Philosophy Commons^™

Home Life: Cultivating A Domestic Aesthetic, Jessica J. Lee

Contemporary Aesthetics (Journal Archive)

Home Life is an exploration of environmental aesthetics as it applies to the domestic realm. I consider Kevin Melchionne’s argument that through notions of taste, grace, and performance, everyday domestic chores can become heightened artistic practices. I argue that this does not go far enough in overcoming the traditional view of art as aesthetically superior to popular or everyday artefacts and practices; rather, it encourages the limitations of traditional aesthetics values within the domestic setting. Through examples, including Pauliina Rautio’s study on laundry, I consider the possibility that domestic practices are made up of actions that are not performed with …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Report: The Xviiith International Congress Of Aesthetics- "Diversities In Aesthetics" (Peking University, Beijing, China, 9-13 August 2010), Michael Ranta

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Interpretations: Deep, Reasonable, And Free, Paul Guyer

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Laurent Stern's Interpretive Reasoning, Mary Wiseman

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Response To Critics, Laurent Stern

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Nightwatch, Justin Winkler

Contemporary Aesthetics (Journal Archive)

In this essay I examine the features of night, in particular, urban night. I try to highlight the epistemological divide between day and night, light and darkness. Even as light-based experiencing, acting, and thinking, and their cultural tools colonize urban night, nocturnal elements relate dialectically to our daytime reasoning. I conclude with the question of whether a kind of half-tone thinking contained in a trialectic of light, twilight, and darkness would be capable of appreciating the peculiar qualities of night.

The reveries of the weak light guide into the innermost recesses of the familiar. It looks as if there are …

The Curatorial Muse, Michael J. Kowalski

Contemporary Aesthetics (Journal Archive)

An appreciation of the tension between the predicate, "to curate," and the subject, "the curator," is essential to understanding the convergence of creation, criticism, and administration in the graphic arts of our time. Curators were ideally positioned to step to the fore when the idea-versus-object dichotomy began to collapse in the work of Duchamp. The roots of activist curating can be found in Western Classical culture. The prevalence of conceptual art at the end of the twentieth century, combined with the explicit denigration of physical craft by artists, created a void into which activist curators moved. The curator's role as …

Another One Bites The Dust!, Gabriela Salazar

Contemporary Aesthetics (Journal Archive)

The contemporary landscape is rife with ruins, from circumscribed tourist attractions to urban decay and demolition sites. When examined, our aesthetic experience of these sites ranges from historical distancing to the sublime and, when found in our local communities (e.g., Providence, RI), to discomfort, displacement, and horror. In particular, this paper is interested in how certain forms of demolition, from slow and messy to explosively dramatic, can be understood as compressed and heightened experiences of the traditional sublime ruin. Additionally, as contemporary artists often use the vernacular of the ruin in their work, this paper considers how three artists, Gordon …

The Value Of Fictional Worlds (Or Why 'The Lord Of The Rings' Is Worth Reading), James Harold

Contemporary Aesthetics (Journal Archive)

Some works of fiction are widely held by critics to have little value, yet these works are not only popular but also widely admired in ways that are not always appreciated. In this paper I make use of Kendall Walton’s account of fictional worlds to argue that fictional worlds can and often do have value, including aesthetic value, that is independent of the works that create them. In the process, I critique Walton’s notion of fictional worlds and offer a defense of the study and appreciation of fictional worlds, as distinguished from the works of fiction with which they are …

Sailing The Seas Of Cheese, Erik Anderson

Contemporary Aesthetics (Journal Archive)

Memphis Elvis is cool; Vegas Elvis is cheesy. How come? To call something cheesy is, ostensibly, to disparage it, and yet cheesy acts are some of the most popular in popular culture today. How is this possible? The concepts of cheese, cheesy, and cheesiness play an important and increasingly ubiquitous role in popular culture today. I offer an analysis of these concepts, distinguishing them from nearby concepts like kitchy and campy. Along the way I draw attention to the important roles of cultural/historical context, background knowledge, and especially artist’s intentions as they are relevant to aesthetic assessments involving cheese and …

A Symposium On Laurent Stern's Interpretive Realism, John Gibson

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Aesthetics Of Magnetic Resonance Imaging (Mri): From The Scientific Laboratory To An Artwork, Silvia Casini

