Theatre History Commons^™

Ancient Greeks Today: Modern Adaptations Of The Orestes Myth, Arthur L. Robinson

Theater Summer Fellows

This research closely examines the ancient Greek myth of Orestes, the boy who murdered his mother to avenge his father. It first draws upon the works of Aeschylus, Euripides, and Sophocles, who all wrote different variations of the same myth. This is followed by an examination of several more modern day adaptions of the myth, including but not limited to Eugene O’Neill’s Mourning Becomes Elektra, David Foley’s Murders at Argos, and Ferdinando Baldi’s The Forgotten Pistolero. The research highlights differences made to more effectively reach the varying audiences of the time, and the techniques used to create a successful …

A Grand Night For Singing, Otterbein University Theatre And Dance Department

2016 Summer Theatre

A Grand Night for Singing is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II.

Featuring songs from such lesser-known works as Allegro. Me and Juliet, State Fair and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella, and The Sound of Music.

https://en.wikipedia.org/wiki/A_Grand_Night_for_Singing

Invention Of Theater, Otterbein University Theatre And Dance Department

2016 Summer Theatre

No abstract provided.

Movement As The Driving Force: Empowering Live Dance Performance Through The Integration Of Film, Kelsey Victoria Mary Paschich

Theatre & Dance ETDs

Dance and film are two distinct mediums of expression. Movement drives both of these art forms and is the commonality that serves as the thread that connects them. These mediums serve as modes of discovery, thinking, and representation. Time and space are shared components between dance and film. Over the past century, there have been many different relationships on and off the stage between the two and as a result of this, new genres like screendance, dance for film, and multimedia performance have emerged. Live dance performance has been strengthened by the possibilities and uses of multimedia elements in real …

Teaching Choreography In A University Setting: Experiencing Collaboration Through Dramaturgical Thinking, Ariel Burge

Theatre & Dance ETDs

I began my research with the intent of finding a way for student choreographers in university dance programs to become more involved in their peers work. In addition I hoped to find a teaching model that would provide the experience of peer collaboration. I found in my own training that I wanted to have more interaction with my peers through working creative relationships. I felt that choreography classes were the ideal place to implement a working collaborative experience. Through my research I discovered the concept of dance dramaturgy. I realized that choreography students engaging in the practice of dramaturgical thinking …

Theatres Of Reality, Fiction, And Temporality: Vegard Vinge And Ida Müller’S Ibsen-Saga (2006 - 2015), Andrew L. Friedman

Dissertations, Theses, and Capstone Projects

This dissertation examines the influence of modernist aesthetics and ideologies on contemporary, European and U.S. experimental theatre. I argue that modernist and contemporary experimental theatres offer competing notions of reality, fiction, and temporality, which I interrogate through Vegard Vinge and Ida Müller’s Ibsen-Saga. I illuminate this tension by reading current modes of performance against the Saga’s productions and work practices, as well as their aesthetic and ideological foundation in three modernist sources: the artificiality of Ibsen’s realism, the utopianism and totality of Richard Wagner’s Gesamtkunstwerk, and the temporal provocations of the historical avant-gardes. I contend that the …

Brighton Beach Memoirs, Otterbein University Theatre And Dance

2016 Summer Theatre

Brighton Beach Memoirs is the first play in Neil Simon's semi-autobiographical comedic Eugene trilogy, which also includes Biloxi Blues and Broadway Bound. The story of Brighton Beach Memoirs follows a 15-year-old boy named Eugene Jerome as he grows up in 1937 Brooklyn. stageagent.com/shows/play/2119/brighton-beach-memoirs

José Tamayo In Spanish America, 1949-1951, Carey Kasten

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

“José Tamayo in Spanish America, 1949-1951” relies on previously overlooked archival material from Spain and Spanish America to reconstruct the performance schedule and study the financial management and critical reception of the Lope de Vega Company in Cuba, Puerto Rico and Colombia. In doing so, it sheds new light on Tamayo’s administration of the artistic agenda and fiscal needs of his company’s international tour, helping us to understand how Tamayo built and cultivated his growing fame, at home and abroad, in the early part of his career. The performance calendar featured in the article’s appendix provides a previously unavailable comprehensive …

