Playwriting Commons^™

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Rabbit Hole

Taylor Theatre Playbills

Taylor Theatre presents Rabbit Hole by David-Lindsay-Abaire.

Performed February 19-21, 26-28, 2016 at the Mitchell Theatre.

As improbably funny as it is heartbreaking, this story of a family in crisis won the 2007 Pulitzer Prize for Drama. Becca and Howie had the perfect life—a great marriage, a beautiful house, and a lovely son. But after a tragic accident, the couple faces the challenges of surviving great loss and making a life with the family that remains.

Is He Dead?, Otterbein University Department Of Theatre And Dance

2015-2016 Season

This play was written by Mark Twain in 1898 and first published in print in 2003. The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises …

Working

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2016 performance of Working by Stephen Schwartz and Nina Faso.

Working is a musical about the jobs of various people and their thoughts about their work.

Autobiographical Poetry To Plays: Taking Memoir To A Theatrical Level, Ryan P. Tofil

Dissertations, Theses, and Capstone Projects

Pulitzer prize winning playwright John Patrick Shanley wrote, “Theatre is a safe place to do the unsafe things that need to be done.” For my Capstone Project, I have compiled my autobiographical poetry, prose, and performance monologues into a theatrical manuscript to be used as the basis for a play. The final Capstone Project is a manuscript of an anticipated theatrical production based on the grieving process surrounding my brother's suicide, as well as an exploration of my sexuality and the relationships I developed during the years surrounding his death.

The Capstone Project’s theatrical manuscript is also accompanied by a …

Dramathizing Functions: Building Connections Between Mathematics And Arts, Gunhan Caglayan

Journal of Humanistic Mathematics

This article focuses on connections between mathematics and performance arts (drama). More specifically we offer an exposition of a segment of college algebra mathematics (an introduction to functions), with an approach primarily emphasizing the aesthetic aspects of mathematical learning, teaching, and performing.

Alceste's Return, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

A sequel to Moliere's drama, "The Misanthrope." As of January 2015, it had been selected as a semi-finalist in the AACT playwriting competition. If selected as a finalist, it will be performed in 2016 and published with Dramatist Play Service.

Rinse Cycle, Miranda Lopez

The Laureate

No abstract provided.

Devising Performance & Queer Futurity, Brendan F. Leonard

Honors Theses

This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …

A Patra Lovitura De Gong, Teatru Scurt, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

Volumul de față reia, grupate sub un titlu provocator, A PATRA LOVITURĂ DE GONG, piesele de teatru scurt ale lui Florentin Smarandache, cuprinse inițial în volumul DESTIN (Craiova: Aius, 2000), un volum de texte-amalgam (nuvele, povești, eseuri, proză memorialistică, interviuri, versuri experimentale, culegeri de folclor, teatru scurt), astfel:

No exit! evocă alegoric atmosfera de închistare a perioadei de dictatură comunistă.

Destin și Conversația sunt două miniaturi experimental-sugestive, fără actori.

Aventurile dragostei e “un spectacol de versuri în versuri“, un dialog parapoetic și transtextual între câțiva dintre poeții români în vogă în anii 80.

Tragedie antică este o meditație generală asupra …

Practical Paradise: Ethics For A Modern Age, Anthony P. Davanzo

CMC Senior Theses

This play demonstrates an interpretation of Nietzsche's philosophy in practice. The main character experiences loss and confusion, however, through this struggle arrives at a discovery of profound truth. If you've ever wondered how to live your life in the best way possible, the main character believes he's found the answer.

Hermes In The Anthropocene: A Dogologue, Karen Malpede

Animal Sentience

In this dogologue, a writer and the dog who sits near her desk as she works speak. The dog is concerned about the fate of the world in the hands of humans. His urgent questions send the writer into the world of her own memories when she was a child alone with a horse in nature.

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …

The Marriage Of Figaro

Taylor Theatre Playbills

Taylor Theatre presents an original translation of Mozart's comic-opera, "The Marriage of Figaro."

Mozart's "The Marriage of Figaro" whisks us through the events of one crazy day as Figaro, the Lord's valet, tries to wed Susanna, the Lady's maid, before their philandering master can get to her first. Filled with Mozart's glorious music, The Marriage of Figaro is widely regarded to be one of the greatest comic operas ever written. Our production will see its plot of intrigue, mistaken identities, and unexpected revelations unravel in early 20th Century England in which the servants who live downstairs are perfectly capable of …

Fresh Shakespeare From The Oregon Shakespeare Festival, Daniel Pollack-Pelzner

Faculty Publications

Some critics have argued against the Oregon Shakespeare Festival's contemporary English translation project, but Daniel Pollack-Pelzner argues it's part of the process of keeping Shakespeare alive.

The Mcgowan Trilogy (Plays), Seamus O'Scanlain

Publications and Research

The McGowan Trilogy is a psychological journey of violence, sorrow and love lost. Set in 1980s Ireland after the Brighton Bombing which targeted Margaret Thatcher and her cabinet it follows the exploits of Victor M. McGowan - a new breed of IRA enforcer - in love with puns, guns and the pogo. The Trilogy won awards for Best Actress, Best Director and Best Production in 2014 and played for 20 nights in New York. In 2015 it played in the UK at the Kino-Teatr, An Taibhdhearc, The Town hall Westport and The Town Hall Galway.

The Arab-Israeli Cookbook

Taylor Theatre Playbills

"The Arab-Israeli Cookbook" is a verbatim play written by British playwright Robin Soans. The script was created as a result of a collaboration with two directors, one Arab and one Jewish. The three of them went to Israel and interviewed a wide variety of people including farmers, fishermen, photographers, students, the young, the old, the orthodox, the unorthodox, those who were pessimistic and those who were hopeful. Soans used the interviewees' own words to tell their stories—to give voice to those caught up in the Arab-Israeli conflict. The composite picture that emerges in their stories demonstrates that regardless of labels …

Poor Relations: An Original Play By Robert Flaherty Hart, Robert Flaherty Hart

Graduate Theses and Dissertations

The goal of this dissertation is to present my play, Poor Relations, to my thesis committee and discuss both the process of bringing it to the stage and the results of that process.

The dissertation opens with a narrative essay detailing the process of writing Poor Relations and bringing it to the stage in a full production. It discusses my initial idea for the play, the original draft and changes made after input from those at informal readings. It pays particular attention to the changes that were made during the rehearsal process for the full production.

Following is a copy …

Becoming Number Six, Ross Peter Nelson

LSU New Orleans Theses and Dissertations

Becoming Number Six is an original dramatic work: Stephanie Dylar is disturbed when two shadowy figures claiming to be intelligence agents appear on her doorstep. The agents, Lovelace and Babbage, represent a government branch known as The Division, and inform her that her son Jeremy may be involved in illegal computer activity. When Jeremy subsequently goes missing, Stephanie turns to her friend Julia for help, and is confronted with the realities of constant surveillance as Julia brings the hacking group Incognito into the mix.

Back To Black: An Exploration Of Amy Winehouse’S Music And Addiction, Courtney Ad Jamison

Senior Honors Projects, 2010-2019

Amy Winehouse tragically died on July 23, 2011 as a result of years of alcoholism and drug abuse. Her beautiful jazz infused poetic music and her struggle with addiction created a juxtaposition of extremes that led to the foundational question of this creative project: “How can Winehouse’s music serve as the catalyst for a musical theatre piece that explores the impact of addiction on the human experience?” Extensive research was conducted on the themes of drug abuse, alcoholism, attachment in adult life, and domestic violence. The project culminated with a staged reading of a jukebox musical consisting of Winehouse’s music …