Playwriting Commons^™

"Possessed": The Phenomenology Of Immersive Theatre, Shannon M. Flynn

Theatre & Dance ETDs

Using phenomenology as a lens of analysis, I investigate how immersive theatre engages audiences in a more direct and sensory way than traditional theatre. In a proscenium theatre the action is seen from the same angle. The theatre itself becomes a phenomenon in audience’s minds, each performance subtly influencing how the audience perceives the next. I investigate how relationships between audience and performers are altered in immersive experiences with no delineation between the space audience and actors occupy. The phenomenological idea of frontality places immersed audiences in positions where they are able to explore a constantly changing perspective of the …

La Teoría Del “Generolecto” Observada En La Llamada De Lauren De Paloma Pedrero Y Entre Villa Y Una Mujer Desnuda De Sabina Berman, Thomas Tsai

Student Scholar Symposium Abstracts and Posters

Created and popularized by Deborah Tannen, the Genderlect Theory explains how through social contexts, men and women have different ways of communicating. According to Tannen, men focus more on status, while women focus more on forming connections. On the other hand, there is also machismo, the behavior and attitude men partake to show that they are “manly” or “superior” to women and others they deem as inferior. Through the literary theatrical works, "La llamada de Lauren" by Paloma Pedrero and "Entre Villa y una mujer" desnuda by Sabina Berman, we can see similarities and differences in the Genderlect Theory and …

An Introduction To Theatre Of Omniscience, Kierstan K. Conway

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

Theatre is an art of infinite possibility and is created and viewed from a variety of different lenses. Throughout history, artistic movements such as realism, surrealism, naturalism, expressionism, romanticism, and many more have influenced the ideologies of theatrical artists. Theatre practitioners make a stake in their artistic beliefs in the form of manifestos, which encapsulate their understanding in an abstract or concrete way. In reading and studying these manifestos, the individual then has the choice to follow suit to a school of thought, or derive their own philosophy. Theatre, in one viewpoint, can be understood as a means of omniscience, …

The Story Of A Journey: Awakenings Before, During And After The Zoom Production Of The Play Thrift Store Junkie, Brendan Beseth

Graduate Theses and Dissertations

This thesis tells the story of several awakenings I had while pursuing my M.F.A. in playwriting at the University of Arkansas. It details some of the traps a writer can fall into. It tells of how to get out of the quicksand. Also contained within is an account of the thesis production of my play Thrift Store Junkie and the play’s script.

A Tough Nut Never Boils: Thoughts And Ruminations On Language And Playmaking, Lauren Ferebee

Graduate Theses and Dissertations

After an unorthodox journey through higher education ending during the coronavirus pandemic, which has made the typical theatrical thesis production and subsequent typical final year impossible, the author reflects on the body of work she has created at the University of Arkansas as an M.F.A. candidate in playwriting at the Department of Theatre, how she has reached both deeper into her own discipline and outside of it to widen her understanding of liveness, performance, and textual creation. She interrogates her own unexpected experiences, from figuring out how to make theatre without theatres, to teaching students who have never seen a …

I Am, Braylee Polson

Undergraduate Honors Theses

I Am is a creative thesis in the form of a theatrical play. This play creates a new Appalachian legend based around the Biblical Story of Moses, feminism, and the African Deity Mami Wata.

Chickens In Texas: A Farce In One Act, Lawson Marchetti

Honors Theses

Herein lies a one-act farce written by Lawson David Marchetti, an English major in the Sally McDonnell Barksdale Honors College at the University of Mississippi. His emphasis is in Creative Writing, and his minors are in Theatre Arts and in Music. This farce was written as his senior thesis, for the completion of requirements of the Honors College. The play was conceived in August of 2020, and completed in April of 2021. The play itself is set in modern times, sans pandemic, and is highly whimsical in style. It requires a cast of twelve comedic actors, and several complicated technical …

Echoes Of The Past: A New Play, Cayson Miles

Honors Theses

My project is a new play titled Echoes of the Past. In this two-act full length play, two different diseases are explored: the HIV/AIDS epidemic of the 1980s and 1990s, and the COVID-19 pandemic of 2020. The show follows a trio of characters from each time period, and as the play progresses, the time periods begin to intersect, and the characters begin to interact with one another. I chose to write this play because as a member of the LGBT community, when I watched the response to the coronavirus pandemic unfold, I could not help but see the parallels to …

A Playwright’S Process: How Ideas Change From Germination To Execution, Austin Roberts

Honors Theses

No abstract provided.

