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Blackfriars Dance Concert Fall 2024 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert Fall 2024

Friday, November 15, 2024 @7:30pm

Saturday, November 16, 2024 @2:00PM

Choreographers: Heather Ahern, Laura Bennett, Nina Kossler, Jessica Pearson, Michaela Pendola, Brooklyn Toli, Arlynn Zachary

Blackfriars Dance Concert Fall 2024 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert Fall 2024

Friday, November 15, 2024 @7:30pm

Saturday, November 16, 2024 @2:00PM

Choreographers: Heather Ahern, Laura Bennett, Nina Kossler, Jessica Pearson, Michaela Pendola, Brooklyn Toli, Arlynn Zachary, Carla Maxwell, Robert Battle, Elizabeth Graney, Olivia Krupa, Julianna Martin, Grace McEvoy, & Allison Renaud

Dancers: Jade Bocciarelli, Helena Gillin, Gabriella Girard, Penelope Kearns, Julia Mele, Caroline Puccini, Noel Rose DeRosa, Taylor Gifford, Caroline Guanci, Grace McEvoy, Emma Preston, Allison Renaud, Simone Chabot, Lauren Gerew, Heidy Guzman, Olivia Krupa, Julianna Martin, Rayni Collins, Amanda Kleinman, Grace Sittig, Alyssa Dalto, …

The Art Of Inclusion: Theatre’S Contribution To Popular Culture Literacy For Students With Intellectual Disabilities, Catherine R. P. King

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This essay explores the transformative role of theatre in special education, focusing on its capacity to foster social skills and life navigation abilities in students with disabilities. In light of the fundamental importance of these skills for social inclusion and quality of life, the article highlights the innovative and effective approach to integrating theatre into special education classrooms. It discusses how theatre can empower students with disabilities by enhancing their social interaction, communication, and life navigation skills. In addition, the article delves into the intersection of theatre and popular culture, showcasing how theatre can serve as a valuable tool for …

Cake And Conclusions: Rhetorical Roots In “Sheetcaking” And Fallacious Community Responses, Marissa Lammon

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The convergence of politics and comedy within political entertainment has created a new environment, dissemination of information, and formation of public opinion. In response to white nationalist rallies, comedian Tina Fey utilized her political comedy platform to satirically comment on the inaction of several privileged consumers. Community response to the satirical skit reflected the complexity of satire as rhetorical strategy, notably when present online and within popular culture discourse, and the cognitive demands that result in fallacious tendencies. The following examines the fallacies that arise in response to Fey’s satirical message and the implications for political entertainment media.

The Madwoman Of Chaillot, Jean Giraudaux, Maurice Valency

Taylor Theatre Playbills

The playbill for Taylor University's performance of The Madwoman of Chaillot by Jean Giraudoux and adapted by Maurice Valency.

Performed on November 8-9, 2024 at 7:30pm and November 10, 2024 at 2:00pm in the Mitchell Theatre at Taylor University.

Jean Giraudoux's The Madwoman of Chaillot, adapted by Maurice Valency, is a poetic and satirical fable that critiques capitalism and greed. The play is set in Paris, where a group of greedy businessmen plans to tear up the city to drill for oil. Their plans are discovered by Countess Aurelia, the titular Madwoman, a wonderfully eccentric and idealistic woman who …

Bad Girls: Agency, Revenge, And Redemption In Contemporary Drama, Courtney Watson

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change.

Studying Silence In Popular Culture, Kathy Merlock Jackson, Terry Lindvall

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This article explains the impetus for and execution of a team-taught, interdisciplinary class in silence using popular culture materials and practices, such as silent film, music, meditation, and mime. The course identifies individuals as possessing characteristics of introversion and extraversion and explores the role of silence in the modern world, incorporating the following: (1) Foundations for the Study of Silence, (2) The History of Silence, (3) The Role of Silence in Spirituality, Creativity and Reflection, (4) Silence in Communication Study, (5) Silent Film and Silence in Film, (6) The Role of Silence in a Highly Technological, Mediated World, and (7) …

Making The Case For Teaching Character Change In Complex Tv: The Closer And Major Crimes, Emily C. Hoffman

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Jason Mittel’s 2015 book Complex TV: The Poetics of Contemporary Television Storytelling offers enough material to sustain a semester-long undergraduate course. Because of its approachability and students’ interest in discussing characters, his chapter devoted to viewers’ parasocial relationships and characters’ potential for change is among the most teachable. However, teaching complex television that relies on intensely serialized story elements can make choosing televisual texts for study and discussion challenging. Therefore, series that skew episodic yet still incorporate serial elements, like police procedurals, can prove to be a practical alternative for classroom study. This article describes how using the interrelated …

“Every Time I Write A Rhyme / These People Think It’S A Crime”: Persona Problems In Catullus And Eminem, Jesse Weiner

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This essay interprets Eminem’s song, “Criminal” (2000, The Marshall Mathers LP, Track 18), as a Catullan project in establishing distance between the poet and poetic persona, accomplished through Catullan invective. Drawing upon pedagogical experience, I argue that Catullus (a Roman poet of the 1st Century BCE) and Eminem use analogous rhetorical tactics and structures to challenge accusations (real or imagined) of poor character stemming from their poetry. Catullus and Eminem vociferously articulate a separation of art from artist, using common transgressive poetics. Each poet disavows his own self-constructed stance of authenticity with similar threats of violence and postures of …

