Russian Literature Commons^™

Alyosha The Christian Hermeneut, Eddie Li

Seaver College Research And Scholarly Achievement Symposium

Presentation Abstract: Alyosha as the Christian Hermeneut

This presentation is adapted from my essay Alyosha as the Christian Hermeneut, written under the supervision of Dr. Paul Contino. In the essay, I gave an analysis of the character Alyosha in Dostoyevsky’s The Brothers Karamazov, in light of Merleau-Ponty’s phenomenology, Hans-Georg Gadamer’s hermeneutics, and Dr. Contino’s book on Incarnational Realism. I discussed how Alyosha adapts from an inexperienced Christian disciple to a mature interpreter capable of conducting the hermeneutical fusion of horizons with different horizons. Within this capability, Alyosha develops his unique Christian horizon, enabling him to understand and reconcile the …

The Romani People In The European Cultural Imagination: Alexander Pushkin, Prosper Mérimée And Virginia Woolf, Nadya Siyam

Theses and Dissertations

Scholarly literature on Roma is scarce compared to other racial groups as a lack of academic interest, financial limitations, and other social and political factors has constrained it. This resulted in a cross-cultural circulation of misinformation about Romani people and the reproduction of Romani myths and stereotypes in fiction. This project aims to analyze selected literary works on Gypsies from three Eastern and Western European countries and two periods to unpack the cultural and political roots of Romani literary misrepresentation. This research employs a range of theoretical frameworks chosen to put the Gypsy protagonists under maximum spotlight without unnecessary repetition, …

Rider Of The Black Horse, Theodore Schenck

Swarthmore Undergraduate History Journal

This article explores the actions and ideology of the Russian revolutionary and terrorist Boris Savinkov through his final novel, The Black Horse. I argue that the book represents its author's attempt to come to terms with a world in which he feels politically homeless with the victory of his enemy, the Bolsheviks. Savinkov reckons with his fate through the liberal use of Biblical allusions and apocalyptic imagery.

Translational Neuroscience Contributes To Understanding Neurodevelopmental Outcomes Of Dostoyevsky's "Brothers Karamazov" With Treatment Implications, Stephen I. Deutsch, Jessica A. Burket, Jeffrey Elikan Jd, David R. Spiegel

Department Psychiatry & Behavioral Science Faculty Publications

Dostoyevsky's novels raise profound ethical, moral, philosophical and theological issues and, as a result, both he and his novels serve as fertile subjects of scholarly inquiry across a variety of academic disciplines. In particular, major characters in "The Brothers Karamazov" lend themselves to classical psychodynamic formulations, such as the influence of adverse childhood experiences on adult social and occupational outcomes, which in the case of Dmitry, the eldest son of Fyodor Pavlovich Karamazov, are considered in exquisitely fine detail. Prosecutor and defense attorney provide differing interpretations of how early traumas, largely due to paternal neglect and abuse, affected Dmitry's adult …

Елена Шварц. «Мыслей Свитый Шар»: Лекции О Метафизической Школе Ленинградской Поэзии = Elena Shvarts. "Myslei Svityi Shar": Lektsii O Metafizicheskoi Shkole Leningradskoi Poezii, Laura Little, Elena Shvarts

Slavic Studies Faculty Publications

In fall 2007, Saint Petersburg poet Elena Shvarts (1948-2010) held а series of lectures about Leningrad underground poetry between 1960 and 1980 at the University of Wisconsin (USA). This publication presents transcripts of three of her lectures, in which Shvarts introduces Viktor Krivulin, Aleksandr Mironov, and herself through discussion of several poetic works. As it documents а rare instance of the poet commenting extensively on her own poems, found in the third and fourth lectures, this publication will bе of particular interest to readers and scholars of her work.

