteenth century, they often adopted the ideologies of the land-hungry Americans they tried to resist. Few sources document this complex and contradictory process more vividly than The Moravian Springplace Mission to the Cherokees. Rarely do Cherokee, Christian, and slave histories appear in such intimate relation to one another. In the secondary works on …

Documentary Editing: Journal Of The Association For Documentary Editing, Volume 30, Fall And Winter, Numbers 3 And 4: 2008-2009-Front Matter

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Front matter -- Officers -- Publication Committee -- Editorial Staff -- Table of Contents -- Contributors

In The Beginning: Ade And The Big Bang Revolution, Roger Burns

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

Welcome to the celebration of the thirtieth anniversary of the founding of the Association for Documentary Editing. Some people have compared the origins of the ADE with the American Revolution. Others have linked it to the big bang theory. I prefer to think of it as a Big Bang Revolution. Anyway, today you will get a little of the inside story of the creation of ADE. You see, I was there. And with me today are three individuals who have joined the ADE at different times in its history. Charlene Bickford, editor of the First Congress Project, who was also …

Digital Editions: Scholarly Tradition In An Avant-Garde Medium, Andrew Jewell

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

I come to you from the digital world. I am president of the Digital Americanists; I recently received a Digital Humanities Start-Up grant; I edit a digital archive on the life and work of Willa Cather; I am a faculty fellow at the Center for Digital Research in the Humanities; and I even have the word “digital” in my official job title: Assistant Professor of Digital Projects. I don’t begin this way in order to impress you with my credentials, but as a confession: my current professional identity is absolutely entangled with the digital medium. That said, I want to …

President’S Letter 2009 : Documentary Editing Is Alive And Well, Cathy Moran Hajo

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

As experienced editors, we sometimes see change as a negative—complaining about the paucity of funding, or about the new requirements that digital publishing has forced on our projects. But when you meet so many enthusiastic newcomers, it is hard to remain a pessimist.We have made great strides in the last thirty years, bringing our editions to a far broader segment of the public than the founders of ADE had ever thought possible.We have honed our practices, paving the way for new editors to follow using our publications in microfilm, book, and digital format as examples of best practices, a massive …

A Bibliography Of Editions Prepared By Ade Members, Karen Mylan, Linnéa Caproni, Harriet Simon, Richard Leffler

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The following is a listing of the many editions and volumes that have been published by members of the ADE. Each edition contains at least one editor, and usually more, who is or has been a member of the Association. It is a remarkable record of scholarly productivity in a wide range of disciplines. These many volumes, microfilms, microfiche, and electronic editions have added greatly to the resources available to scholars and laymen alike. It should also be noted that this list is incomplete. There are many other editions that have escaped the attention of those who prepared this list.

Review Of The Eleanor Roosevelt Papers, Volume I: The Human Rights Years, 1945–1948; Allida M. Black, Editor; John F. Sears And Mary Jo Binker, Associate Editors; Craig Daigle And Michael Weeks, Assistant Editors, And Christopher Alhambra, Electronic Editor, Kathlleen Dalton

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The publication of the first volume of the Eleanor Roosevelt Papers Project (ERPP), edited by Allida Black and her associates at George Washington University, is an event of the utmost significance to documentary editors and historians alike. Nothing like this pathbreaking volume exists in the ER literature, and this resource will forever change the research landscape. This volume stands for documentary editing at its best, and the larger ERPP itself, with its informative website and teacher training workshops, is a model of the highest editorial scholarship applied innovatively to the mission of public education.

Review Of Emma Goldman: A Documentary History Of The American Years, Volume One: Made For America, 1890–1901 And Emma Goldman: A Documentary History Of The American Years, Volume Two: Making Speech Free, 1902–1909. Edited By Candace Falk; Barry Pateman, Associate Editor; Jessica M. Moran, Assistant Editor., Nancy Marie Robertson

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

For more than a quarter of a century, Candace Falk and her comrades at the Emma Goldman Papers Project (EGPP) have worked to make the records of the turn-of the-century anarchist, lecturer, and social critic available.With the assistance of the National Historical Publications and Records Commission (NHPRC), they joined with papers projects for Jane Addams, Elizabeth Cady Stanton and Susan B. Anthony, and Margaret Sanger to form the Consortium for Women’s History, part of an effort to diversify the people represented in historical editing projects. Funded by individual contributions as well as support from NHPRC and the National Endowment for …

Association For Documentary Editing 2008–9 Annual Plan

Documentary Editing: Journal of the Association for Documentary Editing (1979–2011)

The ADE is at an important crossroads. Much has changed in the documentary editing profession in the past three decades. New methods of publication have emerged; the era of the large projects is diminishing; and the number of users of published historical documents has exploded as a result of the Web. Many more people are engaged in the practices that we call documentary editing (the selection, transcription, and explication of documents), but these same individuals don’t define their work or their profession as such. Scholars use new and changing tools to produce their work in ways that weren’t imaginable when …

Review Of To Live's To Fly: The Ballad Of The Late, Great Townes Van Zandt. By John Kruth A Deeper Blue: The Life And Music Of Townes Van Zandt By Robert Earl Hardy, Chuck Vollan

Great Plains Quarterly (through 2013)

Townes Van Zandt was a founding member of the modern Texas singer-songwriter tradition and influenced or played with everyone from Bob Dylan to Norah Jones. His spare, evocative lyrics, coupled with his beautiful, articulate guitar playing, developed a particularly loyal and eclectic fan base. His songs have been covered most famously by Willie Nelson, Waylon Jennings, and Emmylou Harris, but also by a host of great and lesser-known performers. He was a major influence on the "Outlaw" Country movement.

Van Zandt wrestled with inner demons. His eccentricities, mental illness, and the resulting heavy substance abuse, combined with often poorly produced …

Review Of The Cherokee Nation And The Trail Of Tears By Theda Perdue And Michael D. Green, Rowena Mcclinton

Great Plains Quarterly (through 2013)

Past chief of the Cherokee Nation (1985-1995) and social activist Wilma Mankiller remarked, "We are still here." Facing rampant racism, a fraudulent treaty, and then dislocation from their homelands in the southeast, Cherokees not only survived but prevailed. Reflectively, Theda Perdue and Michael Green have summarized the complexity and cunning complicity surrounding the 1838-9 infamous Cherokee displacement known as the Trail of Tears, adding to the scholarship of Tim Garrison, Gary Moulton, Walter Conser, Mary Young, and the late William G. McLoughlin.

They juxtapose the remarkable lives of two adversarial Cherokee figures, Major Ridge (along with his son John Ridge, …

Senior Piano Lecture Recital, Lynnann Jean Wieringa

Senior Honors Theses and Projects

No abstract provided.