Acting Commons^™

Playhouse Creatures Box Office Sign Up Sheet, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Playhouse Creatures box office sign up sheet

Thursday - Sunday, January 21-24, 2016

Playhouse Creatures Media Pix Sign Up Sheet, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Playhouse Creatures media pix sign up sheet

January 19, 2016

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Playhouse Creatures.

January 7, 2016

Playhouse Creatures Media Release, Amanda Talbot

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Playhouse Creatures media release

January 2016

L’Acteur Et Les Émotions Au Théâtre Et Au Cinéma, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

En tant qu’acteur, je m’intéresse aux émotions depuis longtemps. Je considère en effet qu’il s’agit du matériau brut de l’acteur. Je m’y intéresse également en tant que metteur en scène, puisque mon rôle est alors de faciliter l’émergence de l’émotion chez l’acteur que je mets en scène. Je vais donc mener dans cet article une discussion sur ce que sont les émotions pour un acteur et un metteur en scène, et la façon de les aborder. Je discuterai également, dans ce contexte, la question de l’artialisation des émotions, c’est-à-dire l’hypothèse selon laquelle l’art contribue à façonner nos émotions.

One Act Play Festival Featuring Lover's Quarrel And Corps Values (2016), Theatre Arts

Productions 2010-2019

No abstract provided.

Devising Performance & Queer Futurity, Brendan F. Leonard

Honors Theses

This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …

Realistic Acting Methods In Non-Realistic Theatre: Konstantin Stanislavsky's Theories Applied To Bertolt Brecht's Epic Theatre, Taylor Galloway

Undergraduate Honors Thesis Collection

The path to understanding Bertolt Brecht’s Epic Theatre in any theatre history class is often paved in terms of its contrasts with Konstantin Stanislavsky’s realistic theatre. Two of the most influential theatre practitioners of the 20th century, Brecht and Stanislavsky, are presented as polar opposites and as essentially incompatible. For instance, one learns that Brecht theatre intends to turn its spectators into critical thinkers, to prevent them from emotionally identifying with the play in anyway, and to present them with a picture of the world- recognizable yet strange. Conversely, one learns that Stanislavskian theatre intends to turn its spectators into …

Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik

UNL Faculty Course Portfolios

In the pursuit of teaching the art of acting, and specifically acting for the camera, how do we measure growth? Additionally is there a correlation between high academic achievement and talent? In this portfolio we will examine how to evaluate acting, student growth, and examine test and paper results to see if the most “talented” performers are also the highest academic achievers.

The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.

Playing The Fool: Feste And Twelfth Night, Brooklyn D. Robinson

Scripps Senior Theses

Twelfth Night does not end with the acceptance and consummation of these “alternative couples.” Instead, the reveal of the twins has a clarifying effect and the characters are returned to the partner who is considered socially acceptable. The final relationships are heterosexual matches that do not stray from class or any other societal confines. Indeed, the story serves to reinforce common standards equating alternative love with madness and proper love with lucidity. Standing outside of the couplings are only bachelor men: Antonio, Sir Andrew, Feste and Orsino’s pages. In effect, these men are desexualized without romantic counterparts. While they are …

"Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition And Satirical Comedy Through Hope's Eyes In Urinetown: The Musical, Katherine B. Marcus Reker

Scripps Senior Theses

This thesis proposes a critical study of the theoretical framework of Urinetown, asking the question of whether or not the show is truly a “Brechtian musical,” utilizing the tenets and beliefs of Bertolt Brecht. Set in a quirky, Gotham-like town where you have “to pay to pee” due to a severe drought, Urinetown follows a cast of absurdist characters as they navigate a society plagued by the perils of big business, ecological devastation, and the inequalities of capitalism. While the show appears to make a relevant social commentary, supporting a righteous rebellion to overthrow the evil Urine Good Company, in …

Giving Theatrical Life, Quentin Darrington

Electronic Theses and Dissertations

An experience, early in my life, at the Tampa Bay Performing Arts Center opened my eyes to the transformative power of Theatre - it would shape my ambitions for performance, inform the choices I made about my acting career, and impel my passions. That single moment had a profound and lasting effect on my soul, one that would ultimately point me to the purpose of "me;" but what exactly was it? What transaction occurred between the performers on stage, and myself, and others in attendance that evening? My life as an actor has been an incredible journey of growth. Over …

Creating The Role Of Frederick Barrett In Titanic: The Musical, Adam Val Yankowy

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in fulfillment of the master of Fine Arts degree in Musical Theatre. It is a detailed account of author Adam Yankowy’s artistic process in creating the role of Frederick Barrett in the Minnesota State University, Mankato’s production of Titanic: The Musical in the Fall of 2015. The thesis follows the actor’s process beginning with the early production analysis in the first chapter. The actor then discusses the work in its historical context followed by a detailed journal of the acting process in chapters two and three. Chapter four is the post-production analysis and the …

The Visual Staging Of Audio Plays, Alex P. Burkart

Theses and Dissertations

The Visual Staging of Audio Plays explores the directing practice of radio dramas that are staged for viewing purposes rather than their typical solo-auditory purposes. The thesis is comprised of three separate parts: a brief history of theatrical sound, an introduction to radio drama theory and practice, and application. The application portion is a detailed first-person account of my personal experience staging It’s a Wonderful Life: A Live Radio Play by Joe Landry for TheatreVCU’s Mainstage winter special event in 2015. It is also in this section where I integrate history, theory, and practice to formulate technique for directing the …

The Actor Behind The Camera, Zechariah H. Pierce

Theses and Dissertations

Through an accidental discovery of an interest in the film making process, I decided to explore the opportunities that would come through self-education in the field. Along the way, I found that the process of working behind the camera can, in fact, help the actor’s career in front of the camera and provide a chance to train in a nontraditional way. After directing two projects (one simple and one more complicated), I decided to propose a class in which students would be required to self- produce their own video projects online. The class was vastly popular, and the students’ responses …

Actor Training And Emotions: Finding A Balance, Susan Leith Taylor

Theses: Doctorates and Masters

Actor training is a challenging and personally confronting course of study during which students can undergo intense emotional upheaval. Australian conservatoires and vocational drama schools teach acting students to access and expand their emotional range as part of their professional skill repertoire. A variety of methods and techniques are used to assist and enable them to accomplish this. Sometimes, student actors are requested to tap into personal memories, which can have severe emotional repercussions. Many exercises in other areas of training can also be very emotionally confronting. Finding a balance between having emotions available for use in acting work and …

Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.", Justin G. Bupp

LSU New Orleans Theses and Dissertations

Noises Off is the epitome of farce. Doors everywhere, mistaken identities, and unrequited love. The characters push themselves to the limit, both mentally and physically. They stop at nothing to put on their production and their stage manager, Timothy Allgood, becomes the babysitter of the group, which at times becomes comparable to herding cats.

This document describes the journey made from casting to final bows. It contains biographical research on the playwright, Michael Frayn, as well as a historical look at the genre of farce, techniques pioneered by Sanford Meisner and Konstantin Stanislavski, along with materials, including a scored script, …

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

LSU New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …

Mask Work And Improvisations: A Classroom Adaptation Based On The French Tradition, Marcia Berry

Communication and Theater Association of Minnesota Journal

Both historically and currently, mask work provides excellent body training for actors and mimes. This article offers a brief history of French mask work as well as step-by-step instructions for a mask workshop that moves students from simple to abstract mask improvisations. The mask workshop also functions as an icebreaker and builds class camaraderie.