Acting Commons^™

The Illusion Poster, Providence College, Coyote Hill

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Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

The Illusion

by Tony Kushner, freely adapted from Pierre Corneille's L'Illusion Comique

February 1-3, 8-10

Godspell

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2013 performance of Godspell by Stephen Schwartz and John-Michael Tebelak.

Gospell is a musical telling the parables and life of Jesus found in the gospel of Matthew.

Pc News: Student-Faculty Direction Of 'The Illusion' A First For Pc Webpage, Providence College

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Providence College Department of Theatre, Dance & Film

PC News webpage: Student-Faculty Direction of 'The Illusion' a First for PC

January 30, 2013

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

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Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of The Illusion.

January 18, 2013

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.

"Alright Already, I'M Just A No Goodnick!" Guys And Dolls: A Musical Fable Of Broadway, Christopher D. Strawhun

Theses

Guys and Dolls: A Musical Fable of Broadway is considered a classic of the musical pantheon. As a candidate for the Master of Fine Arts in Theatre from Lindenwood University, I am required to participate in a production as a leading part. This paper chronicles the process and experience of performing in the musical masterpiece, as well as the history of the show.

Creating The Role Of Nicia In The Mandrake, Robert T. Krueger

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Robert Krueger's artistic process in creating the role of Nicia in Minnesota State University, Mankato's production of The Mandrake in the fall of 2012. The thesis chronicles the actor's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

Attention Must Be Paid: A Critical Study Of The Non-Traditional Leading Man In Twentieth Century Drama, Trevin Cooper

Electronic Theses and Dissertations

The role of the non-traditional leading man has painted a strong image which mirrors the cultural development of our identities; we turn to these men/characters to understand who, or why, we are. Their contributions require acknowledgement. This thesis is a study of the vital role the non-traditional leading man has played in the evolution of twentieth-century theatre. It will examine, through the use of ten plays, one from every decade of the twentieth century, and twelve male roles, the theory that some of the greatest leading male characters in modern theatre are not epitomized by the qualities identified with the …

An Actor's Approach: Stepping Into A Role And A World Of The Past, Danielle Gosselin

Electronic Theses and Dissertations

To step into a character and a world of the past, the actor must not discard the present, but seek to find connections and links between the worlds. I was cast in the Orlando Shakespeare Theater production of Sense and Sensibility, a Jon Jory adaptation of Jane Austen’s novel, in the role of Lucy Steele. This was an equity production, and it ran February 6th – March 17th, 2013, in the Orlando Shakespeare Theater’s Margeson Theater. Lucy is a female character from England in a period often referred to as the Regency era. As a woman from today’s United States …

Lavinia's Voice: Verbal And Nonverbal Expression In Shakespearean Performance, Kelly Kilgore

Electronic Theses and Dissertations

For my MFA internship requirement, I currently serve as an acting intern at the Orlando Shakespeare Theater in Partnership with UCF. I was cast as Lavinia in OST’s spring production of Titus Andronicus, and I will use this as my thesis role. It will be the very last show of my MFA career, and it will provide an exceptional opportunity for me to utilize all the skills learned during my three years of MFA classes and training. Jim Helsinger, Artistic Director at the Orlando Shakespeare Theater and Visiting Assistant Professor at the University of Central Florida, will direct the production. …

9/11: We Will Forget, Jason Nettle

Electronic Theses and Dissertations

This study is based on the events of September 11, 2001. I will be writing a one man show containing fictional characters that I will write based on research of that day. The show will consist of numerous characters cut from different ages, religions, genders, and points of view. I will be portraying these characters using the tools I have acquired in studio and on stage. The challenge will be to make each character different and bring their experience and unique point of view to the performance. This study will begin at conception of the idea and follow the journey …

An Examination Of The Actor's Approach To Playwriting: Are Playwrights Able To Write About What Is Unfamiliar To Them?, Kayla Zaniboni

Electronic Theses and Dissertations

Playwrights write about what is familiar to them. Their inspiration comes from their childhood, past relationships, and their personal view of the world. But could a playwright write about something to which they have no personal connection? Using the book Triggered: A Memoir of Obsessive-Compulsive Disorder, I will write a one act play about mental illness. I have no personal experience or personal connection to mental illness, but I will approach the process the same way as an actor does a character. I will go into the writing process as an actor, completing character analyses for the characters and using …

Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form, Alexander Hluch

Electronic Theses and Dissertations

Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. This is not for comedy’s own lack of skill or craft, but simply for comedy’s misappropriation as a narrative form. Throughout the years, by way of either competition or economic superiority, comedy has been pigeonholed into the typified dramatic structure that drama so thoroughly encapsulates. Being forced into a form that exemplifies complex, climactic structure and explicit character development, comedy in …

Developing New Works For The Stage: An Actor's Perspective, Lauren Butler

Electronic Theses and Dissertations

U.S. Theatre is often noted for its commitment to new play development. Since Eugene O’Neill, America has fostered a tradition of celebrating emerging playwrights and their bold, edgy new works through countless development programs such as festivals, new play readings, grant programs, workshops, and world premieres. Although in recent years new-play development has seen a steady decline in funding (Levitow 2), it remains a cornerstone of American identity and an essential medium for pushing boundaries in theatre, both culturally and artistically. New-play development is indispensable for keeping theatre relevant in our everchanging culture. For my thesis, I explore the process …

An Actor On The Line: Becoming Judy Turner In A Chorus Line, Morgan Mallory

All Graduate Theses, Dissertations, and Other Capstone Projects

It is a detailed account of author Morgan Mallory's artistic process in creating the role of Judy Turner in the Minnesota State University, Mankato's production of A Chorus Line in the Fall of 2012. The thesis follows the actor's process beginning with the early production analysis in the first chapter. The actor then discusses the work in its historical context followed by a detailed journal of the acting process in chapters two and three. Chapter four is the post-production analysis and the fifth chapter gives an overview of Mallory's growth and process through her time at Minnesota State Mankato. Appendices …

A Dramatic Interpretation Of Jake's Women Thesis In An Educational Setting, Douglas William Reiser

Electronic Theses and Dissertations

The area of investigation in the Jake's Women's thesis resides with the actor's preparation in the portrayal of a character who struggles with the pain of loss and betrayal. The acting technique explored centers around the psychology behind the emotional and physical aspects of acting. The results rely on the thoughts and feelings of sensitivity in the actor's body. Development of an actor's inner technique and outer instrument is explored and implemented. An actor's belief in the body to produce effective imaginary people or place within a scene rests in the actor's ability to allow his or her instrument to …

The Spirit Of The Spitfire: Creating The Role Of Nancy Shedman In Romulus Linney's "Holy Ghosts", Caleigh M. Keith

LSU New Orleans Theses and Dissertations

This thesis explains the acting method used by Caleigh Keith while portraying the role of Nancy Shedman in Romulus Linney’s Holy Ghosts. Included are chapters of historical research, character analysis, and a production report, which includes a scored script, rehearsal and performance journal, and a self-evaluation of the actor’s work. Holy Ghosts was produced by Theater UNO at the University of New Orleans in the Robert E. Nims Thrust Theater of the Performing Arts Center. It opened Tuesday, February seventh, and ran through Sunday, February twelfth, two thousand and twelve. Evening performances were at seven-thirty and Sunday’s matinee was …

Pigments Of Imagination: An Actor's Journey Of Creating The Character Of Jack Lawson From David Mamet's Race, Paxton H. Mccaghren

LSU New Orleans Theses and Dissertations

Abstract

The purpose of this study is to create a believable, multiple dimension character portrayal of Jack Lawson in David Mamet’s Race. Documentation of the process will include: an explanation of the acting technique and analysis used to create the backstory and portrayal of the character; insight into the background and beliefs of playwright, David Mamet; and a personal review of my growth and performance.

Research, Character And Performance Process To Play The Role Of Eva In The Pomona College Theatre Department Fall 2012 Production Of Kindertransport, A Play By Diane Samuels, Roxanne D. Cook

Pitzer Senior Theses

This thesis paper presents the research and character development process that I undertook to play the role of Eva, in the Pomona College Fall 2012 production of Diane Samuels’ award winning play, Kindertransport. In the ten-months prior to the 1938 outbreak of World War II, nearly 10,000 predominately Jewish children from Germany, Austria, Czechoslovakia, and Poland were evacuated to Great Britain to escape the looming Holocaust. The program was given the name, Kindertransport (children’s transports) by German railway officials because only unaccompanied children under the age of 17 were allowed to leave. Once the Kinder arrived in England, host families …

The Illusion Open Auditions Poster, Providence College

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Providence College Department of Theatre, Dance & Film

The Illusion open auditions

Wednesday, November 7, 2012, 7pm