The Tempest 2021, Otterbein Theatre And Dance Department

2020-2021 Season

Abducted and set adrift to die by her power-hungry sister and a jealous king, Prospera and her daughter, Miranda have survived 12 long years shipwrecked on a lonely island. When Prospera learns though her magical arts that those whose sought her child’s death are within her reach, she is consumed by rage. Conjuring the greatest of storms to break their ship upon her shores, Prospera brings her enemies to her feet. But when the opportunity to wreak her final vengeance is upon her, Prospera can no longer recognize the thing she has become, and she is forced to choose between …

Into A Lamplit Room, Otterbein Theatre And Dance Department

2020-2021 Season

The life of Composer and Social Activist, Kurt Weill, is celebrated in this cabaret-style compilation of his work. The production includes more than 30 songs, ranging from his life in Berlin during the Weimar Era during which he was a voice against the Nazi regime, to his emigration to the U.S. where he was a supporter of the American war effort in the 1930’s, and finally his contributions to the American Musical Theatre canon. Audiences will particularly recognize his collaborations with Ira Gershwin, Bertolt Brecht, and Maxwell Anderson in the songs written for Broadway including Tschaikowsky, Mack the Knife, Pirate …

Chimeric Ideals, Carter Hoffer

Honors Thesis

What comes next and how do you move on from something that seems all-encompassing? These are just a couple of the questions author Carter Hoffer asks within his original play, Chimeric Ideals. Inspired by a nation rife with gun violence and no plan to reign it in, Chimeric Ideals follows the story of Percy, Adam, Jed, and Henry immediately after the most traumatic experience of their young lives, exploring the difficulty of healing in a world where mental health is a taboo subject, and its' sufferers sometimes refuse to admit to even having a problem. Originally conceived as a …

The Island Heritage / El Patrimonio De La Isla, Susana Castillo-Rodriguez

Languages and Literatures

In 1926, Philip. J. Fisher published “The Island Heritage. Episodes from the Missionary History of Fernando Poo, West Africa. A Play for Young People”. This book has remained unknown until present. There is one copy at Archives and Special Collections, SOAS Library (London).

This play is of enormous interest not just for it has been mentioned above but also because:

1. It is a vivid narration of the settlement of Protestant missionaries in Clarence, based on historical facts and personal experience collected first hand by Philip. J. Fisher as he interviewed some of the protagonists in the play.

2. It is the …

Ataka, Anthony H. Chambers

Mime Journal

No abstract provided.

Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia

Mime Journal

No abstract provided.

Mochizuki: History And Context, Michael Watson

Mime Journal

No abstract provided.

From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li

Mime Journal

Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …

Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer

Mime Journal

No abstract provided.

Emmie And The Enchanted Orchid: Portraying Positive Disability Representation In Children's Media, Adrianna Waters

Mahurin Honors College Capstone Experience/Thesis Projects

Disability representation in media and storytelling is often negative or inaccurate, with disability narratives equating disability to evil or lesser than abled bodies. The harmful representation is especially prevalent and dangerous in children’s media as the depiction of characters with disabilities may be children’s first introduction to disability, and thus the portrayal is likely to stay with them, especially as stories for adults continue to perpetuate the inaccurate representation of disabilities. “Emmie and the Enchanted Orchid”: Portraying Positive Disability Representation in Children’s Media seeks to examine the harmful portrayal of disabilities in children’s media while also recognizing how disability can …

Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson

Mahurin Honors College Capstone Experience/Thesis Projects

In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …