Full Issue,
2026
Cal Poly Humboldt
Full Issue, Courageous Cuentos
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Decolonizing The Law Of The U.S. Virgin Islands,
2026
St. Mary's University
Decolonizing The Law Of The U.S. Virgin Islands, Anthony M. Ciolli
Kentucky Law Journal
No abstract provided.
Changing Mercy In Aotearoa New Zealand,
2026
College of the Holy Cross
Changing Mercy In Aotearoa New Zealand, Anna Nicholls Victoria University Of Wellington
Journal of Global Catholicism
This paper examines the evolving expression of Catholicity within the Mercy organization in Aotearoa New Zealand. It explores the impact of Vatican II, demographic shifts, and societal changes. Through interviews with lay leaders in Whānau Mercy Ministries, the religiosity, inclusive approach, and the tension between traditional Catholic identity and pluralism in the organization are explored. A pertinent discussion concerns how the organization uses a more secular portrayal of Catherine McAuley as a unifying figure for the religiously diverse audience. The author argues that while secularization influences the organization, it fosters human flourishing and community engagement, offering opportunities for growth rather …
The Untameability Of The Sacred: Votive Traditions At Notre Dame De Lourdes And El Santuario De Chimayó,
2026
Fordham University
The Untameability Of The Sacred: Votive Traditions At Notre Dame De Lourdes And El Santuario De Chimayó, Gabrielle Bibeau
Journal of Global Catholicism
This article compares divergent votive practices at Notre Dame de Lourdes in France and El Santuario de Chimayó in New Mexico. Lourdes’ embrace of modern aesthetic values—simplicity, order, and functional clarity—has led to the removal and tight regulation of most ex-votos. By contrast, Chimayó’s roots in Latin American Baroque aesthetics, with its emphasis on abundance, drama, and hybridity, create space for a vibrant proliferation of offerings. Drawing on Jacques Rancière’s theory of aesthetics and politics as the “distribution of the sensible,” the article shows how aesthetic judgments intertwine with clerical power to curate, constrain, and authorize pilgrims’ access to the …
Reading Ourselves: Self-Documentation, Infamy, And Collective Health In Brazilian Peripheries,
2026
Fundação Oswaldo Cruz (Fiocruz), Brazil
Reading Ourselves: Self-Documentation, Infamy, And Collective Health In Brazilian Peripheries, Asy Pepe Sanches Neto
Proceedings from the Document Academy
This paper explores self-documentation as a social instrument for surviving misrecognition and constructing situated forms of care. Drawing from Foucault’s Lives of Infamous Men, it examines how lives become visible only when touched by power, through brief administrative inscriptions. Building on Documental Fixity (Sanches & Day, 2020), the argument shifts from the stabilizing power of documents to the anticipatory actions of those who know they are read. Rather than asking what a document is, I treat “document” as a modeling frame imposed upon things to manage indexicality. From passports to school uniforms, documentation organizes visibility and authority. In racialized and …
Autoconvocadxs: Interpretaciones Biopolíticas Y Psicopolíticas Del Poder Popular, El Archivo Y La Memoria En La Cultura Popular De Puerto Rico,
2026
CUNY Graduate Center
Autoconvocadxs: Interpretaciones Biopolíticas Y Psicopolíticas Del Poder Popular, El Archivo Y La Memoria En La Cultura Popular De Puerto Rico, Jose A. Acosta-Seda
Dissertations, Theses, and Capstone Projects
Autoconvocadxs analizan el nacimiento, el desarrollo y la consolidación de la asamblea popular como un mecanismo para fiscalizar la labor del Estado. Este, insuficiente y al servicio de las instituciones imperiales, se ha desentendido de las necesidades del pueblo en momentos de crisis. Al servicio de la agenda imperial estadounidense, el gobierno puertorriqueño echó mano de diversas estrategias de coerción y vigilancia que perjudicaron el desarrollo social, económico y político de Puerto Rico. Sin embargo, dichas estrategias e instrumentos de vigilancia han evolucionado a través del tiempo: desde una perspectiva biopolítica en los años 1970, hasta el triunfo de la …
Tallina Linnahall: Arquitectura Soviética Y Mundo Prehispánico,
2026
Grup d’Estudis Precolombins. Societat Catalana d’Estudis Històrics, filial del Institut d’Estudis Catalans
Tallina Linnahall: Arquitectura Soviética Y Mundo Prehispánico, Isabel Bargallo, Montserrat Bargalló Sánchez
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
Existen construcciones que nos recuerdan morfológicamente aspectos de la arquitectura precolombina que no tienen, en principio, relación cultural alguna con el pasado mesoamericano y que no responden tampoco a la función que desempeñaban las construcciones originales, o quizás sí. Éste es, sin duda, el caso del Linnahall de Tallin, donde no podemos dejar de preguntarnos los motivos que llevaron a unos arquitectos europeos, específicamente a dos profesionales estonianos, a inspirarse en las formas prehispánicas para proyectar y construir un espacio monumental que formó parte de las instalaciones de los Juegos Olímpicos de Moscú (1980) en la capital de Estonia. ¿Podemos …
Las Representaciones Florales En Los Bordados De La Indumentaria Cuzqueña,
2026
Universidad Nacional de Arte Diego Quispe Tito de Cuzco
Las Representaciones Florales En Los Bordados De La Indumentaria Cuzqueña, Nathalie Santisteban-Delgado
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
Los vestidos indígenas cuzqueños contemporáneos se caracterizan por tener decoraciones iconográficas variadas. Es la representación floral decorativa que destaca por el color, el diseño y la forma. El motivo floral aparece adornando tanto los vestidos de las imágenes santas de la pintura cuzqueña (siglos XVII y XVIII) como la ropa de los incas nobles retratados durante la colonia. Este estudio tiene como objetivo mostrar que existe una continuidad estética andina, a partir de la identificación de las especies florales utilizadas en las expresiones artísticas virreinales y de la comparación con las especies florales empleadas en la decoración del vestido tradicional …
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina,
2026
Instituto Hondureño de Antropología e Historia-IHAH.
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …
El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica,
2026
University of Nebraska - Lincoln
El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
Dentro de este ciclo de estudios sobre la imagen del poder se aprovecha la ocasión para focalizar en el estudio de la imagen religiosa de la Virgen de Guadalupe y su papel en la conversión del México precolombino. Partiendo de la base antropológica en que el poder siempre es respaldado por la religión de una cultura, profundizamos a entender como este proceso “político” es mimetizado y acompañado no solo por la creación de una imagen de poder religioso sino por diversas luchas de poder entre el pensamiento nahua y el católico, así como entre las distintas órdenes cristianas que participan …
Las Filipinas: The Persistence Of Spain In Jessica Hagedorn's Dogeaters,
2026
Texas State University
Las Filipinas: The Persistence Of Spain In Jessica Hagedorn's Dogeaters, Blake Seana Locklin
CLCWeb: Comparative Literature and Culture
This essay argues for the significance of the legacy of Spain in Jessica Hagedorn's Dogeaters. Critical analyses have explored many aspects of the novel's portrayal of relations between the Philippines and the United States, a more recent colonizer whose influence on politics and culture is prominent in Dogeaters. The effects of Spanish colonization are more subtle in the novel, but pervade its representation of characters, language, and society. While highlighting the fragmentation of individual and national identities, Dogeaters depicts a Philippines in which many social and political problems have roots in the Spanish colonial era. Building on the …
Entry Nr. 487 Kossola,
2026
Northern Illinois University
Entry Nr. 487 Kossola, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 134 Isaac Anderson,
2026
Northern Illinois University
Entry Nr. 134 Isaac Anderson, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Caribbean Sensibility,
2026
Sotheby's Institute of Art
Caribbean Sensibility, Olivia A. Davis
MA Projects
The Caribbean is a region with a complex history, from the displacement of Indigenous communities to the forced migrations of the transatlantic slave trade and the arrival of indentured laborers from Asia. This has produced a region where questions of identity and belonging remain constant. Caribbean Sensibility explores how artists form the Caribbean and its diasporas navigate these complexities, transforming histories of displacement into creative expression. The exhibition draws on Trinidadian scholar Patricia Mohammed’s concept of a “Caribbean sensibility,” an emotional and aesthetic orientation based in hybridity. It is “the dissonance between a seemingly imported religion and our homegrown private …
The Spiritual And Emotional Impact Of Color In Luis Barragán’S Convento De Las Capuchinas Sacramentarias,
2026
Sotheby's Institute of Art
The Spiritual And Emotional Impact Of Color In Luis Barragán’S Convento De Las Capuchinas Sacramentarias, Ivana Martin
MA Theses
This thesis examines how Luis Barragán’s Convento de las Capuchinas Sacramentarias (1955) is a medium for spiritual experience. In his work, Barragán explores the use of color, light, and emotion as central elements and the ways in which they transform sacred space into an embodied, contemplative experience. There is also a comparison to other churches and other similar projects that were done during the same time period, specifically in Mexico. Modernist architecture in mid-century Mexico was largely defined by rationalist and more functional ideals, but Barragán separated himself from these tendencies to create an architecture that privileges silence, intimacy, and …
