The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art,
2025
Theoretical Studies in Literature and Art
The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu
Theoretical Studies in Literature and Art
No abstract provided.
Différance, Transparency And Truth: Jean-Luc Nancy On Beauty,
2025
Theoretical Studies in Literature and Art
Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang
Theoretical Studies in Literature and Art
In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …
Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”,
2025
Theoretical Studies in Literature and Art
Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang
Theoretical Studies in Literature and Art
The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …
Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue,
2025
Theoretical Studies in Literature and Art
Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su
Theoretical Studies in Literature and Art
With a special nested structure, Rita Felski follows and finalizes Rem Koolhaas and Bruno Latour's manifesto of “Context Stinks!” The three theorists of different disciplines such as architecture, sociology and literature take context as a conservative proposition. In response to the contextualist paradigm that is threatened by self-limitation, self-exclusion and generalization, Koolhaas creates space for innovation through the strategy of “bigness”, while Latour questions the theory of social entities, introducing non-human actors into a new coordinate system. Based on them, Felski tries to remold the future of literature within the framework of actor-network theory, in order to forestall text from …
Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe,
2025
Theoretical Studies in Literature and Art
Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao
Theoretical Studies in Literature and Art
The 20th century has witnessed an unprecedented exploration and development of the concept of human essence in the Western theoretical community. In the early 20th century, Heidegger proposed that human essence was existence. Later, Foucault argued that human essence was power. By the end of the 20th century, Derrida clearly pointed out that human essence was neither pure existence as advocated by the existentialists, nor pure power, as claimed by the power theorists. Instead, it is something between existence and power: the “powerization” of existence, which Derrida termed “sovereignty.” The operating rhythm of sovereignty involves the autonomy of automation, specifically …
Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics,
2025
Theoretical Studies in Literature and Art
Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li
Theoretical Studies in Literature and Art
Drawing from the traditional binary thinking of subject-object division and confrontation, the modern interpretation of “artistic appeal and rhythmic vitality” since the twentieth century considers it either as an aesthetic feature or the overall spirit of the artwork, or as the painter's inner harmony and resonance, failing to fully realize that the ideal effect of “artistic appeal and rhythmic vitality” can only be generated by the two-way communication and resonance between the creator and the object. In the light of the aesthetics of atmosphere, “artistic appeal” is a special category or an advanced state of atmosphere that arises from the …
A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry,
2025
Theoretical Studies in Literature and Art
A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang
Theoretical Studies in Literature and Art
Since the Song dynasty, the touchun pattern has referred to the five-character metrical poetry in which the antithesis is used in the first couplet rather than the second; the fengyao pattern has referred to those in which the antithesis is only used in the third couplet. These two patterns began to flourish in the works of Shen Quanqi and Song Zhiwen. During the High Tang dynasty, they were equated in number with the standard format of metrical poetry. It was not until the Dali era that they were finally confirmed as variant formats of five-character metrical poetry. This trend of …
A New Explanation Of The Connotation And Poetic Significance Of “Poetry Springs From Emotions And Hence Reads Beautifully” In Rhapsody On Literature,
2025
Theoretical Studies in Literature and Art
A New Explanation Of The Connotation And Poetic Significance Of “Poetry Springs From Emotions And Hence Reads Beautifully” In Rhapsody On Literature, Yanfeng Cai, Xiaoli Wei
Theoretical Studies in Literature and Art
Traditionally, “poetry springs from emotions and hence reads beautifully” in Rhapsody on Literature has been interpreted primarily within the poetic context of expressing emotions and aspirations, often overlooking the broader connotation of “emotion” and the logical relationship between “springing from emotions” (yuanqing) and “beautiful” (qimi). Two key concepts are essential in understanding of this sentence. The first is “emotions”, which has been widely used to denote an objective state, essence, and reality since the pre-Qin era. Recognizing the objective meaning of “emotion” is crucial for a correct understanding of the poetic connotation of “springing from emotions”. …
New Changes In The Theater Ecology In The Late-Qing Shanghai: A Study Based On Wang Guifen's Contract Payment Lawsuit,
2025
Theoretical Studies in Literature and Art
