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Chronicle Of The 39th Infantry Regiment From Normandy To The Elbe: June 1943 - May 1945, Richard B. Kann Jr.

9th Infantry Division Association Documents

The 39th Infantry Regiment fought as part of the 9th Infantry Division during World War II. This chonicle is a diary of the Regiment's daily operations and actions as it progressed across Europe during 1944 and 1945. The chronicle is portrayed from the vantage point of Richard B. Kann (father of the author) and Dale E. Smith, who served as medics in the 39th Infantry Regiment during that time.

Church Bulletin, December 24, 2009

Church Bulletin

A newsletter published for Deaf Catholics in Ottawa, Canada

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Dominique Chancé (2009). Écritures Du Chaos, Jeannette Ariane Ngabeu

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Church Bulletin, December 6, 2009

Church Bulletin

A newsletter published for Deaf Catholics in Ottawa, Canada

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Signs Of Our Times, December 2009-January 2010

Signs of Our Times

A newsletter published for Deaf Catholics in Providence, RI

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Théâtres Du Roman : Les Scènes De L’Écriture Francophone, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

The present analysis proposes to show how, with a large number of authors, writing becomes an important stage of the imaginary space of the novel, of the configuration of the narrative and the characters, as well as the language. In the field of narrative imaginary, novel and theatre go together, complete each other in order to convert the process of writing into a game where the pleasure of the writer encounters that of the reader, this spectator of the literary scene.

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …

Front Matter And Table Of Contents (V.73)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

The value of the “damier”, a traditional dance from Martinique, is significant because it evokes cohesion, order and balance and symbolizes distinctive attributes from Martinique’s society at large. Martinique enters in a new era which characteristics are defined by regional development. This development is a break between the past and the present or with population’s intelligible referents and landmarks, and is represented between tradition and modernity, as a transformation led by urbanization. Traditions become shaky and in the novel, the city is unable to take on those rural values, symbolized by the “damier”.

Poésie Et Engagement Dans Vous N’Êtes Pas Seul De Gérard Étienne, Simone Grossman

Présence Francophone: Revue internationale de langue et de littérature

This article addresses the terms of commitment in Vous n’êtes pas seul by Gérard Étienne. For one part, the representation of the poet-and-tramp pertains to a first type of ideological commitment. For the second part, the study of oxymorons and references to Baudelaire will lead to a definition of another commitment of poetry in the novel as a counter-discourse for the victims of social exclusion.

André Djiffac K (Dir.) (2007). Mongo Beti, Le Rebelle Ii, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le Roman Africain : Drame Or Histoire, Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

For a long time, African novelists claimed filiation with realism. But there is in realism a deep contradiction between the will of describing the social world and the will of changing it. From this contradiction, the paper studies : the relation between theatre and novel ; the question of citizenship in the novel ; the place of the novel in front of knowledge and action. The novel shows dynamics and characters living in the time. So, it tends to wander from the principle of knowledge and self-consciousness.

Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.

Livres Reçus

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Écriture De La Perte Chez Assia Djebar, Lila Kermas

Présence Francophone: Revue internationale de langue et de littérature

This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.

André Djiffack (Dir.) (2008). Mongo Beti, Le Rebelle Iii, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Index

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Musanji Ngalasso-Mwatha

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien

Présence Francophone: Revue internationale de langue et de littérature

In the works of Patrick Chamoiseau, the act of writing is a main, recurrent theme. The narrator, often, tries to define himself through his writings which have their own autonomy in the novel. This character questions his writing and is torn by the dissatisfaction he feels to get close to the “breath” of the creole storyteller : the chasm between orality and writing creates suffering. He, then, advocates l’“écrire”, closer, according to him, to the utterance of the storyteller and free of the “constraints” of an occidental writing, which he considers as stamped by the ideology of the Universal.

Présence Francophone (V. 73)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Le « Français De Rue » Et L’Écriture De La Guerre : Portée Et Signification, Jean-Fernand Bédia.

Présence Francophone: Revue internationale de langue et de littérature

Louis-Ferdinand Céline, Ahmadou Kourouma, Emmanuel Dongala and Ken Saro-Wiwa made speeches of street, stigmatized like a “language with hooligan” (Quefellec, 2006), a model, at least an agent of the aesthetics of the language of writing of their romantic fictions on the wars. The occurrence of “French of street” whose vulgarity and indocility narratively build the “mythèmes” violence, hatred and horror, reveals the transgression of the linguistic standard, without deteriorating the significant intentionality of works.

Signs Of Our Times, December 2009

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Deaf Catholic Newsletter, Winter 2009

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What's Up Newsletter, December 2009

What's Up Newsletter

A newsletter published for Deaf Catholics in Milwaukee, WI

Deaf Apostolate Newsletter, Christmas 2009

Deaf Apostolate Newsletter

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St. Dominic Deaf Center, December 2009

Saint Dominic Deaf Center

A newsletter published for Deaf Catholics in Houston, TX

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