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2,539 full-text articles. Page 47 of 53.

Beauty Or Bane: Advancing An Aesthetic Appreciation Of Wind Turbine Farms, Tyson-Lord J. Gray 2012 Vanderbilt University

Beauty Or Bane: Advancing An Aesthetic Appreciation Of Wind Turbine Farms, Tyson-Lord J. Gray

Contemporary Aesthetics (Journal Archive)

I begin this paper by looking at declining wind turbine sales during the years 2007 to 2010. In an attempt to locate a reason for this decline, I evaluate two claims by wind farm opponents: 1) that wind farms reduce property value, and 2) that wind farms ruin the beauty of nature. The first claim I respond to by looking at three studies conducted on residential property sales located near wind farms. For the second claim, I engage in a comparison of Immanuel Kant’s and John Dewey’s aesthetics. I ultimately advance an aesthetic appreciation of wind farms that seeks to …


Artification Of Sport: The Case Of Distance Running, Matti Tainio 2012 Aalto University

Artification Of Sport: The Case Of Distance Running, Matti Tainio

Contemporary Aesthetics (Journal Archive)

This article deals with the possibilities of artification in sport, using distance running as an example. Sport is viewed as one phenomenon in the history of physical cultures, with both predecessors and also the possibility of developing into something new. Sport was first defined primarily as a competitive activity but, by the end of the twentieth century, it had developed as part of the athletic trend towards exploring experience-seeking fitness sports. Through the developments of contemporary visual art, sport has also become a possible medium of art. These developments, both in sport and art, provide an opportunity to look for …


Pending On Art, Pauline von Bonsdorff 2012 University of Jyväskylä

Pending On Art, Pauline Von Bonsdorff

Contemporary Aesthetics (Journal Archive)

Artification is mostly approached from a contextualist perspective where “art” refers to objects that are presented and appreciated within socially recognized art institutions. Artification then means that the notion of art is extended to non-art areas. Yet it can be argued that contextualism is circular, since it starts with an unquestioned assumption about what art is. Another weakness of contextualism is that by privileging theory it tends to downplay the role of creative and appreciative practices. Alternative approaches are possible, and this article explores in a preliminary way what a naturalist approach could mean for how we see art and …


Introduction, Ossi Naukkarinen, Yuriko Saito 2012 Aalto University

Introduction, Ossi Naukkarinen, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.


Flows, Vortices, And Counterflows: Artification And Aesthetization In Chiasmatic Motion On A Mobius Ring, Yrjö Sepänmaa 2012 University of Eastern Finland

Flows, Vortices, And Counterflows: Artification And Aesthetization In Chiasmatic Motion On A Mobius Ring, Yrjö Sepänmaa

Contemporary Aesthetics (Journal Archive)

My first question is the general orientation towards the aesthetic and artistic in our culture. Secondly, I deal with intentional and sought-for aestheticization and artification, which are driven particularly by art and aesthetic education. Thirdly, I concentrate on the effects of the change on people and culture, in general, and on art, in particular. The processes of art and the aesthetic have their counter-movements that create tension and dynamics. I characterize the flow pattern as chiasmatic motion taking place on a Möbius ring. Art and the aesthetic are a pair, the parts of which are related to each other through …


Aesthetization, Artification, And Aquariums, Thomas Leddy 2012 San Jose State University

Aesthetization, Artification, And Aquariums, Thomas Leddy

Contemporary Aesthetics (Journal Archive)

‘Artification’ is a term recently coined and developed in Finnish aesthetic theory and proposed by Ossi Naukkarinen in this volume as the process of treating non-art objects as art. In this paper, I distinguish between a superficial sort of artification and a deep sort. The superficial sort is the one we need to worry about. In Part I, I consider various issues surrounding the definition of artification. In the process, I situate artification within the larger question of aestheticization. I understand aestheticization in terms of recent psychological work on supernormal stimuli and Virginia Postrel’s defense of style and surface in …


Everyday Aesthetics And Artification, Yuriko Saito 2012 Rhode Island School of Design

Everyday Aesthetics And Artification, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

