Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …

Consumer, Catherine Romsey

Art & Art History Student Scholarship

Faculty Mentor: Professor James Janecek, Art and Art History

Race To The Finish: An Obstacle Course With A Biological Twist, Kayli Fagan

Art & Art History Student Scholarship

Major: Business Management and Studio Art
Faculty Mentor: Professor James Janecek, Art and Art History

The Button Bash: A Minigame, Miranda Balossi Ventre

Art & Art History Student Scholarship

Major: Psychology
Faculty Mentor: Professor James Janecek, Art and Art History

Titian’S Venus Of Urbino: A Comprehensive Art Historical Study With An Interpretive Consideration, Mary Melissa Miller

Theses and Dissertations

There have been numerous scholarly interpretations of Titian’s Venus of Urbino since Giorgio Vasari first named the work upon seeing it in 1548. Even so, problems remain in Titian’s hermeneutics and semiology relevant to the artist’s personal circumstances that places the Venus of Urbino in a unique genre. Biographers and art historians since the 16th century have written about and admired this work. Additionally, scholars of the 20th century have painstakingly sought to understand the work’s layers of meaning, but still the Venus of Urbino remains an interpretive mystery. Firstly, my thesis will examine the timeline of references to Titian’s …

Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie

Artl@s Bulletin

This article revolves around my practice, as an artist, which has an essential link with images and their circulation. In a subtle way, painting offers me a language allowing me to explore the polysemy of the chosen image, to experience a vocabulary both figurative and abstract. My practice could choose and process "ordinary" images, which are diffused but whose diffusion does not alter the subject, and has no consequence on the latter. It can also retain images whose strength is intrinsic to their circulation, to their popularization, to their controversy, images which will however ultimately generate paintings, and simultaneously erasing …

Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev

Theses and Dissertations

This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.

The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,

Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …

Introduction To Game Design, Development, And Criticism (Game 201t), Kevin Moberly, Richard E. Ferdig (Ed.), Emily Baumgartner (Ed.), Enrico Gandolfi (Ed.)

English Faculty Publications

No abstract provided.

The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano

Honors Theses

Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …

Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold

The Kennesaw Journal of Undergraduate Research

The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18^th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …

Covid-10, Healthcare Interior Design + Provider Experience - How Does Your Space Work For You?, Ruth E.P. Deibler

Graduate Research Posters

The lack of research on healthcare staff experience and interior design of the spaces they work in is evident. A focus on staff perspective is needed, particularly staff who navigated the COVID-19 pandemic. This research seeks to capture those stories to develop further research in order to improve staff experience. The initial phase of this mixed-methods approach is a survey. Hypothetically, by placing providers at the center of qualitative research related to healthcare interior design, we can better understand existing healthcare spaces. Ideally, we can develop additional evidence-based, human-centered solutions to transform interior environments in healthcare.

The 20-year Women’s Health …

Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler

Art Inquiries

No abstract provided.

Jordan Nassar: The Field Is Infinite, Megan Bickel

Art Inquiries

No abstract provided.

Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

Beyond The Social: Artist Project Spaces, 2003 To 2016., Clare L. Van Loenen

Theses and Dissertations

This research examines storefront project spaces in the early 2000s that offered alternative approaches to the programming, organizing, and archiving found in conventional museums. I propose that such sites impacted participatory visual culture by offering a reformulatory role for arts’ practices, one that organized itself across disciplinary boundaries, chose a collaborative rather than competitive approach, and processed the ideological implications of their group work. Focused on three specific sites—Machine Project in Los Angeles, Elsewhere in Greensboro, and Mess Hall in Chicago—this study details the museological, pedagogical, and archival challenges of these artist-convened organizations. My interdisciplinary investigation offers a reference point …

Frank Duveneck: American Master, D. Bryan Schaeffer

Art Inquiries

No abstract provided.

Evaluating A Need For Somatic Access To Classical Objects In Public Museums, Jerod G. Peitsmeyer

Graduate Student Theses, Dissertations, & Professional Papers

Physical experiences with ancient art objects in museums are rare. Display paradigms in most public institutions continue to propagate systems of participant interaction that reinforces unequal power structures. The Montana Musuem of Art and Culture (MMAC) is the current custodian of an ancient, Rhodian wine amphora that provides an opportunity to examine a novel system of somatic participation. This proposal upends traditional gatekeeping practices and serves as a powerful and progressive, humanist touchstone; an olive branch extended to the general public from behind the walls of higher education and the ramparts of privileged scholarship. This study reimagines the amphora's future …

Appealingly Unpeeled: The Layered Lemons In Dutch Golden Age And Contemporary Art, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

In seventeenth-century Dutch painting, the lemon holds a prominent visual, economical, socio-cultural, and moral position. This trend would then be repeated in contemporary art, beginning in roughly the 1970s. This thesis, in two parts, will explore the significance of the prevalence of the lemon and their recurrent presence in both Dutch Golden Age art and modern and contemporary artwork. This multivalent approach will look at lemons as not only a visual representation of fruit, but a symbol of larger concepts such as globalization, commercialism, colonialism, sexuality, religion, linguistics, mythology, and pop culture.

The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera

Art Inquiries

No abstract provided.