Theatre and Performance Studies Commons^™

Theatre For The People: Exploring The Need For A New National Theatre, Kai Yamanishi

Theatre and Dance Honors Projects

The Covid-19 pandemic sent shockwaves through the theater industry that have seen dozens of venues across the country laying off workers, shortening seasons, and even closing altogether. Costs have risen, audiences have been slow to return, and traditional sources of funding have dried up. What then, are theaters to do? By conducting an economic analysis and examining published and original interviews with theater practitioners, this essay explores this crisis as it has affected the regional nonprofit theater sector, specifically the members of the League of Resident Theaters (LORT). It concludes that LORT’s model is no longer sustainable because of its …

Essence Of Esther: Finding And Understanding Power Of Voice Through Exploration Of The Archive, Ashley C T Cesiro

Dance (MFA) Theses

Language is how we communicate, but language does not always show up in the literal sense of spoken words. This thesis examines how the human body archives experiences to fuel the voice, enabling it to show up and fulfill a purpose and passion that life has led to. In this thesis, the book of Esther is used as an example of how one can draw on the roots of their past and the challenges of life to discover and understand the source of their inner voice and how to utilize it effectively. This research highlights many artists who lean into …

One Man Show/ Who Am I, Devin Baker

Dance (MFA) Theses

Historically, stereotypes of ideal masculine physiques and attributed qualities have led to discriminatory and exclusionary practices that adversely affect black queer men and how they show up in various performance and social spaces. As a result, black male bodies in these spaces have employed the alter ego as a tool to imagine themselves inside/outside these constructed masculinities. How can the alter ego aid in transcending dated notions of race and gender, beholden to black male bodies within concert dance? Through the intertwining of personal narrative and research rooted in psychology and gender studies, this work examines the alter ego as …

Stop Suffering For Your Art, Amanda Bryers

Theses and Dissertations

What does the process look like for an actor to disconnect from a circumstance that they take on during the course of a rehearsal or performance? And how does this disconnection process affect the actor’s mental, physical, and emotional health? This project consists of interviews of CSU student actors about their personal experiences in letting go of imaginary circumstances immediately following a performance, rehearsal, or actor’s exercise. The purpose of this project is to determine whether or not actor’s training provides sufficient tools for an actor to disconnect. Interviewees detailed their own personal methods, as well as whether or not …

The Right Way To Go Wrong: A Reflection, Peter A. Graham

CMC Senior Theses

This thesis documents my personal experience acting in Pomona College’s Fall 2024 production of The Play That Goes Wrong. I begin with an artist statement – a poem explaining the reasons why I act. The paper then moves into a general overview of the project, including my past training and future goals. The next section, which is the bulk of the material, contains chronological evidence of the production from start to finish and focuses on my attempt to find precise physicality. I finish with thoughts about the result as well as general reflections on how the process has shaped …

The Force Without Faces: Asian Culture And Its Invisible Role In Star Wars, Charlie Posrivisuthikool

Selected Full-Text Master Theses 2021-

M.A. ITP Thesis Paper Abstract:

This thesis paper – The Force without Faces - Asians Culture and Its Invisible Role in Star Wars – analyzes the relationship between George Lucas' Star Wars: Episode IV - A New Hope (1977) and the works of Japanese director Akira Kurosawa's Seven Samurai (1954) and The Hidden Fortress (1958), along with Flash Gordon (1936). The Western idea of a borrowed culture plays a significant role in crafting one of the most successful franchises in Hollywood history. Following Joseph Campbell's The Hero with a Thousand Faces and other theorists, George Lucas takes the audience on …

Scenic Design For Jen Silverman’S Phoebe In Winter, Jess A. Ford

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document is a narrative of the Scenic Design process for Jen Silverman’s Phoebe in Winter, designed by Jess Ford. The process includes a detailed summary and analysis of the script, the stages in the creation of the design, the final design, build, technical rehearsals, and the final product. This production was produced by West Virginia University’s School of Theatre & Dance during the Fall 2024 semester, presented in the Gladys G. Davis Theater at the Canady Creative Arts Center in Morgantown, WV.