New Changes In The Theater Ecology In The Late-Qing Shanghai: A Study Based On Wang Guifen's Contract Payment Lawsuit, Chunning Zhao
Theoretical Studies in Literature and Art
Contract payment lawsuits discussed in this paper were disputes over rights and interests arising from the operation of modern xiqu (Chinese opera). During Wang Guifen's performances in Shanghai, he was involved in such lawsuits with quite a few theaters, including Xin Dangui, Tianxian, Liuchun, Tianfu, and Guixian. The practice of inviting and recruiting famous actors with high contract payments was a common form of commercial competition in Shanghai's theaters, and it was also the direct cause of job-hopping by well-known actors and their involvement in legal disputes. The high contract payments intensified malicious competition between theaters, hindered the healthy development …
A Semiotic Interpretation Of Landscape Painting And Its Limitations: A Focus On Duan Lian,
2025
Theoretical Studies in Literature and Art
A Semiotic Interpretation Of Landscape Painting And Its Limitations: A Focus On Duan Lian, Yiqing Liu, Zhijie Sun
Theoretical Studies in Literature and Art
Duan Lian has offered a semiotic interpretation of the history of landscape painting. He argues that the formation, development, divergence and decline of landscape painting are all conveyed through the form of images. This constitutes an interaction of image symbols from form to concept, providing new perspectives and paradigms for the study of landscape painting and semiotics. However, regarding the transcendence of landscape painting, we contend that Duan Lian's semiotic interpretation of landscape painting cannot fully capture its intrinsic aesthetics and spirit, as this approach may lead to an underestimation and weakening of the artistic essence of landscape painting. Semiotics, …
Education For The Average Person And The Celestial-Human Strategy In Ancient Poetry Education: Pedagogical Choices In The Context Of The Li-Du And Su-Huang Debates,
2025
Theoretical Studies in Literature and Art
Education For The Average Person And The Celestial-Human Strategy In Ancient Poetry Education: Pedagogical Choices In The Context Of The Li-Du And Su-Huang Debates, Shugong Zhao
Theoretical Studies in Literature and Art
As early as the Wei and Jin dynasties, Chinese literary culture developed a marked adulation of genius. Yet, poetry education took a distinct approach, which favored models not solely based on genius. In discussions contrasting Li Bai and Du Fu, Li Bai was esteemed for his rare natural gift, while Du Fu was valued for his profound intellectual insight. Similarly, in the Su-Huang debates, Su Shi was praised for innate talent, while Huang Tingjian was noted for his disciplined scholarship. Despite these distinctions, poetry education consistently recommended emulating figures like Du Fu and Huang Tingjian. This choice reflects the ancient …
“The Poetics Of Graphite Stone Paintings” And The Quality Of Modern Scholars' Paintings: Wu Changshuo And Pan Tianshou As Examples,
2025
Theoretical Studies in Literature and Art
“The Poetics Of Graphite Stone Paintings” And The Quality Of Modern Scholars' Paintings: Wu Changshuo And Pan Tianshou As Examples, Zhongyi Xia
Theoretical Studies in Literature and Art
To identify why only “the poetics of graphite stone paintings” in Wu Changshuo and Pan Tianshou's works deserve to be referred to as representative of “modern scholars' paintings,” several issues need clarification. First, what is the boundary between “paintings by scholars” and “paintings by literati?” Second, how does one identify Wu's “stubborn stone” not only as a kind of “scholarly painting,” but also as “modern?” Third, how does one recognize Pan's “massive rock” as a “scholarly painting” worthy of being called “modern?” The response is as follows. Firstly, “scholarly painting” is rooted in tranquility and introverted in the self-sanctity of …
On “Posthumanism”,
2025
Theoretical Studies in Literature and Art
On “Posthumanism”, Martin Crowley
Theoretical Studies in Literature and Art
The label “posthumanism” identifies neither a doctrine, nor an intellectual or analytical approach with a defining set of protocols. Rather, we may take “posthumanism” as a term loosely applied to a range of contributions and approaches, on the basis of a generally under-specified collection of sympathies and commitments. Approximately stated, these sympathies and commitments would entail the claim that — with due allowance for historical variation — the category of “the human” has long played a key role at the centre of Western thought; that this role has included serving to justify the promotion of human beings above other forms …
The Invention Of Tradition: From Ancient “Articles” To May Fourth “Literature” — A Concurrent Explanation Of The Connotation Of “Chinese Literary Theory”,
2025
Theoretical Studies in Literature and Art
The Invention Of Tradition: From Ancient “Articles” To May Fourth “Literature” — A Concurrent Explanation Of The Connotation Of “Chinese Literary Theory”, Xu Xu
Theoretical Studies in Literature and Art
This article focuses on the relationship between literary views and article studies of May Fourth scholars from the perspective of hermeneutics, in order to re-explain the connotation of “Chinese literary theory” and consider the construction of a Chinese literary theory discourse system. Rooted in interpretations of the interplay between literature and dao, May Fourth scholars reshaped the traditional framework, shifting the focus to the relationship between literature and humanity, through the integration of ideals and dao. Their commitment to broad, applied literary views led to a progression from a simple division between cultural traits and literary function to a more …
