Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material,
2021
Georgia Institute of Technology
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue,
2021
Virginia Commonwealth University
Iconoclasm And The Museum,
2021
University of North Georgia
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Dyani White Hawk: Speaking To Relatives,
2021
University of Kansas
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society,
2021
Bronx Community College, CUNY
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence,
2021
University of Tennessee, Knoxville
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham,
2021
Virginia Commonwealth University
Julie Mehretu,
2021
Kennesaw State University
Consuming Stories: Kara Walker And The Imagining Of American Race,
2021
Paine College
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Commonwealth,
2021
Virginia Commonwealth University
Photographic Returns: Racial Justice And The Time Of Photography,
2021
Saint Anselm College
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
Back Matter,
2021
Virginia Commonwealth University
Junto Diaz’S The Brief Wondrous Life Of Oscar Wao: A Narrative Of Identity And Diaspora,
2020
Old Dominion University
Junto Diaz’S The Brief Wondrous Life Of Oscar Wao: A Narrative Of Identity And Diaspora, Samirah Almutairi
English Faculty Publications
Junto Diaz’s novel The Brief Wondrous Life of Oscar Wao raises the question of the identity formation for the Caribbean in diaspora. Diasporic Caribbean people struggle with understanding their difference and recognizing the important of assimilating to other people’s lives and cultures when they leave their home country. The struggle of the main character, Oscar Wao, in the novel is established perfectly well through apparent identity crisis that is manifested in his cultural displacements, childhood memories, real-life situations, and unsuccessful relationship with the other sex. It is a problem that Oscar creates his passage towards constructing a national identity, which …
Marching Through The Floating World: Processions In Ukiyo-E Prints (2020),
2020
Rhode Island School of Design
Marching Through The Floating World: Processions In Ukiyo-E Prints (2020), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)
Ukiyo-e Prints Course | Exhibition Catalogs
"Marching through the Floating World is a book that accompanies a student curated virtual exhibition of the same title. This exhibition is dedicated to images of processions in ukiyo-e woodblock prints.
Ukiyo-e or “pictures of the floating world” was a vibrant style of urban art that flourished in Japan in the 17th- 19th century, predominantly in the form of mass-produced woodcuts. Steeped in everyday pleasurable pastimes of townspeople, ukiyo-e prints reflected contemporary culture to its fullest, whether fact or fiction, often the two amalgamated in a witty way.
Processions constituted a noticeable theme in ukiyo-e prints as they were an …
Accomplices In Art: The Expansion Of Authorship In The 1970s And '80s,
2020
CUNY Graduate Center
Accomplices In Art: The Expansion Of Authorship In The 1970s And '80s, Sydney Stutterheim
Dissertations, Theses, and Capstone Projects
This dissertation introduces the “accomplice,” a new figure in histories of performance and appropriation art in the United States and Western Europe during the 1970s and '80s that allows us to completely revise the relations of property, agency, and authorship that have been assumed in these fields. The accomplice is defined here as a type of agent who shares in the responsibility of artworks that are often centered on tactics of legal or ethical disobedience while the recognition of her or his authorial position in the artistic production is deliberately obscured, diminished, or overlooked. Focusing on the work …
Northwest Coast Native Art Beyond Revival, 1962–1992,
2020
CUNY Graduate Center
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Dissertations, Theses, and Capstone Projects
Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …
Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964,
2020
CUNY Graduate Center
Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964, Andrianna T. Campbell-Lafleur
Dissertations, Theses, and Capstone Projects
This dissertation focuses on Norman Lewis’s studio practice between the years 1946-1964 in particular his associations with the painters Romare Bearden, Robert Motherwell, Ad Reinhardt, and David Smith. Lewis’s influence extended far into the twenty-first century. As told by numerous contemporary art practitioners—Firelei Baez, Mark Bradford, David Kennedy Cutler, Charles Gaines, Rashid Johnson, Julie Mehretu, RJ Messineo, and Jack Whitten—Lewis was the mentor, friend, father and grandfather figure of an innovative black artist working with abstraction. In Chapter 1: An Integrative Line of Becoming, I trace Lewis’s change from Social Realism in the 1930s to semi-abstract portraits and genre paintings …
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline,
2020
University of New Mexico
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros
University Libraries & Learning Sciences Faculty and Staff Publications
Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.
America’S Finest Housing Crisis: Racialized Housing & Suburban Development,
2020
University of San Diego
America’S Finest Housing Crisis: Racialized Housing & Suburban Development, Vicenta Martinez Govea
McNair Summer Research Program
U.S. Government operations between 1940-1950 brought unprecedented direct and indirect employment opportunities to San Diego, exacerbating an already growing housing shortage. To accommodate the thousands of new defense workers, the government produced the largest defense housing project to date in the small neighborhood of Linda Vista. However, this opportunity and largesse was extended primarily to a select group of white working-class families who had access to defense jobs and, consequently, subsidized housing. Military presence in San Diego during World War II shaped the design of homes and exclusively allocated housing, as both shelter and financial instrument, to white working-class families …
Painting Politics: The Anarchist Art And Lives Of Camille Pissarro And Barnett Newman,
2020
CUNY Hunter College
Painting Politics: The Anarchist Art And Lives Of Camille Pissarro And Barnett Newman, Johan Marby
Theses and Dissertations
The times in and around the Paris Commune and the Depression followed by Second World War in the United States were instances in history that greatly influenced artists’ output. This thesis investigates how anarchist thought and activities during these periods, respectively, affected the œuvres of Camille Pissarro and Barnett Newman.