Everyday aesthetics aims to illuminate the rich aesthetic dimensions of our lives that have been neglected in the modern Anglo-American art-centered aesthetic discourse. Artification, a new concept and practice, encourages us to experience various aspects of our lives normally not associated with art or aesthetics, such as business, education, and medical practice, from an artistic viewpoint. Both discourses are helpful in sharpening our aesthetic sensibility and enriching our aesthetic life. However, precisely because the aesthetic dimension of our lives exerts a considerable power in shaping our lives and the world, we need to cultivate aesthetic literacy and a vigilant attitude …


Projective Artistic Design Making And Thinking: The Artification Of Design Research, Stephen A.R. Scrivener, Su Zheng 2012 Chelsea College of Art and Design, London, UK

Projective Artistic Design Making And Thinking: The Artification Of Design Research, Stephen A.R. Scrivener, Su Zheng

Contemporary Aesthetics (Journal Archive)

Artification concerns the introduction of artistic ways of thinking and doing into non-art domains, such as business, typically because the host domain recognizes that art has something of value to offer that it does not. However, it is by no means easy to establish exactly what it is that the art actually does offer. In this paper, we approach this question by examining problems encountered in what might be called the “researchification” of artistic design. Following an historical and experiential account of the problematic conjunction of artistic design and research, we conclude that the projective making and thinking strategies of …


Artification, Fine Art, And The Myth Of "The Artist", Larry Shiner 2012 University of Illinois Springfield

Artification, Fine Art, And The Myth Of "The Artist", Larry Shiner

Contemporary Aesthetics (Journal Archive)

I begin by examining three concepts of “artification:” the decoration, transformation, and modification. I argue that the typical business argument for artification claims that since businesses must be constantly innovating and since art and artists are the principal locus of creativity in our society, businesses must be “artified.” I argue that these claims about artists and creativity are based on widely accepted conventional views about art and artists that are false. I illustrate my general argument by examining one of the best statements of the case for business artification, Austin’s and Devin’s book, Artful Making, showing that artful making is …


Artification For Well-Being: Institutional Living As A Special Case, Susann Vihma 2012 Aalto University

Artification For Well-Being: Institutional Living As A Special Case, Susann Vihma

Contemporary Aesthetics (Journal Archive)

Millions of people live in institutional residences that differ significantly from their homes. This article looks closely into the quality of these habitations and points out some critical characteristics based on a research project called CoWell. One salient question circles around the concept of homeyness, which in many countries is the main objective to realize in institutional living. Some kind of artification is implemented and is seen as a means for achieving a homey atmosphere and of stimulating the inhabitants and the staff. However, very little research has been done on homeyness. Cleanliness, permanence, and randomness are often recognizable in …


Motion(Less) Pictures: The Cinema Of Stasis, Justin Remeselnik 2012 Wayne State University

Motion(Less) Pictures: The Cinema Of Stasis, Justin Remeselnik

Wayne State University Dissertations

Since cinema's inception, there has been much disagreement among film theorists about the role of movement in cinema's ontology. For example, while Rudolf Arnheim has argued that motion is a sine qua non of cinema, Roland Barthes has insisted that motion is not as central to cinema's ontology as duration, an experiential "unfolding." In this dissertation, I argue--following Barthes--that movement is merely a contingent, not a necessary, condition of cinema. I further suggest that the very enterprise of prescribing necessary conditions of cinema is myopic, reductive, and reactionary.

In supporting these claims, I interrogate the cinema of stasis, a modality …


The Origin Of A Sense Of Self In Women, Kimberly Dewing Robbins 2012 Antioch University - Santa Barbara

The Origin Of A Sense Of Self In Women, Kimberly Dewing Robbins

Antioch University Dissertations & Theses

This phenomenological study focuses on how a strong sense of self in women changes social precepts and gender stereotypes empowering women to define themselves instead of being defined by society. A sense of self may be defined as the ability to distinguish one’s own values from those of any outside persuasions, and to do so well enough to be able to protect those ideals from unwanted external influence. Is a sense of self, realized at a young age, an innate feeling or developed over time through adversity and the maturation process? This study will specifically look at what influences can …


