Theory and Criticism Commons^™

Opposing Strands: The Mediterranean As Site Of Cultural Conflict Around 1900, Neil F. Mcwilliam

Artl@s Bulletin

From antiquity to the Third Republic, this article follows visual and literary representations that measured space, time and ideological oppositions that spawned an image of the Mediterranean as an area of transmission and cultural tension. It focuses on three theorists: the head of Action Française, Charles Maurras; the novelist Louis Bertrand; and critic and cultural impresario Joachim Gasquet. Each contributed to the formation of an image of the Mediterranean basin as the birthplace of European heritage and a battlefield in a struggle against the forces of democracy and cultural hybridization.

L'Invention Artistique De La Méditerranée: Quelques Repères, Rossella Froissart

Artl@s Bulletin

Qu’en est-il de la Méditerranée pour les historiens de l’art ?

Si les relations nord-sud ont été abordées relativement souvent, on a gardé prudemment à distance toute analyse faisant cas d’un prétendu « genius loci » méditerranéen, fondé sur les concepts de « nation », de « peuple » et de « race ». Aujourd’hui les outils pour une lecture dépassionnée des imbrications du fait artistique avec les logiques spatiales ne manquent pas et le dossier peut être rouvert. Il faudra d’abord tenter d’établir à quel moment et sous quelles conditions la notion de « Méditerranée » apparaît dans le …

Striking Chords: Music In Ukiyo-E Prints (2021), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"The book “Striking Chords: music in ukiyo-e prints” is a student version of a scholarly catalog that accompanies the RISD Museum’s ukiyo-e prints exhibition of the same title. ... This exhibition is a culmination of an ukiyo-e art history course taught at RISD in the fall of 2021. The project was generously accommodated by the RISD Museum. With the help of Wai Yee Chiong, Associate Curator of Asian Art, fifteen prints were selected from the collection of the RISD Museum. For the exhibition’s online component, which is still under construction, additional prints were chosen – two more from the RISD …

Contemporary Native American Art: Contemplating Fashion And Indigenous Craft, Madison Seiter

Theses and Dissertations

This thesis focuses on Indigenous and contemporary cultural representation expressed in the art of Wendy Red Star, Lisa Telford, and Jamie Okuma as presented in their clothing, shoes, and jewelry. These artists challenge marginalization through their works while also showcasing hybridity, cultural reclamation, and continuity through the materials and processes utilized. This thesis examines the elevation of Indigenous craft within the framework of recent craft theory. It explores what their art communicates in the contemporary art world and considers their significance to Native tradition, generational knowledge, innovation, and technical skill. The works discussed recognize the importance of Native art expressing …

The Role Of The Reader Is To Fallow: Responding To The Negative Reception Of Paul Verhoeven’S Film Adaptation Of Starship Troopers, Julian Meyerstrom

Undergraduate Research Symposium

Robert A. Keinlein’s science fiction novel Starship Troopers (1959), and its film adaption of the same title directed by Paul Verhoeven (1997), received mixed critical reactions. Both pieces came across as supporting fascistic ideals to most critics upon release, despite the two creators opposing political and moral beliefs. Using Louise Rosenblatt's reader response theory as a framework for analyzing both the novel and film adaptation, this paper postulates the film adaptation fails to deliver an accurate critique of the novel by placing the burden of moral knowledge on the audience. Keinlein’s novel guides the reader into his moral sensibilities, whereas …

The Symbiotic Relationship Within Practices Of Collecting And Making Studio Art, Todd David Conover

Theses - ALL

I am a collector and an artist. There is a direct correlation between what I collect and the artwork that I make. While some areas of my collections are very focused and complete, others are more varied, sentimental, emotional and impulsive. The difference between collecting versus making artwork is that collecting, for me, is a personal experience and although the process of creating artwork is also personal the resulting work becomes much more public as it distances itself away from the studio process. This paper outlines my experiences and observations that the act of collecting and the collected pieces themselves …

Letting The Days Go By: An Investigation Into The Artistic And Functional Nature Of Calendars., Elise Alexandra Blankenship

Electronic Theses and Dissertations

Calendars have been widely ignored as cultural objects in a contemporary context. Because of this lack of consideration, analyzing a calendar as a work of art is theoretically interesting. This thesis uses the theory of Kitsch, philosophies concerning art in the home, and the theory of relational aesthetics to express the impact that calendars can have when considered works of art. This thesis also discovers the forgotten provenance of block print calendars from the University of Louisville’s extensive print collection. This thesis attempts to coerce the viewer to consider the calendars in their homes as works of art.

