Pasado, Presente, Futuro: A Story Of Immigration,
2022
Sotheby's Institute of Art
Pasado, Presente, Futuro: A Story Of Immigration, Constanza Galindo Acosta
MA Projects
Oftentimes when speaking about immigration the conversation centers
around specific political agendas, economic impact, or labor. However important
these topics may be, they fail to understand the humanity of immigration, leaving
behind the most essential part of the conversation: the voice of the actual
immigrants. How can a more individualistic approach towards the experience of
the immigrant give us a better understanding of the nuances of immigration as a
whole? Pasado, Presente, Futuro takes as inspiration the personal experiences of
nine Latinx artists that currently live in the United States as a way to tell the past,
present, and future …
Za'a Demi-Fine Jewelry: Cultural Representation Through The Use Of Wearable Crafts,
2022
Sotheby's Institute of Art
Za'a Demi-Fine Jewelry: Cultural Representation Through The Use Of Wearable Crafts, Maria Canedo Gomez Ortigoza
MA Projects
Za'a is an e-commerce demi-fine jewelry brand that gives its wearer the ability to explore, connect and give back to indigenous Latin American cultures. Za'a pieces are made with 14k gold, sterling silver, vermeil (solid gold electroplated silver), and semi-precious gemstones while incorporating traditional craftsmanship; incorporating elements such as woodcarving, embroidery, and painting. What makes Za'a's products unique is that they are designed and fabricated in conjunction with the communities, ensuring fair and ethical practices. This close collaboration turns the pieces into a cultural bridge of communication, an exchange of ideas, and an appreciation between consumers and the indigenous communities. …
Looking South: The Increased Visibility Of Modern Latin American Art,
2022
Sotheby's Institute of Art
Looking South: The Increased Visibility Of Modern Latin American Art, Sofía Festa
MA Theses
This thesis aims to identify and analyze the main factors behind the increased visibility of Latin American Modern art today. I intend to examine the role played by American institutions, private collectors, and the top auction houses and how they are driving awareness in the global art market. The research will focus on artists whose works were made from the 1920s through mid-1940s and are currently breaking records in the auction world. These are the same artists that are being showcased in prominent private collections and American museums, which in turn serves as a way of validating those artists as …
La Voz Winter 2022,
2022
University of Connecticut
La Voz Winter 2022, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Visiting Scholar Sophie Maríñez
- UConn Gives 2022 to Feature Graduate Support Fund
- Latinos Working for Inclusive Engineering
- Alumna at UNESCO Luanda Biennale
- El Instituto Partners with DCF
- Collective Action for Social and Migrant Justice
- Recent Faculty Book: Writing the Caribbean in Magazine Time
- PRLACC 50th Anniversary
Entry Nr. 002 Jaun Roque,
2022
Northern Illinois University
Entry Nr. 002 Jaun Roque, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 003 Anchico,
2022
Northern Illinois University
Entry Nr. 003 Anchico, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 004 Francisco Angola,
2022
Northern Illinois University
Entry Nr. 004 Francisco Angola, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 005 Francisco Biáfara,
2022
Northern Illinois University
Entry Nr. 005 Francisco Biáfara, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 006 Juan Biáfara,
2022
Northern Illinois University
Entry Nr. 006 Juan Biáfara, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 007 María De Huancavelica,
2022
Northern Illinois University
Entry Nr. 007 María De Huancavelica, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 009 Ana De La Calle,
2022
Northern Illinois University
Entry Nr. 009 Ana De La Calle, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 010 Louis Congo,
2022
Northern Illinois University
Entry Nr. 010 Louis Congo, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 014 Domingos Alvares,
2022
Northern Illinois University
Entry Nr. 014 Domingos Alvares, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 017 Chicaba,
2022
Northern Illinois University
Entry Nr. 017 Chicaba, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 020 Medor,
2022
Northern Illinois University
Entry Nr. 020 Medor, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 021 Vénus,
2022
Northern Illinois University
Entry Nr. 021 Vénus, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 022 Apongo,
2022
Northern Illinois University
Entry Nr. 022 Apongo, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 023 Rosa Egipcíaca,
2022
Northern Illinois University
Entry Nr. 023 Rosa Egipcíaca, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 024 Comba,
2022
Northern Illinois University
Entry Nr. 024 Comba, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 026 Jean,
2022
Northern Illinois University
Entry Nr. 026 Jean, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
