History of Art, Architecture, and Archaeology Commons^™

Heritage And Archaeological Knowledge Dissemination Strategies: A Kurd Qaburstan Case Study, Myli R. Sangria

Honors Undergraduate Theses

This thesis addresses the long-standing absence of community archaeology initiatives in the Kurdistan Region of Iraq by designing and implementing a pilot public archaeology program at the site of Kurd Qaburstan, a large Middle Bronze Age city (ca. 1800 BCE) located on the Erbil Plain. In summer 2024, the author implemented a community archaeology activity designed as a first step toward sustained engagement with the village that partially overlaps the site. The program—a hands-on lesson in archaeological stratigraphy for K–5 students, followed by a guided site visit—was intentionally simple, affordable, and easy to carry out alongside ongoing fieldwork. The activity …

Minoru’S Mecca: The World Trade Center, 9/11, And The End Of Architectural Modernism, Henry D. Senters

Anthós

From 1966 until 2001, the World Trade Center complex and its skyscraper Twin Towers were a defining architectural feature of New York City and a landmark in architectural modernism. Minoru Yamasaki, the project’s architect, intended the massive complex to be a “mecca” that drew in and inspired urban workers, exemplifying the Islamic architectural language that he incorporated into his architecture. In this article, Senters examines how architectural criticism evolved while the towers stood and after they were destroyed in the 9/11 terrorist attack. Tracking early reviews, hopeful about the complex’s trade-promoting purpose, and the perennial—though limited—negative reception of the complex’s …

The Tyrant King Of The Auction House: The Disastrous “Fine Artification” Of The Dinosaur, Amelia C. Kolstad

Anthós

This article examines how fine art auctioneers market dinosaur fossils as art pieces to wealthy collectors, depriving the paleontological field of specimens for scientific research. Drawing from recent examples of fossils sold at fine art auctions, this article notes how rising auction prices for specimens as ‘art’ prevent museums and research institutions from acquiring specimens for research and restoration. Kolstad concludes that the art auction houses’ marketing of fossils as art is detrimental to paleontological research. To protect fossils and their scientific value, Kolstad proposes alternatives, such as selling replicas to collectors and highlighting the importance of original specimens for …

Birds Of A Feather: Peace And Conflict Founders Milton Schwebel And Luella Buros, Janet Carlson

Buros Center: Professional Staff Publications

Milton Schwebel, peace psychology pioneer, described Luella Buros as “a pillar of strength, her principles uneroded by age or economic well-being, her determination to struggle against social evils undiminished” (1992, p. 4). At age 90, Buros had just become the founding contributor to Peace and Conflict: Journal of Peace Psychology. Schwebel was its founding editor. In announcing the gift, he emphasized Buros’s steadfast commitment to pursuing peace, while recognizing her artistic accomplishments and her collaboration with her husband, Oscar, in establishing the renowned Mental Measurements Yearbook series (Buros, 1968; Buros, 1978; Carlson, 2023). She later provided funds to support …

The Transformative Power Of An Ethic Of Care In Patricia Piccinini’S Mythic Posthuman Offspring, Keely Parrish

Dissertations and Theses

This thesis examines the contemporary artist Patricia Piccinini and her posthuman hybrid creations within the context of a feminist ethic of care. Largely referring to scholarship by the political scientist Joan C. Tronto, I argue that Piccinini expands the definition of an ethic of care to include non-human entities as well as human ones. The four phases of care identified by Tronto will serve to outline the encounter between the audience and Piccinini’s work to see how humans and non-humans (1) care about, (2) take care of, (3) give care and (4) receive care from each other, as well as …

Defining ‘Un-Americanism’ In Culture And Art: The Dies Committee’S Investigation Of The Federal Theatre Project, Matthew G. Summers

Dissertations and Theses

This thesis explores the House Un-American Activities Committee’s (HUAC) expansive definition of ‘Un-Americanism’ through the body’s 1938 investigation of the Federal Theatre Project (FTP). The committee, then known as the Dies Committee after its chairman Martin Dies (D-TX), publicly presented the hearings as an attempt to root out communism in a deeply compromised government program. And indeed the FTP, an ambitious New Deal Program to provide work for unemployed professionals in the theatre, had an undoubtedly leftist bent. However, the hearings were consistently focused on the project's progressive stances on issues of race and gender, and effectively exposed the underlying …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Slaying The Embodiment Of Lust: A Painting Of A Martyr-Monk Vanquishing A Female Demon, Agnieszka E. Szymańska

Art and Art History Faculty Publications

The seventh-century painting of Sisinnios and Alabasdria from the Monastery of Apa Apollo at Bawit, Egypt, depicts an equestrian saint spearing a female demon. Previous scholarship has established connections between the mural’s iconography and the imagery of holy rider amulets. This article expands on those discussions and probes the painting’s function as a talisman that bolstered its monastic beholders’ defenses against demonic assaults. In a departure from earlier scholarly treatments of the mural, I explore how, to male monastic practitioners, the image of Alabasdria did not merely represent a demonic murderer of babies but also embodied lust. According to textual …