"The Sound Of A Voice: An Evening Of Intercultural Theatre", Amy C. Slothower

Senior Honors Projects, 2010-2019

This undergraduate thesis examines the impact of the process of creating a piece of intercultural theatre on student artists. In the research of intercultural theatre, there is a lack of information on opportunities for intercultural performance experience for students, and much of the major research that has been done has all been by established theatre artists. The biggest concern in the theatrical community with creating works of intercultural theatre is the threat of cultural appropriation and imperialism. Much of this concern is stimulated by belief that the western dominant culture maintains a sense of imperialism towards what is perceived as …

2016 Otterbein Summer Theatre Season Brochure, Otterbein University Department Of Theatre And Dance

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

Behind The Stakes, Between The Lines, Beyond The Pun: A Critical Deconstruction Of Humor In William Shakespeare's A Midsummer Night's Dream, And Other Popular Comedies, Jaime Libby

Dissertations, Masters Theses, Capstones, and Culminating Projects

Humor is a powerful rhetorical device employed at all levels of human discourse—from casual banter to political debate. Still, despite humor’s global prevalence, its historical transgressiveness, and its distinct potential both to neutralize and critically engage highly fraught issues, humans do not often pause to ask how humor works. And what does its working tell us about our humanness? This thesis explores the operation of humor in literature and performance, using tools provided by structuralist, deconstructive, and postmodern critical arenas, to reveal how humor’s fundamental structures invite humans to entertain new perspectives and practice empathy. The study considers irony, the …

A Midsummer Night's Dream

Taylor Theatre Playbills

Taylor Theatre presents William Shakespeare’s A Midsummer Night’s Dream.

Performed April 29-30 and May 6-7, 2016 at the Mitchell Theatre. Mischief meets merriment in this fresh re-imagining of Shakespeare's most popular romantic comedy.

In just one night, four magical stories are cleverly woven together: the marriage of the Athenian duke to the Amazon queen; the battle of the king and queen of the fairies; the follies of four lovers in a forest; and the hilarious antics of amateur actors staging a play. Enter a vibrant world where fairies fly overhead, a donkey bursts into song, and love potion makes your …

Fiddler On The Roof, Otterbein University Theatre And Dance Department

2015-2016 Season

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil …

Transgender Issues In Film, Eulalah R. Prater Mx

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The question of gender inequality in film has been widely debated, both within the industry as well as within gender studies, with scholars such as Dr. Stacy L. Smith, Marc Choueiti, Elizabeth Scofeils, Dr. Katherine Pieper and Melissa Rigney arguing about gender inequality in modern popular films. However, these critics ignore the issue of trans-inclusive representation. My paper addresses the issue of trans* representation in modern film through comparative analysis with Greek theatre and early American film. I argue that in order to better understand lack of non-cis-gendered representation, it is instructive to connect this phenomenon to blackface in early …

Who's Afraid Of Virginia Woolf? Program [2016], University Of Southern Maine Department Of Theatre

Programs 2015-2016 Season

A play by Edward Albee

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Mastering Macbeth, Shelby Gilliam, Dominique Rider, Rick Jones

Undergraduate Research Conference

The Tragedy of Macbeth is widely acknowledged as one of the theatre’s greatest tragedies. The play opens to the end of a massive battle in which Macbeth has just defeated the former Thane who sought to overthrow the king. Macbeth is given a prophecy by three witches, who promise that he will be king. To ensure the infallibility of the prophecy, Lady Macbeth plots the King’s murder and Macbeth does the deed. The Macbeths are crowned and are henceforth miserable, haunted by their guilt. The play is about a number of things such as political ambition, murder, love, and fate.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.