Aesthetics Commons^™

Embodied Cognition As Refutation To Langer's "Illusory Powers": "I Move, Therefore, I Know", Ruby Amanda Montana

Open Access Theses & Dissertations

Thesis Objective: To refute Susanne Langer's notion within her philosophy of dance which holds that emotional forces in dance are solely "virtual" and thus illusory. I plan to do so by means of the growing research in the branch of cognitive science known as Embodied Cognition.

In Brief: Susanne Langer, one of the most prominent philosophers of Aesthetics, contends that dance is able to express emotions as an external force, while creating what she calls a "primary illusion". Langer attributes gesture as the basic abstraction whereby the dance illusion is made and organized. Furthermore, she contends that dance is not …

Media Effects: Cultural Appropriation And Attitudes Towards Cosmetic Surgery, Darlene Shauntanese Lee

Wayne State University Dissertations

The current study investigates media's influence on Caucasian women to culturally appropriate the physical features generally ascribed to African American women through non-surgical and or surgical cosmetic procedures and vice versa. Participants were 26 African American women and 54 Caucasian women who had previously undergone either non-surgical or surgical cosmetic procedures. Results indicate that African American women were more likely to culturally appropriate than Caucasian women. For African American women high media exposure to cosmetic surgery media messages played a significant role in the cultural appropriation process. Results also indicated that Caucasian women culturally appropriate at the same level, whether …

Aesthetics And The Philosophy Of Art, 1840-1900, Gary Shapiro

Philosophy Faculty Publications

The question can be raised whether the category or discipline of philosophical aesthetics existed before the eighteenth century. Unlike "logic:' "ethics:' and "physics:' a traditional Stoic division of philosophy with great staying power, "aesthetics" is clearly a product of modernity. As Paul O. Kristeller demonstrated in "The Modern System of the Arts:' it was in the eighteenth century that the idea of the aesthetic as a distinctive human capacity and the parallel consolidation of the notion of the fine arts crystallized in the writings of (mostly) French, German, and English philosophers and critics. The modern concepts of art and aesthetics …