Voices Of Identity: Exploring Devised Theatre As Social Resistance And Catalyst For Change, Elizabeth Danielle Belvin

Antioch University Dissertations & Theses

Devised theatre offers a unique artistic and pedagogical approach that challenges conventional hierarchies of storytelling by centering collaboration, personal narratives, and collective authorship. This dissertation explores the role of devised theatre in identity formation and social resistance, particularly for students from historically and currently marginalized backgrounds. Through a qualitative inquiry rooted in interviews and a podcast-based research methodology, this study investigates how devised theatre creates spaces for self-exploration, fosters community-building, and serves as a means of resisting dominant cultural narratives. This study finds that devised theatre functions as both an artistic and political practice, allowing participants to reclaim agency over …

Theatre As Sanctuary: Queer Identity, Religious Trauma, And The Path To Healing, Casey Worley

Theses and Dissertations

Growing up as a queer individual in a deeply religious Southern Baptist community, I learned early that faith and identity could feel like irreconcilable forces. I sat in the pews, surrounded by voices that preached love but often excluded people like me. For years, I struggled with the question: Can I be both queer and faithful? This tension—between belief and belonging, between the church I was raised in and the identity I could no longer deny—became the foundation of my journey, my artistic practice, and this thesis.

Through this research, I explore the intersections of queer identity, religious trauma, and …

Queer-Keying: Performing Video Processes As [Trans]Gressive Resistance, Wren Tiffany

Theses and Dissertations

As part of the 2025 VCUarts MFA Thesis Exhibition at the Institute of Contemporary Art (ICA) at Virginia Commonwealth University (VCU), I transformed the 'Sponge' gallery on the top floor of The Anderson, VCU’s historic thesis exhibition home, into The Green Room, a neon green, immersive video and performance space featuring mirrors, disco lights, a foam tile dance floor, makeup stations, and a functioning green-screen editing suite. This hybrid drag rehearsal and ‘Chroma-key’ green video production room deepened both my understandings of Queer performance art and process-based art making during the Spring of 2025, through two public performance activation …

The Page And The Stage: How Comics Perform, Elizabeth Buccella

Theses and Dissertations

Comics and theatre share several, often overlooked similarities, like their unique concept of the gaze, interpretation and execution of a script, and the curation of a distinct visual language. This makes comics a viable candidate for analysis using the field of performance studies and other theatrical forms of analysis. The process of comics and how they are read is discussed before a brief literature review of performance and comics studies scholarship. Two comics, one nonfiction and one fiction, are analyzed using the key concepts from the literature review.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Spatial Audio Studies, Kameron Neal, Movement Lab

Personal Work

Listen to Hi Song audio recording.

Public Projection | Window, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

The Nutbush Dance Reframed: Further Analysis Related To ‘Doing The Nutbush’, Jon Stratton, Panizza Allmark

Research outputs 2022 to 2026

This article supplements our earlier article on the Nutbush dance, ‘Doing the Nutbush’. After that was published, there was a media frenzy which resulted in many comments on The Guardian site and on the ABC Facebook site. We also received a number of emails. All these contributions have helped fine-tune the history of the dance that we have been examining. Two key things became clear. Around 1970 there was a push in state education departments across Australia to substitute the American line dance, the Madison, for bush dances as a way of updating and making more relevant dance for primary …

Doing The Nutbush: How Australia Got Its Very Own Line Dance, Panizza Allmark, Jon Stratton

Research outputs 2022 to 2026

The Nutbush dance is unique to Australia. It is danced to the Ike and Tina Turner track Nutbush City Limits released in 1973. It is a line dance. Anybody can join the line. This article explores the history and reception of the Nutbush. The Nutbush seems have been developed around 1975 in Sydney as a part of modernizing the physical education and creative arts curricula for state primary and secondary schools. The Nutbush is relatively simple and is danced on the beat, a characteristic of dancing to rock music. Nutbush City Limits has a driving beat. This is no doubt …

Dance-Related Fractures Occur In The Upper And Lower Extremities At Similar Rates: An Analysis Of The 2004-2023 National Electronic Injury Surveillance System Database, Senah E. Stephens, Joshua F. Edwards, Lisa K. Cannada

Department of Medicine Faculty Publications

Introduction

In the United States, 21% of adolescents participate in dance. Dancers are susceptible to injuries, particularly of the lower extremity, due to extreme positioning, dynamic overload, and repetitive movements.

Objectives

(1) to report the prevalence and describe demographic characteristics of dance-related fractures and (2) to analyze variables associated with disposition status.

Methods

The National Electronic Injury Surveillance System (NEISS) database, published by the US Consumer Product Safety Commission, was used to investigate dance-related fractures diagnosed in a sample of 100 emergency departments over 20 years. Descriptive statistics and demographic variables were analyzed using chi square tests. Age was analyzed …