Can A Curator Influence Their Nation’S Art Market Value? Adriano Pedrosa, The 60th Venice Biennale, And The Global Repositioning Of Brazilian Art,
2026
Sotheby's Institute of Art
Can A Curator Influence Their Nation’S Art Market Value? Adriano Pedrosa, The 60th Venice Biennale, And The Global Repositioning Of Brazilian Art, Maria Joana Ventosa
MA Theses
The 60th Venice Biennale (2024), curated by Brazilian curator Adriano Pedrosa, the first Latin American curator, and the first curator based in the Global South to lead the Venice Biennale, revived long-standing debates concerning visibility and marginalization, who controls canon formation and, in a market where visibility directly affects value, the power of dictating the market. The curator furthered this discussion by curating a show literally titled “Strangers Everywhere”, focused on representations by artists who identify as “othered”, through, for example colonisation and erasure of native cultures, immigration or queerness. This thesis examines the evolving role of biennials as platforms …
Demystifying Dominican Artist Yoryi Morel And His Approach To Painting,
2026
Sotheby's Institute of Art
Demystifying Dominican Artist Yoryi Morel And His Approach To Painting, Zoila Neris Sosa Veras
MA in Fine and Decorative Art and Design Dissertations
During the period between 1930-1961, the Dominican Republic experienced one of the longest and most brutal totalitarian dictatorship regimes of modern times, imposed by a tyrant named Rafael Leonidas Trujillo.1 During this period, nothing could be said or done without the consent of the so-called “Benefactor of the fatherland”. Artists' creativity and self-expressions were not allowed to be used as means to disapprove of the regime, but to please and adulate the dictator. Some artists stopped painting and some others went to live in exile. However, there was an artist whose career flourished during the era, his name is Jorge …
From Voice To Noise: Accented Speech, Constructed Languages, And Subtitling Practices As Markers Of Difference,
2026
Emerson College
From Voice To Noise: Accented Speech, Constructed Languages, And Subtitling Practices As Markers Of Difference, Alice Alonso Limongi
Course Work
This monograph explores three main strategies of vocal exotification in Anglophone film: representations of accented speech, inclusion of constructed languages, and non-subtitling of snippets of other languages. Using Stuart Hall’s encoding/decoding framework, I approach these practices as rhetorical devices that both construct and are constructed by the complexity of our social landscapes. Portrayals of accented speech, constructed languages, and subtitling practices form a gradient of abstraction, where the denotative meaning of words gradually loses importance to the sonic characteristics of the voice. Combining broader cultural scholarship from Edward Said, sound studies writings on power and language from Nina Sun Eidsheim …
Brewing Resilience: Cooperatives, Micro-Mills, And The Quest For Survival In Costa Rica's Changing Coffee Landscape,
2026
Colby College
Brewing Resilience: Cooperatives, Micro-Mills, And The Quest For Survival In Costa Rica's Changing Coffee Landscape, Leila N. Iredell
Honors Theses
This thesis examines how different organizational models in Costa Rica's coffee sector shape producers’ ability to capture value, build resilience, and sustain rural livelihoods in a rapidly changing global market. In comparing traditional cooperatives and new micro-mills, I examine specifically how control over the value chain, access to markets, and social infrastructure differ across models and what these differences mean for the farmers who depend on them. This project analyzes how the collapse of international price agreements and decades of market volatility drove producers toward new strategies, from independent processing and direct trade to coffee tourism. Costa Rica stands as …
Curating The Other: Colonial Genealogies, Institutional Logics, And Market Classification In The Construction Of 'Latin American Art',
2026
Sotheby's Institute of Art
Curating The Other: Colonial Genealogies, Institutional Logics, And Market Classification In The Construction Of 'Latin American Art', Mariana Duque Mordecai
MA in Art Business Dissertations
This dissertation investigates how “Latin American art” emerged as a category within the intertwined fields of museums and the art market, revealing how institutional, linguistic, and economic practices shaped its visibility and limits. It argues that the label was never neutral, but a performative construct born from colonial histories and sustained by market logics that translated cultural difference into economic value. Drawing on decolonial theory, the study examines the creation of MoMA’s Latin American Collection (1943) and Sotheby’s establishment of its Latin American Art Department (1979) to trace how regional identity became a curatorial and commercial framework. Through discourse analysis, …