The Many Faces Of Foley: A Journey Of Discovery And Influence On Professional Wrestling, Adam Michael Nicks

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Though the academic community often looks down on professional wrestling, there are examples in which the medium allows for elaborate and complex storytelling rivaling other forms of literature. During the 1990s, due to the constant blurring of the lines between reality and fiction within the world of wrestling and the increasingly intelligent audience that consumed the product, performers were forced to adapt to a more realistic style integrating their actual life events and personality into their on-screen personas. One sports entertainer of note was Mick Foley, who crafted three splintered characters he portrayed amongst numerous promotions. Each had their own …

“This Cabal Guy Could Be Right”: Numeric Correlations In Maury Yeston’S In The Beginning, Leonard Vandegrift

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The study of gematria and isopsephy, the numeric conversion of Hebrew and Greek words, yields an abundant harvest of biblical insight. Though applying this method to more secular literature is rare, we have a unique set of circumstances in Maury Yeston’s musical In the Beginning that renders its use appropriate. Derived from Hebrew and Greek, the names of the show’s principal characters can be converted to numeric values, all of which share at least one of three common factors. Moreover, the names are often connected thematically, and their factors reflect key elements in the first five books of the Bible. …

More Than Simple Plagiarism: Ligotti, Pizzolatto, And True Detective’S Terrestrial Horror, Jonathan Elmore

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Of course, True Detective is neither a philosopher’s bedtime story nor supernatural horror, and yet there remains a productive affinity between Ligotti’s work and the HBO series. Where Ligotti provides substantial portions of the hallmark character’s identity and dialogue, True Detective puts Ligotti’s thought experiment to far more practical uses than does Ligotti himself. By intertwining hurricanes and flooding alongside industry and pollution into the background and negative space of the setting, the series implicates the urgent material reality of climate change and environmental collapse into the setting: “all of this is going to be under water in thirty years” …

John Proctor Is A Villain (November 6-9, 2024), Kimberly Bellflower

Student Theatre Programs

Event program for John Proctor is a Villain (November 6-9, 2024), Lindenwood University.

To view the photos from this production of John Proctor is a Villain, please click here.

“If You Want To Be The Man, You’Ve Got To Beat The Man”: Masculinity And The Rise Of Professional Wrestling In The 1990s, Marc A. Ouellette

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE's on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

“High Culture As Entertainment”: Hybrid Reading Practices In A Live Book Club, Magnus Persson

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The Bushwick Book Club (BBC) is a live book club in which invited pop musicians perform musical interpretations of a predetermined literary work in a nightclub environment. What can a typical BBC show, with its strong emphasis on popular music and performance, teach readers about the uses of literature? This case study will investigate which reading practices are at work and in what ways they challenge traditional ideas of the forms, functions, and values of reading. Another important aspect concerns how the borders between high and popular culture, and between the printed word and other media are renegotiated. Based on …

Music Review: “Indy Classical Innovation: Ymusic” At Usc’S Southern Exposure New Music Series, March 21, 2014, Peter B. Kay

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Review of “Indy Classical Innovation: yMusic” at the University of South Carolina’s Southern Exposure New Music Series, March 21, 2014.

Reflection: The Twenty-Line Trap? Shakespeare Enacted By Young Women, Shannon Reed

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Professional actors assemble a toolkit of monologues with an obligatory “Shakespearean monologue” of around 20 lines. But female actors are at a disadvantage, with less than 150 women in a repertoire of over 1,100 characters in Shakespeare’s 37 or more plays. Young female actors (18-22 years old) are even more at a loss, if the powerful and complex older female roles are removed, leaving only a few dozen appropriate speeches. What effect does this limited canon have on such actors? Here, I reflect upon my own participant observer experience as a young woman actor, who received the bulk of my …

Solar Systems And Hind Legging: A Practitioner’S Perspective On Creative Research Practice, Nat Dianne Texler, Lola Montgomery

Staff Scholarship - Australia & Dubai

A presentation on Creative Practice Research from the perspective of the practitioner - demonstrating the different ways in which we both operate in order to show how broad research actually is under the framework.

We both work under the same framework but with entirely different ethoses - which we believe will help our colleagues understand that there's more to research than the write up.

Antigone Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Antigone of Sophocles by Bertolt Brecht

October 24 & 26-27, 2024

November 1-3, 2024

DIRECTOR, ERIN JOY SCHMIDT

SCENIC DESIGN, CARL GUDENIUS

LIGHTING DESIGN, JOHN MALINOWSKI

SOUND DESIGN, STUART HOLLAND

VOCAL COACH-SINGING, ELIZABETH HEATH

COSTUME DESIGN, DAVID COSTA-CABRAL

PROPERTIES DESIGN, GREY RUNG

VOCAL COACH-SPEECH, MEGAN CHANG

ACCORDION, ROGER BOTELHO

CAST: Antigone/First Sister - Maisie Cocker; Ismene/Second Sister - Olivia Black; Creon - Anthony Joseph; Haemon - Gabriel Joseph; Tiresias - Claire Dancause; Guard 1 - Andy Belotte; Guard 2 …

Antigone Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Antigone of Sophocles by Bertolt Brecht

October 24, 2024, 7:30pm

October 26 & 27, 2024, 2pm

November 1 & 2, 2024, 7:30pm

November 3, 2024, 2pm