Aesthetics Commons^™

When Is Artification?, Roberta Shapiro, Nathalie Heinich

Contemporary Aesthetics (Journal Archive)

How do people do or make things that come to be seen as works of art? In other words, when is there artification? The answer to this question is simultaneously symbolic, material, and contextual. It has to do with meanings, objects, interaction, and institutions. We seek to define not what art is nor how it should be considered, but how and under what circumstances it comes about by way of methodical observation and inquiry in a variety of fields. Circus acrobats, break-dancers, fashion designers, chefs, graffiti artists, printers, photographers, and jazz musicians are some of the examples we explore. This …

"... And I'D Look At My Hands And Think Of Lady Macbeth ...", Yrjänä Levanto

Contemporary Aesthetics (Journal Archive)

After resigning from the service of Sotheby's Auction House, Bruce Chatwin changed his views on art, the art world, and art history. He developed an approach that differed from established art-historical writing; he began to contextualize differently. He saw and understood the use of artistic means more widely than in traditional art-historical writing. From Chatwin's viewpoint, one possibility was to "smuggle" new material into the existing system. In this study, I take as my material Bruce Chatwin's enthusiasm and loyalty to Andre Malraux and his ideas about Le Musee Imaginaire. I also make use of Chatwin's interest in Heinrich Wolfflin's …

Artification In Natural History Museums, Kaisa Mäki-Petäjä

Contemporary Aesthetics (Journal Archive)

Natural history exhibitions have changed considerably over recent decades concurring with a rise of a general movement of aestheticization in the Western culture. This usually results from an attempt to make the exhibitions more appealing to provide the public numerous ways of enjoying themselves, but they are also used to communicate information, especially of an ethical and affective kind. In this paper I will consider the effects of a particular kind of aestheticization, namely artification, of these kinds of exhibitions. Artification, i.e, the process of regarding non-art objects as art, appears to be in conflict with the science-based purposes of …

Artification For Well-Being: Institutional Living As A Special Case, Susann Vihma

Contemporary Aesthetics (Journal Archive)

Millions of people live in institutional residences that differ significantly from their homes. This article looks closely into the quality of these habitations and points out some critical characteristics based on a research project called CoWell. One salient question circles around the concept of homeyness, which in many countries is the main objective to realize in institutional living. Some kind of artification is implemented and is seen as a means for achieving a homey atmosphere and of stimulating the inhabitants and the staff. However, very little research has been done on homeyness. Cleanliness, permanence, and randomness are often recognizable in …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

A Cognitive Theory Of The Aesthetic Experience, Gianluca Consoli

Contemporary Aesthetics (Journal Archive)

This paper aims at naturalizing the aesthetic experience on the basis of cognitive sciences. In traditional philosophical aesthetics, the aesthetic experience requires a specific attitude and a characteristic work of imagination. Today, cognitive sciences offer a rich set of empirically corroborated concepts useful in explaining these notions in naturalistic terms. This paper extends these concepts to explain how the aesthetic experience is integrated and how it affords knowledge.

From Environmental Aesthetics To Narratives Of Change, Nathalie Blanc

Contemporary Aesthetics (Journal Archive)

Environmental aesthetics is a branch of philosophy that originated in the English-speaking world and is developing in France. It aims to take a new look at how relationships with the environment are constructed. Often addressed from a landscaping, technical or scientific angle, such relationships have remained largely unaddressed from a cultural perspective, i.e., one that includes a series of practices and values that represent a human group. In this article, I will address environmental aesthetics and how they point up tensions between fixed and static visual representations of the environment in the future and representations that can accommodate ordinary encounters, …

Hot Emotions: Dissolving The Paradox Of Fiction, Katherine Tullman

Contemporary Aesthetics (Journal Archive)

This essay critiques two of the main theories in the philosophy of emotions, the pure-cognitive theory and the neo-Jamesian theory, through the paradox of fiction. After explaining the different kinds of emotions we experience when engaging with fictions, I argue that a middle-ground, hybrid theory more adequately accounts for current scientific research and the paradox of fiction than either of the previous two. I propose a “HOT” theory of emotions (higher-order thought) specifically to explain complex emotions about fictions.