Variations On Artification, Ossi Naukkarinen 2012 Aalto University

Variations On Artification, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

The purpose of this article is to provide an overview of the most important aspects of the concept of artification. I will proceed through five main questions: (1) What does artification mean? (2) What can become artified? (3) Why does artification take place? (4) How can it manifest itself? (5) What kinds of things are accentuated in artification processes? The answers to these questions have a direct influence on how we understand artification’s real effects and those desired but not necessarily actual on both the things that become artified and on art itself. At the end of the article, I …


Artification In Natural History Museums, Kaisa Mäki-Petäjä 2012 University of Jyväskylä

Artification In Natural History Museums, Kaisa Mäki-Petäjä

Contemporary Aesthetics (Journal Archive)

Natural history exhibitions have changed considerably over recent decades concurring with a rise of a general movement of aestheticization in the Western culture. This usually results from an attempt to make the exhibitions more appealing to provide the public numerous ways of enjoying themselves, but they are also used to communicate information, especially of an ethical and affective kind. In this paper I will consider the effects of a particular kind of aestheticization, namely artification, of these kinds of exhibitions. Artification, i.e, the process of regarding non-art objects as art, appears to be in conflict with the science-based purposes of …


Artification And The Drawing Of Distinctions: An Analysis Of Categories And Their Uses, Kari Korolainen 2012 University of Eastern Finland

Artification And The Drawing Of Distinctions: An Analysis Of Categories And Their Uses, Kari Korolainen

Contemporary Aesthetics (Journal Archive)

The aim of the article is to examine how we distinguish between art, decoration, and furnishing within a research interview. The interview specimens here are examined by adapting the ethnomethodologically oriented method of Membership Categorization Analysis. The results indicate that the speakers rely, for example, on the context of the interview situation and also use flexible logical means, such as conditioning and comparison, to make the discussed issues more comprehensive. The results of the analysis are interpreted in the context of artification, emphasizing in particular the notion of the situated process of categorical resiliency.


Notices, 2012 Rhode Island School of Design

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.


Defending Everyday Aesthetics And The Concept Of 'Pretty', Thomas Leddy 2012 San Jose State University

Defending Everyday Aesthetics And The Concept Of 'Pretty', Thomas Leddy

Contemporary Aesthetics (Journal Archive)

The paper defends everyday aesthetics against critiques inspired by Kant’s distinction between the agreeable and the beautiful, such as that of Christopher Dowling. It does this by focusing on analysis of the concept of the pretty. Following Carolyn Korsmeyer and A. C. Bradley, I posit a continuum for the aesthetic, from the pretty to the beautiful and finally to the sublime. After giving a history of the concept of 'pretty,' I consider its largely gendered nature and the feminist issues this raises. I conclude by arguing that limiting aesthetics to art or to art plus nature ignores the continuity between …


Nietzsches Hermeneutische, Phänomenologische Wissenschafts-Philosophie. Unzeitgemäße Betrachtungen Zu Altphilologie Und Physiologie, Babette Babich 2011 Fordham University

Nietzsches Hermeneutische, Phänomenologische Wissenschafts-Philosophie. Unzeitgemäße Betrachtungen Zu Altphilologie Und Physiologie, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.


The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette babich 2011 Fordham University

The Birth Of Kd Lang’S Hallelujah Out Of The ‘Spirit Of Music’: Performing Desire And ‘Recording Consciousness’ On Facebook And Youtube, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.


Preservation, Passivity, And Pessimism, Sheila Lintott 2011 Bucknell University

Preservation, Passivity, And Pessimism, Sheila Lintott

Faculty Journal Articles

Many committed and passionate environmental thinkers currently champion restoration as an appropriate and positive model for human-nature interaction and interdependence. Recent philosophical defenses of restoration sidestep the issues that have been raised about the possibility of restoring degraded nature to a state that is identical, ontologically or evaluatively, to some pre-degraded state. Informed by feminist theory, I expose and explore some problematic assumptions and associations found in common defenses of restoration and defend the thesis that preservation is the more promising avenue to character remediation and the forging of a harmonious human-nature culture. I allow that many restoration projects will …


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