Arts and Humanities Commons^™

Indigenous Ways Of Teaching And Knowing: A Case Study Of Teaching Indigenous Arts Management, Michelle Evans

Michelle Evans

No abstract provided.

A Christmas Carol, 2009, Parkland College

Parkland Theatre

By Charles Dickens
Adapted by Nick Schneider
Original Music by Tim Schirmer
Original Song Lyrics by Seamus Reilly and Cheri Coons

Director: Michelle Mills
Scenic Designer: Lee M. Boyer
Sound Designer: Jon Schoenoff
Musical Director: Tim Schirmer
Costume Designer: Barbara T. Schoenoff
Technical Production Supervisor and Design Coordinator: Thomas V. Korder
Technical Director: David G. Dillman
Lighting Designer: Sean Murphy
Hair and Make-Up Designer: Rene Chadwick

December 4, 5, 11, 12, 17, 18, 19 at 7pm
December 5, 6, 12, 13, 19, 20 at 2pm
2009

Produced by the Parkland College Fine and Applied Arts Department and Bah Humbug Productions

Blackfriars Dance Concert 2009 Poster, Providence College, Alex Fiedler

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Blackfriars Dance Concert 2009 Playbill, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Directed by: Wendy Oliver

Choreographed by: Lise Brody, Nikki Carrara, Lindsay Guarino, Jamie Jewett, Eva Marie Pacheco, Wendy Oliver

Lighting Design: Tim Cryan

Dancers: Caroline Brown, Joelle Hogan, Callie Kovack Christina Martinez, Kaitlyn Order, Grantis Peranda, Claire Pevoto, Erica Tuccero, Shannon Hoey, Amy McCormack, Lauren Spagnuolo, Stephanie Wong, Kelly Cummings, Melissa Cusak, Kaitlin Elliott, Theresa Hurton, Jaqueline Longo, Krissy Phillipino, Jennifer Robinson, Jamie Jewett, Michelle Struckholz, Casy Caliendo, Alyssa Catjakis, Brianna Munoz, Kate Piquette, Katelyn Uyehara

Providence College Producers, Directors And Actors Series Presents: Ron Tippe - Breaking Into Hollywood Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center Black Box/Bowab Theatre

Ron Tippe: Breaking into Hollywood

December 4, 2009, 4pm

Blackfriars Dance Concert 2009 Promotional Card, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Part Of Their World: Gender Identity Found In Disney Princesses, Consumerism, And Performative Play, Emily Grider Ray

Theses and Dissertations

One way that children explore concepts of gender is through make-believe and performative play. One of the most prevalent presentations of gender that is packaged for children's play is the Disney Princess brand. In 2007 the Walt Disney Princess campaign profited over four billion dollars and expanded to include over 25,000 items for sale. Princess paraphernalia reflects a change in the way that young girls (ages 3-5) engage in imaginary play by creating a whole new paradigm of thought. As these girls project themselves into the role of a certain Princess, typical play transforms into a consumer based theatrical experience. …

A Gaze Into The Personal Aesthetics Of Three Sons Of The Silver Age Of Russia, Karl Green

Theses and Dissertations

Abstract A Gaze into the Personal Aesthetics and Accomplishments of Three Sons of the Silver Age of Russia By Karl Green A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Virginia Commonwealth University, 2009 Director: Dr. Noreen C. Barnes Professor, Director of Graduate Studies School of the Arts For each of us, I wonder how much our geographic location and time of existence affects us as humans: the way we think, respond, grow, and live our daily lives. More importantly, I question how our environment dictates who we …

Road Show (Review), Alisa Roost

Publications and Research

No abstract provided.

Carnival, December 1 – 12, 2009, Theatre Sheridan

Theatre Sheridan Productions

The action takes place on the outskirts of a small town in the south of France, soon after World War II. Lili, an innocent young woman, seeks employment in a seedy carnival touring the south of France. She soon becomes the pawn in a fierce rivalry between Marco the Magnificent, the troupe's compulsively womanizing magician and Paul Berthalet, a former French Resistance hero who was once a brilliant dancer but transformed by injury into an embittered puppeteer. With a glorious score filled with unmistakably familiar tunes, this romantic musical is bound to tug at your heartstrings!