Flows, Vortices, And Counterflows: Artification And Aesthetization In Chiasmatic Motion On A Mobius Ring, Yrjö Sepänmaa

Contemporary Aesthetics (Journal Archive)

My first question is the general orientation towards the aesthetic and artistic in our culture. Secondly, I deal with intentional and sought-for aestheticization and artification, which are driven particularly by art and aesthetic education. Thirdly, I concentrate on the effects of the change on people and culture, in general, and on art, in particular. The processes of art and the aesthetic have their counter-movements that create tension and dynamics. I characterize the flow pattern as chiasmatic motion taking place on a Möbius ring. Art and the aesthetic are a pair, the parts of which are related to each other through …

Artification And The Drawing Of Distinctions: An Analysis Of Categories And Their Uses, Kari Korolainen

Contemporary Aesthetics (Journal Archive)

The aim of the article is to examine how we distinguish between art, decoration, and furnishing within a research interview. The interview specimens here are examined by adapting the ethnomethodologically oriented method of Membership Categorization Analysis. The results indicate that the speakers rely, for example, on the context of the interview situation and also use flexible logical means, such as conditioning and comparison, to make the discussed issues more comprehensive. The results of the analysis are interpreted in the context of artification, emphasizing in particular the notion of the situated process of categorical resiliency.

Artification Of Sport: The Case Of Distance Running, Matti Tainio

Contemporary Aesthetics (Journal Archive)

This article deals with the possibilities of artification in sport, using distance running as an example. Sport is viewed as one phenomenon in the history of physical cultures, with both predecessors and also the possibility of developing into something new. Sport was first defined primarily as a competitive activity but, by the end of the twentieth century, it had developed as part of the athletic trend towards exploring experience-seeking fitness sports. Through the developments of contemporary visual art, sport has also become a possible medium of art. These developments, both in sport and art, provide an opportunity to look for …

Nietzsches Hermeneutische, Phänomenologische Wissenschafts-Philosophie. Unzeitgemäße Betrachtungen Zu Altphilologie Und Physiologie, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Preservation, Passivity, And Pessimism, Sheila Lintott

Faculty Journal Articles

Many committed and passionate environmental thinkers currently champion restoration as an appropriate and positive model for human-nature interaction and interdependence. Recent philosophical defenses of restoration sidestep the issues that have been raised about the possibility of restoring degraded nature to a state that is identical, ontologically or evaluatively, to some pre-degraded state. Informed by feminist theory, I expose and explore some problematic assumptions and associations found in common defenses of restoration and defend the thesis that preservation is the more promising avenue to character remediation and the forging of a harmonious human-nature culture. I allow that many restoration projects will …

Zu Nietzsches Statuen: Skulptur Und Das Erhabene, Babette Babich

Articles and Chapters in Academic Book Collections

Metaphern aus dem Feld der Bildhauerein kommen überraschend oft bei Nietzsche vor: von der Statue als einem Ideal von Unweglichkeit ebenso wie von der Skulptur als einer Metapher der Selbst-Darstellung, bis hin zu Nietzsches ikonoklastischer Klärung: wie mit dem Hammer zu philosophieren sei.

In Bezug auf die griechische Platik sowie Nietzsche’s Texte argumentiert die Autorin mit Nietzsche gegen eine damals und noch heute weit verbreitete Auffassung, wonach wir solche Statuen fast unvermeidlich aus einem jüdisch-christlichen Gesichtspunkt betrachten. Außerdem geht sie besonders ein auf Nietzsches Beschwörung der Skulptur in dem Zarathustra-Abschnitt Von den Erhabenen.

The Identity Of The Διψυχος In The Shepherd Of Hermas, Jeremiah Mutie

SOR Faculty Publications and Presentations

No abstract provided.

Pink Jacket 2011, Students Of Risd, Risd Archives

All Student Newspapers

Pink Jacket was a single issue student publication published in 2011 in both print and online formats. It features MFA student musings, artwork, and creative writing.

The Pragmatic Picturesque: The Philosophy Of Central Park, Gary Shapiro

Philosophy Faculty Publications

New York's Central Park is one of the world's iconic works of landscape architecture. The park has achieved global recognition through its representations in film and photography, it is visited by millions every year and every sunny day sees a procession of engaged or newly married couples having their official photographs taken against the background of its picturesque scenery and monumental structures.

In the twenty-first century it may sound slightly odd to consider Central Park as a form of gardening, but the eighteenth-century founders of modern aesthetics and the philosophy of art would have called it a garden or park. …

Method In Catholic Studies, Richard Liddy

Department of Religion Publications

No abstract provided.