Working-Class Aesthetics And The Transgressive Chronotope Of Demolition Derby,
2025
Rhode Island School of Design
Working-Class Aesthetics And The Transgressive Chronotope Of Demolition Derby, Billy Williams
Contemporary Aesthetics (Journal Archive)
In order to understand the deployment of aesthetic experience within a working-class performance, this paper draws on ethnographic field research with participants and fans of demolition derby competitions in two regions of Arkansas. It attempts what Arnold Berleant calls a ‘social aesthetic,’ to discover within semiotic evidence foreclosures of identity that challenge orthodox rationality through an aesthetic parodying of driving and automobility. The paper uses the term ‘material integrity’ to describe how participants and fans of demolition derby understand authorized top-down opinions and the economic dynamics in which they participate. The multiplication of potential vectors of mobility within the frame …
“A Place Of Whites”: The History Of Brazilian Art,
2025
Federal University of Minas Gerais
“A Place Of Whites”: The History Of Brazilian Art, Rachel Cecília De Oliveira
Contemporary Aesthetics (Journal Archive)
This article examines the racial foundations of art system in Brazil, focusing on how whiteness has shaped aesthetics and art history. Drawing on anthropological analysis, it explores two key dimensions: the spatial and symbolic “place of whiteness” and the mechanisms of cultural and institutional racism. Through these categories, the paper investigates how the histories of non-Western peoples and the artistic production of racialized artists have been systematically marginalized. By revealing their near-total absence from canonical narratives, the article highlights the need for an anti-racist rethinking of Brazilian art history.
V.1 Fall 2025,
2025
Rhode Island School of Design
V.1 Fall 2025, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2025 issue contains articles on the intersection of the natural world and human experience, technology, identity, immigration, activism, divestment, institutional history, political resistance, decolonization, and the digital vs. physical realms. The issue contains experimental poetry, visual essays, and reflections on the "nature of publication".
Reworlding The Human: A Review Of Symbiotic Posthumanist Ecologies In Western Literature, Philosophy And Art,
2025
Complutense University Madrid
Reworlding The Human: A Review Of Symbiotic Posthumanist Ecologies In Western Literature, Philosophy And Art, Asunción López-Varela Azcárate
Mabini Review
In recent decades, the interdisciplinary encounter between posthumanism and the environmental humanities has engendered rich intellectual terrain for rethinking the status of the human, the function of narrative, and the ethical imperatives of multispecies coexistence. The edited volume Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art: Towards Theory and Practice (Peter Lang, 2023), curated by Peggy Karpouzou and Nikoleta Zampaki, contributes significantly to this dialogue. Organized in three thematic sections— “Framing the Symbiotic Posthumanist Ecologies,” “Symbiotic Posthumanist Ecologies in Literature and Art” and “Symbiotic Posthumanist Ecologies in Continental Philosophy”—the book weaves a cohesive tapestry that connects speculative fiction, ecological …
Digital Color And Aesthetics: A Numerical Performance That Speaks To Presentness,
2025
National Gallery of Art, Washington; Brown University; University of Maryland
Digital Color And Aesthetics: A Numerical Performance That Speaks To Presentness, Valeria Federici
Contemporary Aesthetics (Journal Archive)
This article is concerned with digital color’s presentness and ubiquity and the implications of these aspects as reflected in contemporary artistic practices and aesthetics. Taking into consideration the history of color theory, the article explores premises and findings relevant to digital color and its differences with natural color as derived by optical vision. Further, it investigates the relationship between computer and artists, between appearance and experience in the digital realm, and highlights how digital color lies in the very nature of the medium: a numerical language hiding behind a mimetic two-dimensional surface or interface. These aspects are discussed through the …
Steiner And Jung On Esoteric Knowledge,
2025
CIIS
Steiner And Jung On Esoteric Knowledge, Katherine T. Ziemke Mst, Jd, Phd Candidate
Journal of Conscious Evolution
For centuries, humanity has been accumulating complex knowledge, systematically building increasingly intricate mathematical and scientific models by accruing predictable circumstances or facts, often designated as theories or laws. This essay proposes that there is a hidden well-spring of ideas or knowledge beyond the methodical accumulation of such mathematical and scientific knowledge, from whence the source that inspired the basis of this knowledge might have originated. Carl Gustav Jung and Rudolf Steiner believe there is an abundance of such knowledge that lies hidden in plain sight and available for a vast expansion of human awareness. In this essay, I take a …