Music and lyrics by …

December 2009 - Volume Ix, Number 1, Theatre Arts Department

Sides (Newsletter)

This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.

The Lab Report, Volume 03, Issue 07, Todd Ristau

Lab Reports

• Crossing the Threshold by Maura Campbell performed in Vermont
• Student Spotlight: James Lewis
• Yes Svetlana, There is a Grandfather Frost by Jeff Goode at Studio Roanoke
• The UnXmas Story by Jeff Goode is directed by Kenley Smith at Studio Roanoke
• Area Highlight: MyScoper.com is one BIG Regional Calendar
• From the Director: Pressing the Hot Button Issues

The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Théâtres Du Roman : Les Scènes De L’Écriture Francophone, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

The present analysis proposes to show how, with a large number of authors, writing becomes an important stage of the imaginary space of the novel, of the configuration of the narrative and the characters, as well as the language. In the field of narrative imaginary, novel and theatre go together, complete each other in order to convert the process of writing into a game where the pleasure of the writer encounters that of the reader, this spectator of the literary scene.

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …

Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

The value of the “damier”, a traditional dance from Martinique, is significant because it evokes cohesion, order and balance and symbolizes distinctive attributes from Martinique’s society at large. Martinique enters in a new era which characteristics are defined by regional development. This development is a break between the past and the present or with population’s intelligible referents and landmarks, and is represented between tradition and modernity, as a transformation led by urbanization. Traditions become shaky and in the novel, the city is unable to take on those rural values, symbolized by the “damier”.

Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.

Dance Usm! Program [2009], University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

Directed by Maria Tzianabos

The Effect Of Gamma Rays On Man-In-The-Moon Marigolds Media Release, Susan Werner

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

The Effect of Gamma Rays On Man-In-The-Moon Marigolds media release

December 2009

A Christmas Carol (December 3-6, 2009), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol (December 3-6, 2009).

To view the photos from this production of A Christmas Carol, please click here.

Blackfriars Dance Concert Media Release, Susan Werner

Playbill and Production

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert media release

December 2009

Set And Light Design For “Con Mis Manos/With My Hands”: A Play In Two Acts By Misael Martinez, Lawrence Andrew Lopez

Theses and Dissertations - UTB/UTPA

An examination and analysis of the process of creating and executing a set and light design for a new show in a new space. This thesis will delve into the problems and solutions that helped to create the set for Con Mis Manos/With My Hands, a play by Misael Martinez, for production in the Albert L. Jeffers Theatre at the University of Texas-Pan American.

A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti

Masters Theses

Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …

Radical Theatricality: Jongleuresque Performance On The Early Spanish Stage, Christopher B. Swift

Publications and Research

Radical Theatricality describes medieval and early modern oral traditions through the culture of “jongleuresque” performers: juglares, trovadores, and other itinerant players, who have been relegated to the fringes of theatre history.

Towards Robot Theatre, Marek Perkowski

Systems Science Friday Noon Seminar Series

The talk will present the idea of futuristic robot theatre and work done towards it at the Intelligent Robotics Laboratory, Department of Electrical and Computer Engineering at PSU. After a short history of robot theatre from antiquity until 2008 we will present recent work on robot theatre in the world and at PSU, including two plays: ancient Korean folk tale "Hahoe Pylyshin" and "What's that? A Schroedinger Cat" or a debate between Einstein and Schroedinger Cat about quantum mechanics - an educational theatre. Several models of robot theatre will be discussed: animatronic theatre, interactive theatre and improvisational theatre. We will …

Andrea's Got Two Boyfriends And Berniece At Bay (November 19-21, 2009), David Willinger, Nagle Jackson

Student Theatre Programs

Program for Andrea's Got Two Boyfriends and Berniece at Bay (November 19-21, 2009).

As You Like It - Theatrical Play Program, Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Theatrical program for Theatre Arts Department production of As You Like It by William Shakespeare. Produced November 2009 in the Danny Peterson Theatre.

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Production

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of the Blackfriars Dance Concert.

November 12, 2009