Russian Literature Commons^™

The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff

Dissertations, Theses, and Capstone Projects

The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.

This dissertation argues that both Russian Formalism and Distant Reading were …

“Le Soleil De France”: Warm Translations Of Guy De Maupassant In Works By Isaak Babel’ And Ivan Bunin, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

In the wake of Lev Tolstoi’s appraisals of his work, Guy de Maupassant was embraced by Russian twentieth-century authors who admired his mastery of the short story. The Soviet writer Isaak Babel’ and the émigré writer Ivan Bunin reference stories and other texts by Maupassant in their stories ‘Guy de Maupassant’ and ‘Bernard’. To these authors, Maupassant constitutes a means of expressing their own outlook on the craft of literature. Mediated by the act of translation from French into Russian, Maupassant’s writing enables the Russian authors to articulate distinct identities regarding their national literature: as Soviet and émigré.

Shalamov's Testament: Pushkinian Precepts In Kolyma Tales, Andres I. Meraz

Senior Projects Spring 2020

In a letter from 1972, the author of Kolyma Tales and survivor of the gulag Varlam Shalamov, declared “In my prose, I consider myself the inheritor of the Pushkinian tradition <…>.” Indeed, in Kolyma Tales, Shalamov exhibited a studied understanding of Pushkin’s artistic technique. Through his implementation of Pushkinian artistic principles, Shalamov was seeking to restore the poet’s image to what it had been prior to the Soviet Union’s politicized interpretation while simultaneously revealing the truth about life in the labor camps to a readership that could not otherwise fathom what the inmates endured on day-to-day basis. In writing …

Voice Of Silence: Women Inmates' Perspective On Sexual Violence In The Soviet Gulag, 1936-1956, Louisa Jane Fulkerson

Senior Projects Spring 2020

Senior Project submitted to The Division of Social Studies of Bard College.

Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew

Graduate Research Theses & Dissertations

This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …

Revolutionaries In Form: The Russian Futurist Poets In The Cultural Politics Of The Early Soviet Union, 1917-1928, Noah Wurtz

Senior Projects Fall 2020

Senior Project submitted to The Division of Languages and Literature of Bard College.

On Angels’ Wings: Idolatry In Viktoria Tokareva’S “Five Figures On A Pedestal” And Lyudmila Ulitskaya’S “Angel”, Courtney E. Bentz

Undergraduate Theses, Professional Papers, and Capstone Artifacts

In his essays on Greek deities, Ralph Waldo Emerson declared: “Every man is a divinity in disguise, a god playing the fool.” While the idea of gods taking a corporeal form or angels walking among humans is a common literary trope, seldom do mortal characters find themselves compared to the divine without negative repercussions. Select post-Soviet women writers, however, flip this trope to explore the opposite. They instead embrace the human as holy, restrained by little consequence, as a means to highlight its destructive qualities in the context of an intimate relationship. These contemporary authors, Viktoria Tokareva and Lyudmila Ulitskaya, …

Understanding The Cultural And Nationalistic Impacts Of The Moguchaya Kuchka, Austin M. Doub

Musical Offerings

This paper explores Russian culture beginning in the mid nineteenth-century as the leading group of composers and musicians known as the moguchaya kuchka, or The Mighty Five, sought to influence Russian culture and develop a "pure" school of Russian music amid rampant westernization. Comprised of César Cui, Alexander Borodin, Mily Balakirev, Modest Mussorgsky, and Nikolay Rimsky-Korsakov, this group of inspired musicians opposed westernization and supported Official Nationalism by the incorporation of folklore, local village traditions, and promotion of their Tsar as a supreme political leader. In particular, the works of Balakirev, Cui, and Mussorgsky established cultural pride and contributed …

Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley

Montview Journal of Research & Scholarship

The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev

CLCWeb: Comparative Literature and Culture

In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …

Intertextuality, Aesthetics, And The Digital: Rediscovering Chekhov In Early British Modernism, Sam Jacob

Modernist Short Story Project

Mark Halliday’s poem, “Chekhov,” published in 1992, raises a simple yet profound question regarding the Russian playwright and author, Anton Chekhov: What do we get from Chekhov? Considering the present article’s particular focus, Halliday’s query may be used to ask how Chekhov influenced early modernist writers (circa 1900-1930) from the British literary context. However, when considering the amount of scholarly work devoted to this question, the initial simplicity of Halliday’s inquiry evaporates, giving way to a breadth of complexity, nuance, and ambiguity. Such ambiguity has led scholars attempting to trace the intertextual convergence between Chekhov and the early modernist writers …

Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine

Faculty Journal Articles

Images of Jewishness as ethnic, cultural, and biblical categories in Vladimir Mayakovsky’s works are both plentiful and understudied. The present article attempts to bridge this gap while exploring the mechanisms that guide the poet’s responses to anti-Semitism. I begin by focusing on the function of the Exodus story in Stikhi ob Amerike(Verses about America), and then move to Mayakovsky’s “agitational” works: his collaboration on the film Evrei na zemle(Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that, while Mayakovsky continues the established …

Forbidden Attraction: Russian Poets Read T. S. Eliot During The Cold War, Nataliya Karageorgos

Dissertations, Theses, and Capstone Projects

The goal of this study is to demonstrate how the reception of T. S. Eliot, one of the leading proponents of Anglo-American modernism, shaped the aesthetics of Russian poetry in the second half of the twentieth century. In the twentieth century, Russian culture found itself in a unique situation of separation from the Western world, with which it had largely identified in the previous century. The official change of the cultural paradigm that took place in the aftermath of the October Revolution led to the advancement of the literary theory and practices of Socialist Realism, shutting off modernist tendencies and …

Coming To Terms With Gonzo Journalism : An Analysis In Russian Formalism., Beau Kilpatrick

Electronic Theses and Dissertations

Gonzo journalism is notoriously difficult to define because of its ambiguous nature. To date, scholarly definitions focus on historical interpretations of Gonzo’s content, its connection to social and political contexts, or the biography of Hunter S. Thompson. These definitional attempts neglect the formal devices of the composition. This thesis aims to redefine Gonzo as its own genre by using the nearly forgotten methods of Russian formalism—specifically the works of Victor Shklovsky, Vladimir Propp, and Boris Tomashevsky—to analyze the formal devices and components of its form. The results are twofold; first, it acts to rejuvenate an unpopular literary theory by illustrating …

Introduction. Dialogues With Shklovsky: The Duvakin Interviews 1967-1968., Slav N. Gratchev, Irina Evdokimova

Dr. Slav N. Gratchev

Dialogues with Shklovsky: The Duvakin Interviews 1967–1968 reflects the spirit of times—when the most dramatic events of the twentieth century were happening in Russia and the USSR. The first English translation of the 1967–1968 interviews with the founder of the Formalist School of literary theory, Viktor Shklovsky, this volume offers a slice of Russian micro-history that relies on the living voice of that history. Through the transcription of a six-hour phono-document, the readers will hear the voice of a real participant in events that for the longest time in the USSR were forbidden to be discussed or written about.

Visually Mapping The Narrative System Of Dostoevsky's The Idiot, Aj Culpepper

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

This research creates a visual system for analyzing Dostoevsky’s The Idiot. I define five factors—space, time, character (individual actor), network (unique aggregate of certain actors), and narrative voice—and visually explore their dyadic and triadic relationships. Taking the dyad of character and network, I identify all named entities within the novel and describe each person to whom they are connected. I then define factors for determining the degree of closeness in each of these relationships, and represent the degree via line value; those more closely related will be connected by thicker, darker lines. Other dyads and triads rely on visualizing …

Introduction. Dialogues With Shklovsky: The Duvakin Interviews 1967-1968., Slav N. Gratchev, Irina Evdokimova

Modern Languages Faculty Research

Dialogues with Shklovsky: The Duvakin Interviews 1967–1968 reflects the spirit of times—when the most dramatic events of the twentieth century were happening in Russia and the USSR. The first English translation of the 1967–1968 interviews with the founder of the Formalist School of literary theory, Viktor Shklovsky, this volume offers a slice of Russian micro-history that relies on the living voice of that history. Through the transcription of a six-hour phono-document, the readers will hear the voice of a real participant in events that for the longest time in the USSR were forbidden to be discussed or written about.

The Embodied Language Of Sasha Sokolov’S A School For Fools, José Vergara

Russian Faculty Research and Scholarship

No abstract provided.

Don Quixote In Russia In The 1920s-1930s: The Problem Of Perception And Interpretation, Slav N. Gratchev

Modern Languages Faculty Research

This study logically continues my previous examination of the perception of Don Quixote in Russia throughout the early twentieth century and how this perception changed over time. In this new article, which will be the third in a sequence of five, I will again use a number of materials inaccessible to English-speaking scholars to demonstrate how the perception of Don Quixote by Russian intelligentsia shifted from being skeptical to complete admiration and even glorification of the hero. Don Quixote was increasingly compared with Prometheus, the most powerful and most romanticized personage of Greek methodology. Indeed, “. . . начав юмористический …