Russian Civic Criticism And The Idyllic Dream In Ivan Goncharov’S “Oblomov”, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

Nikolai Dobroliubov’s and Dmitrii Pisarev’s reviews of Ivan Goncharov’s novel Oblomov have gone into history as exemplars of Russian civic criticism. Their main argument centers on the eponymous protagonist’s seeming inability to exit his lethargic condition, which they interpret as a symptom of the Russian status quo at the time of the Great Reforms. In the present article, I argue that the case of Oblomov demonstrates the limits of the civics’ mimetic criticism. The dominant chronotope of the novel, namely the idyll, indicates that Oblomov is not in essence a novel about the hero’s inability to change (which would presuppose …

Mark Twain On The Soviet Silver Screen: Stalinist Laughter And Anti-Racism In Tom Soier, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

This article is an analysis of the Soviet film Tom Soier, an adaptation of Mark Twain’s Tom Sawyer and Huckleberry Finn released in 1936, at the height of the Stalinist period. In the article, the author places the film in the context of the Soviet support of the Black struggle against racial segregation in America by showing how Tom Soier creatively combines the plots of Twain’s novels in order to propagate an antiracist message. Furthermore, by casting African American actors in the roles of Black enslaved characters, the film also engages with what Steven Lee has called the ethnic …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Victor Pelevin And Eurasianist Geopolitics, Tatiana Filimonova

Dartmouth Scholarship

The first decades of Victor Pelevin’s writing coincided with the burst in popularity of neo-Eurasianist and neo-imperialist ideas. This paper traces the various forms that Pelevin’s treatment of civilizational and geopolitically focused ideologies has taken over the course of his career. His preoccupation with these ideas ranges from inconspicuous reflection of the Eurasian phenomenon to Eurasianism’s intensifying critique, and, eventually, to a more comprehensive engagement with concepts of classical geopolitics. If early on Pelevin’s portrayal of neo-imperialists and their ideas has been largely satirical (Empire V, 2006), in the 2010s his texts began to demonstrate a deeper entanglement …

The Search For Existential Meaning: Tracing Leo Tolstoy’S Nihilism Through His Later Works, Elisabeth Koyfman

Student Theses and Dissertations

In this senior thesis, I explore the writings of acclaimed 19th-century author Leo Tolstoy through the lens of existential and ethical nihilism: a philosophical ideology espousing an assertion of a meaningless existence shaped by similarly meaningless governing social, political, and religious conventions. Prior to the author’s religious conversion at the age of 50, Tolstoy’s writings reflected a nihilistic worldview that opposed any socially accepted definition of a meaningful existence. Although within the span of 1800s Russia nihilism was strongly associated with atheism and terrorism, Tolstoy distanced himself from any accepted cultural value or label—including the negative political associations and other …

Echoes Of Eternity: The (Meta)Physics Of Time And Space In Eugene Vodolazkin's Laurus, Samuel Jayasi

World Languages, Literatures and Cultures Honors Theses

This study will consider ways in which Eugene Vodolazkin demonstrates his aesthetic and cultural understanding of what he calls “Christian reenchantment” in his novel Laurus. While “national medievalism” and “Christian reenchantment” share concerns about postmodernism, Vodolazkin’s novel investigates not so much issues of Russian national identity, but the consciousness of the age itself. Leaving aside any possibility of representing some kind of new utopia to counter the problems of postmodernism as too historically traumatic, Vodolazkin recreates the “medieval mindset” as a way to introduce “Christian reenchantment” of the (fictional) world. In the novel, the return to the medieval way …

В Поисках Снарка, Victor Fet

Books Published by MU Libraries in MDS

Фет, В. В поисках Снарка. Библиотека Университета Маршалла, Хантингтон. 2023. 434 с.

Этот том содержит статьи и рецензии Виктора Фета (1955 г.р.), написанные и опубликованные в 1995-2022 гг на различные темы, от истории науки до рецензий на театральные спектакли. Автор, биолог по профессии, который провёл первую половину жизни (1955-1988) в СССР, соединяет глубоко личный опыт, воспоминания и наблюдения, преследуя одну основную тему: уникальность творчества во всех аспектах гуманитарных и естественных наук. Интересы автора прежде всего фокусиртуются на двух очень разных, но не независимых фигурах Льюиса Кэрролла и Владимира Набокова. В наши дни, при быстром распаде и трансформации русской культуры, …