Contemporary Aesthetics (Journal Archive)

This article investigates the aesthetic potential of Magnetic Resonance Imaging (MRI), a medical imaging technique, both inside the laboratory and in the arts. By combining Rancière’s understanding of aesthetics with Merleau-Ponty’s notion of embodied perception, it argues that an image-generating technique conceived in the scientific field can successfully migrate into the realm of fine art, opening up new aesthetic and perceptual possibilities. Although aesthetic qualities are already present in the laboratory, they remain hidden by the necessity of reading the image-data obtained according to the interpretative framework of the medical discourse. Two paths are covered: the first goes from the …

A Functional Model Of The Aesthetic Response, Daniel Conrad

Contemporary Aesthetics (Journal Archive)

In a process of somatic evolution, the brain semi-randomly generates initially-unstable neural circuits that are selectively stabilized if they succeed in making sense out of raw sensory input. The human aesthetic response serves the function of stabilizing the circuits that successfully mediate perception and interpretation, making those faculties more agile, conferring selective advantage. It is triggered by structures in art and nature that provoke the making of sense. Art is deliberate human action aimed at triggering the aesthetic response in others; thus, if successful, it serves the same function of making perception and interpretation more agile. These few principles initiate …

The Chinese Classic Of Family Reverence: A Philosophical Translation Of The Xiaojing. By Henry Rosemont, Jr., And Roger T. Ames, Alan Kam Leung Chan

Research Collection College of Integrative Studies

The fruitful partnership between Henry Rosemont, Jr., and Roger T. Ames which earlier yielded The Analects of Confucius: A Philosophical Translation1 has delivered another fine translation and study of a major Confucian classic—namely, the Xiaojing 孝經, rendered here as the “Classic of Family Reverence” but perhaps more commonly known to English readers as the “Classic of Filial Piety.” The translation will be welcomed by students of Chinese literature. The study of xiao that accompanies it should provoke much discussion and debate.

Caretakers Of The Garden Of Delight And Discontent: Adirondack Narrative, Conflict, And Environmental Virtue, Eric Richard Holmlund

Antioch University Dissertations & Theses

This dissertation concerns a widely recognized natural area, New York's Adirondack Park, that serves both as an international model for conservation and as a context for persistent conflict over natural resources, space, wealth and esthetics. It employs narrative inquiry as a method to examine the sources and the function of narratives or stories explaining the history and the present status of social groups in the Park. Narrative theorists maintain that we borrow from such socially circulating narratives to craft our own identities, and then repeat them until we believe them, almost without regard for the factual basis in history or …

On The Guise Of The Good, Joseph Raz

Faculty Scholarship

The chapter examines the main argument for, and the presuppositions of the claim that intentional actions are actions taken in, and because of, a belief that there is some good in them. An analysis of intentional actions, and of action for a (normative) reason, followed by a consideration of a number of objections to the thesis of the Guise of the Good force various revisions and refinements of the thesis yielding a defensible version of it. It is argued that the revised thesis is supported by the same argument that inspired the Guise of the Good from the beginning and …

Susan Wolf On The Meaning Of Life: A Review, Joseph Raz

Faculty Scholarship

The book comprises the two Tanner Lectures given by Susan Wolf at Princeton in 2007; helpful comments by John Koethe, Robert M. Adams, Nomy Arpaly, and Jonathan Haidt;Wolf ’s replies; and a brief introduction by Stephen Macedo. Wolf writes elegantly and thoughtfully, and the book, which seems to preserve in length and style its origins as two lectures, is full of sensible, suggestive ideas. The Tanner Lectures are meant to reach a nonspecialist audience, and some specialist readers may wish to have more on less, a desire likely to affect especially those who, like myself, share Wolf ’s basic approach …

Being In The World, Joseph Raz

Faculty Scholarship

Actions for which we are responsible constitute our engagement with the world as rational agents. What is the relationship between such actions and our capacities for rational agency? I take this to be a question about responsibility in a particular use of that term, which I shall call ‘responsibility’. We are not responsible for all our intentional actions (actions under hypnosis, for example), but we can nevertheless be responsible for actions we do not adequately control, for negligent actions, and for non‐intentional omissions. Appreciating this helps show that familiar principles of responsibility are false: those which delimit responsibility to intentional …