Curating Modernity: Carmen Giménez And The Shaping Of Post-Franco Spain, Ines Trafford

MA Theses

This thesis examines the interplay between political transformation and cultural development in Spain during the transition from dictatorship to democracy with a focus on the influential contribution of Carmen Giménez, a pivotal figure in modern and contemporary art. Spain’s recent history, marked by the profound fracture of the Franco regime, serves as the background for this exploration. The study highlights how Giménez’s curatorial vision and dedication to modernism have shaped the country’s cultural landscape in the post-Franco era. Born into a family deeply affected by the sociopolitical turbulence of 20th-century Spain, Giménez’s career reflects a nuanced understanding of the complexities …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Art Worker: Atlanta’S Contemporary Art History And The Workers Who Shaped It, Abigail D. Miller

Master's Projects

There is a contradiction at the heart of the relationship between artists and the public in the United States. Art is considered culturally important and beneficial to the public, yet hardly any public funding is paid directly to artists for their labor. Moreover, because the nature of art production in contemporary society does not align easily with capitalism’s need for constant growth and profit, artists are often on the economic fringes in a constant state of precarity. These conceptual arguments are explored in this project, and the related research aims to position artists as members of the working class who …

Remedios Varo: Peregrinaciones, Julia Condes

Honors Undergraduate Theses

At the time of her death, the artist Remedios Varo (1908–1963) left behind over 500 works of art, the majority of which were created in her adopted country of Mexico. Known for her meticulously crafted fantastical paintings, Varo underwent exile and displacement due to first the Spanish Civil War, and later World War II, which led her to relocate to Mexico, where she would create prolifically for the remainder of her life. This paper will examine the effect of those experiences on the artist and the work she produced, attesting to Varo’s ability to translate complex emotions regarding the human …

Front Matter - Zamani 1, No. 2, Editors Note

Zamani: A Journal of African Historical Studies

The editors are pleased to present to you the second issue of Zamani: A Journal of African Historical Studies. Volume 1 Number 2 has a collection of research and forum articles as well as book reviews. There are four articles that builds from field research with different themes spanning from neolithic to the postcolonial periods. The themes include new neolithic dating; smallpox control in early colonial period in the former German East Africa (now Tanzania, Rwanda and Burundi); evasion of colonial taxation; and the connection between land legislations and land conflicts among the peasant and pastoral communities. There are also …

New Chronology For Neolithic Cultures In The Lake Eyasi Basin, Northern Tanzania, Musa Said Mwitondi, Pastory Magayane Bushozi

Zamani: A Journal of African Historical Studies

There have been several studies on Neolithic Cultures in the Serengeti National. The recovered archaeological materials include domestic and wild fauna remains, potsherds and lithic artefacts, ochre, and stone enclosures, dating between 7200 and 4900 BP. In the East African Rift System (EARS), conventional ages for Neolithic Cultures are inferred from the most extensively researched Neolithic sites in Kenya, where the oldest Nderit ware, cattle and caprine in the Lake Turkana Basin, northern Kenya, date ca. 5200 BP. Studies on the Neolithic of EARS have been structured to fit into the migration or diffusion models that consider the spread of …

Smallpox Outbreaks And Immunization Policies In Tanzania From The Late Nineteenth Century To The First World War, Lorne Larson

Zamani: A Journal of African Historical Studies

An estimated 300 million people died globally from smallpox in the 20th century alone. There was very much a North/South divide in the existence of the disease in that period, with countries across South America, Africa and Asia recording the majority of cases. In 1966 the World Health Organization launched an intensive effort to finally eliminate the disease. The last known endemic case of smallpox was reported in Somalia in 1977, and that outbreak was promptly contained. In 1980 smallpox was declared eradicated – the only infectious disease affecting humans to achieve this distinction. This remains among the most notable …

'Evading The Tax Collector’: Native Responses To The Head Tax In Colonial Njombe, Tanzania, 1920-1960, Peter Chaula, Hezron Kangalawe

Zamani: A Journal of African Historical Studies

Tax collection was one of the core preoccupations of the colonial government in Tanganyika (now Tanzania) and other colonies in the Africa that persisted even after independence. Direct taxation formed the basis of colonial taxation in Tanganyika. Head tax was a dominant form of direct taxation with its burden being borne primarily by Africans. This article uses the colonial Njombe District of Tanganyika to explore the responses of the African taxpayers to the head tax. The available data indicates that colonial head tax policies and practices in Njombe elicited varied responses from Africans with covert forms forming the mainstay of …