Raising The Iron Curtain: Healing Collective Oppression Through Literature, Alisa Chirkova-Holland

Student Works

One Day in the Life of Ivan Denisovich, by former gulag prisoner Alexander Solzhenitsyn, is a short novel that entails an ordinary day for a prisoner, Shukhov, in a Siberian gulag. Although the work is a typical skaz, a traditional Russian narrative form, the novel was well-received by Russians at the time of publishing in 1962. This paper will explore the reason for such acclamation, understanding how Solzhenitsyn’s innovations to the skaz allowed readers to connect with their past. The paper also mentions theories such as Traumatic Realism to comprehend how such a bleak novel positively impacted post-Stalinist readers. …

Review Of The Art And Science Of Making The New Soviet Man In Early 20th-Century Russia By Yvonne Howell, Nikolai Krementsov, Tim Harte

Russian Faculty Research and Scholarship

No abstract provided.

Review Of The Vortex That Unites Us: Versions Of Totality In Russian Literature, By Jacob Emery, José Vergara

Russian Faculty Research and Scholarship

No abstract provided.

Writing Outside The Soviet Canon: Aleksandr Kozachinskii's "The Green Wagon" As Roman A Clef And Odesa Memoir, Cassio F. De Oliveira

World Languages and Literatures Faculty Publications and Presentations

This essay analyzes Aleksandr Kozachinskii’s 1938 Russian-language novella “The Green Wagon” as a roman à clef and exemplar of the Odesa Myth that has been unjustly neglected in literary scholarship. Reasons for the neglect of “The Green Wagon” include the historical context of its publication, between the Great Purges of 1936–1938 and the outbreak of World War II; Kozachinskii’s untimely death; and the conventional interpretation of the novella that reduces it to a fictionalized account of Kozachinskii’s friendship with Evgenii Petrov in Odesa during the early Soviet period. Against such a reductionist reading, and on the basis of recent archival-based …

To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall

CMC Senior Theses

In this thesis, I argue that in his novel in verse, Eugene Onegin, Alexander Pushkin transcends the traditional narrator-reader hierarchy to foster a sense of friendship between himself and his reader. I suggest that Pushkin’s desire for friendship with his reader necessitates a keen awareness of his and his reader’s collective engagement within the novel. If Pushkin seeks friendship with his readers, he must treat them as friends. Consequently, the reader’s role in Eugene Onegin is elevated to that of Pushkin’s intimate. In my analysis, I identify three methods by which Pushkin successfully fosters a sense of overlapping experience …

The Illustrated Ivan: Ivan Iv In The Illustrated Chronicle Compilation, Charles J. Halperin, Ann M. Kleimola

Russian Language and Literature Papers

The surviving segments of the incomplete Illustrated Chronicle Compilation (LLS), in both text and miniatures, present a consistently positive image of Ivan IV as pious, just and competent, although the portrayal of individual events could vary. Nevertheless they also sometimes portray him as not in control of his elite, his subjects or events. If Ivan had to restore order by punishing those who had acted unjustly without his permission, then he had obviously failed to prevent such misdeeds. The miniatures in LLS present a cohesive image of the Public Ivan, despite the various stages of completion of individual segments, efforts …

Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov

Dartmouth College Master’s Theses

he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …

A Russian Gil Blas, Or The Adventures Of Prince Gavrilo Simonovich Chistyakov, Vasily Trofimovich Narezhny, Ronald D. Leblanc (Translator)

Faculty Publications

Although Vasily Trofimovich Narezhny (1780-1825) is generally considered to be one of the pioneers of the modern novel in Russia, his works have yet to be sufficiently recognized for their many artistic merits. He receives little critical attention in most histories of the rise of the novel in early nineteenth-century Russia. Born in Ukraine, but educated in Moscow, Narezhny wrote lengthy satirical novels imbued with a sardonic tone and an earthy brand of realism that tended to offend the refined aesthetic sensibilities of many contemporary followers of Nikolai Karamzin and his dominant school of literary Sentimentalism during the early years …