Aesthetics Commons^™

Superiority In Humor Theory, Sheila Lintott, Sheila Lintott

Faculty Journal Articles

In this article, I consider the standard interpretation of the superiority theory of humor attributed to Plato, Aristotle, and Hobbes, according to which the theory allegedly places feelings of superiority at the center of humor and comic amusement. The view that feelings of superiority are at the heart of all comic amusement is wildly implausible. Therefore textual evidence for the interpretation of Plato, Aristotle, or Hobbes as offering the superiority theory as an essentialist theory of humor is worth careful consideration. Through textual analysis I argue that not one of these three philosophers defends an essentialist theory of comic amusement. …

Are Video Games Art?, Aaron Smuts

Contemporary Aesthetics

In this paper I argue that by any major definition of art many modern video games should be considered art. Rather than defining art and defending video games based on a single contentious definition, I offer reasons for thinking that video games can be art according to historical, aesthetic, institutional, representational and expressive theories of art. Overall, I argue that while many video games probably should not be considered art, there are good reasons to think that some video games should be classified as art, and that the debates concerning the artistic status of chess and sports offer some insights …

Defining Maximalism: Understanding Minimalism

Architecture Undergraduate Honors Theses

As little more than a buzz-word, maximalism has circulated around architectural discourses over the past decade. To illuminate the implications of the term and to explore its potential, this research explores minimalism in art and architecture to establish a foundation for a reciprocal definition for maximalism.

Windows To The Divine: The Development Of Byzantine Art, Kenneth Klein

Tenor of Our Times

Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itself through a shift in focus away from Hellenic realism and towards formal abstractions of Christian motifs. These conventions developed alongside political and theological turbulence to eventually influence a vast area of Asia Minor and Eastern Europe.

When Is Artification?, Nathalie Heinich, Roberta Shapiro

Contemporary Aesthetics

How do people do or make things that come to be seen as works of art? In other words, when is there artification? The answer to this question is simultaneously symbolic, material, and contextual. It has to do with meanings, objects, interaction, and institutions. We seek to define not what art is nor how it should be considered, but how and under what circumstances it comes about by way of methodical observation and inquiry in a variety of fields. Circus acrobats, breakdancers, fashion designers, chefs, graffiti artists, printers, photographers, and jazz musicians are some of the examples we explore. This …

Moral Education Through Mass Art: Implementing Vanderpump Rules In The Modern Ethics Classroom, Madison Cosby

Masters Theses

In a world dominated by screens, professors more than ever need to diversify their pedagogical methods to compete for the tech-dependent students’ attention. In Section One, I argue the traditional method for teaching ethics does not cater to the modern student, thus to cultivate a more compassionate and ethical society, we should rethink how we conduct our ethics classes.

Traditional ethics classes rely too much on bizarre thought experiments, convoluted and abstract texts, and unstimulating lectures making them less effective at achieving their true purpose, i.e. cultivating what Martha Nussbaum (2010) calls the democratic citizen. I argue that Nussbaum’s narrative …

Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935-1969, Raffaele Bedarida

All Dissertations, Theses, and Capstone Projects (2014-Present)

Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …

Art By Jerks, Bernard Wills, Jason Holt

Contemporary Aesthetics

Is it wrong to enjoy art created by immoral people? Some people express discomfort with listening to or reading the works of artists who have been abusive to others in their personal lives. In this paper, the authors argue that, generally speaking, moral and aesthetic judgment should be kept distinct, as authors and their works formally differ. Indeed, works by morally dubious artists may well contain crucial acts of moral imagination we should not deprive ourselves of as ethical beings. Nonetheless, the authors argue there are limits to how far the ethical and aesthetic can be divorced. Art that is …

The Finales Of Robert Shumann's Piano Sonatas And Fantasie, Emiko Sato

Dissertations and Theses, 2014-Present

This dissertation sets out to examine the finales of Robert Schumann's Piano Sonatas (opp. 11, 14, 22 [original finale]), and Fantasie (op. 17), with an especial focus on their form, which can be broadly categorized as parallel form. The introduction examines historical criticisms of Schumann's large-scale works, pointing out some of the idiosyncratic features found in Schumann's finales. Each chapter will present a comprehensive analysis of one of the finales. I make use of color diagrams in the formal analyses, which expeditiously and efficiently elucidate the repeating patterns of thematic and transitional materials; they also visually reflect the actual number …

A Hundred-Year Modern Peking Opera: Practices And Experiences

Theoretical Studies in Literature and Art

The hundred-year modern Peking opera (jingju) has gone through three stages． In the first stage，ranging from around 1910 to around 1964，jingju was used as agit-prop． In the second stage from 1964 to 1976，there emerged a series of new forms in acting，music，and stage art，with which theatre practitioners strove to use art to perform revolutionary historical stories or the struggle and construction in the socialist period． The third stage from 1976 to the present is characterized by a thematic departure from“politics”and“revolution”to the portrayal of“nobodies”by focusing on characters' psychology; this stage also features novel and beautiful physical movements in accordance with the performance …