James Mahony (C.1816-1859): The Illustrated London News, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

Compromised Values: Charlotte Posenenske, 1966–Present, Ian Wallace

Dissertations, Theses, and Capstone Projects

Fabricated in unlimited series and sold at cost, the sculptures produced by Charlotte Posenenske between 1966 and 1967—modular wall reliefs, interactive cubic structures, and tubular geometric units whose installation requires collective decision making—were meant to confront both the artwork’s commodity status and the limitation of its consumption to a privileged elite. Nevertheless, Posenenske’s work has been effectively recuperated by the art system: first, in the 1980s, through a series of exhibitions and publications organized by her estate; and second, with her inclusion in Documenta 12 in 2007, which reintroduced her work to the market. Since the artist’s death in 1985, …

Victim Impact: The Manson Murders And The Rise Of The Victims’ Rights Movement, Merrill W. Steeg

LSU New Orleans Theses and Dissertations

No abstract provided.

A Tale Of Two Biennales: How Contemporary Art In Italy Reflects Current European Politics, Hannah Rosabel Capucilli-Shatan

CISLA Senior Integrative Projects

No abstract provided.

The Understanding Of The Other In Orientalist And Primitivst Art, Jasmine Groves, Jasmine A. Groves

Honors College Theses

In 1978, Edward Said published Orientalism, a seminal book that shed light on one of the “leftovers” of European colonialism. In it, he describes the West’s attempts to exotify and romanticize the non-Western world. While the Near East, the Far East, and East/Southeast Asia are geographic terms that correspond to specific countries and cultures, the “Orient” is a Euro-American fantasy that only exists to contradict the West. The term is intentionally vague in order to satisfy any and all exotic desires that a consumer may have.

A great deal of European and American artists found inspiration in the exotic …

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

Aztlán Del Sol, Marcus Zúñiga

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

An artistic writing developed from the themes and concepts of an of art installation made by a visual artist of Mexican-American descent from New Mexico. The work references the relationship of Aztec mythology to the American Southwest, art theoretical discourse in object oriented ontology and aesthetics, and key ideas in astronomy. Additionally interwoven is an expanded sense for interpreting ancestry and history under the constructs of multicultural conceptions of time, specifically cultures with notable spiritual rituals of Sun worship and observation.

Fakes, Forgeries, And Value Perception, Pearson Moore

Honors Theses

Fakes and forgeries generate a false sense of value in the art market that changes the perception of authentic works. Understanding the difference between a fake and a forgery is essential for explaining the schemes of deceivers who have fooled the art market into believing their work is of grandiose value and prestige. The creation of a forged piece or fake provenance documents requires immense artistic skill and a talent for breaking the rules. Examining famous figures and the criminal cases against them is a great way to work backwards from their “successes,” tracing the alleged origins of the piece’s …

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

God Is Gay, Ordando Prieto, Ordando Prieto

Electronic Theses, Projects, and Dissertations

The major life of The Christ are well known among Christians and have been depicted throughout art history and contemporary media.

The juxtaposition using gay pornography is meant to question the ideologies of homosexuality. The choice life events and fetishes are to juxtapose terminology and show possible sexual innuendos.

These seven works of art are mixed media paintings; made up using works from art history, gay pornography, photographs I have taken, and drawing and painting by myself. The exhibition is an alternative perspective of the major components of Christian Messiah, Jesus Christ. These events include: The Nativity, The Baptism, The …

Unmentionables, Madeleine F. Grotewiel

Graduate School of Art Theses

This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …

Book Review: Anna Watkins Fisher. The Play In The System: The Art Of Parasitical Resistance, Nora Almeida

Publications and Research

No abstract provided.