History of Art, Architecture, and Archaeology Commons^™

Crafting Cultural Power: Artistic Interventions As Tools For Political Organizing Among Los Angeles Street Vendors, Corina M. Silverstein

Scripps Senior Theses

This thesis focuses on the intersections of collaborative and artistic interventions (such as collective songwriting and poetry) within the ongoing fight to legalize and decriminalize street vending in Los Angeles. Through the close partnership with Community Power Collective (CPC), this thesis analyzes the use of narrative in artistic collaborations and oral traditions throughout the political mobilization of street vendors in Los Angeles. Through an interdisciplinary approach, this investigation explores the use of early influences of street theater, to collective songwriting workshops, as well as artistic collaborations with local artists. Ultimately, suggesting CPC’s use of artistic practices and collaborations are essential …

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …

Ebony Patterson’S …Things Come To Thrive…In The Shedding…In The Molting… (2023) As Intervention, Renee Mcgarry

Publications and Research

This paper examines the use of horticulture and botany in Ebony Patterson's 2023 exhibition at the New York Botanical Garden, …things come to thrive…in the shedding…in the molting… as it relates to the history of NYBG, the Bronx, and the populations that historically and currently reside in the borough. Using plants, blown glass, and glittering styrofoam forms, Patterson productively intervenes in the relationship between an historic, prestigious institution and a changed borough that, since the 1990s, has been walled off from the Garden. The exhibition highlights the tension between community and institution and offers up a new way of understanding …

Black Bodies On American Stages, Gabrielle Burton

Honors College Theses

The following study explores the character types that have been historically available to Black actors in American theatre and how that representation enforced, resisted, or ignored stereotypes. To examine the impact of those roles on the performers who played them, I examine the documented approaches Black actors have taken to embody their characters, as well as my own evolving process used to portray the eight characters I have inhabited in my personal college performance career at Georgia Southern University. This research and retrospective analysis reveal that while a lazy or performative indifference leads to harm, color-conscious inclusion, challenging conversations, and …

I Am Not A Dictator; I Am A Defender: The Rhetoric Of Coup D’État In Francophone Africa, Isaac Asare Kwakye

Theses and Dissertations

This study examines the rhetorical strategies used by coup leaders in Francophone Africa to authorize their actions and garner public support. Focusing on recent military takeovers in Mali, Burkina Faso, and Niger since 2020, I investigate how coup leaders construct narratives of legitimacy within the context of contemporary geopolitical dynamics. I utilize Critical Discourse Analysis (CDA) to analyze speeches by three key coup leaders: Colonel Assimi Goïta, Captain Ibrahim Traoré, and General Abdourahamane Tchiani. My analysis reveals four interconnected rhetorical frameworks: framing interventions as emergency measures, cultivating savior personas, weaponizing anti-colonial grievances, and deploying anti-corruption narratives. A comparative analysis of …

Art As Asset: The Rise Of The Financialized Art Market And The Abstraction Of Value, Kenneth Knothe

Pitzer Senior Theses

This thesis investigates the financialization of art through the expanding use of art-backed loans and institutional involvement. It focuses on how artworks—once primarily valued for their aesthetic or cultural significance—are now routinely treated as financial assets within the art market. The paper uses case studies from Sotheby’s Financial Services and Mitchell F. Chan’s blockchain-based reinterpretation of Yves Klein’s Zones of Immaterial Pictorial Sensibility. Drawing on the work of Walter Benjamin, Pierre Bourdieu, and Wendy Brown, it argues that this shift undermines museums’ roles as cultural stewards and redefines the meaning of value in the art world to something more quantifiable. …

Sunbathers, Marta Louise Sorenson

Art and Art History Honors Projects

Sunbathers is a Studio Art Honors project that explores the awkward intimate nature of introspective life through autobiographical, figurative ceramic sculptures. The forms capture the relationship between body and reality. The project consists of seven portraits, varying in size and display, arranged together on pink pedestals. Each figure communicates a part of self, embodying the internal interactions of everyday existence. The sculptures perform as objects yet speak with the specific sense of being seen/presented. Features shift in and out of focus—glossy glazes draw the eye, while matte colors move inward; the exaggerated, slumped forms are adorned with bright, illuminating glazes. …

Ultrabaroque Grandeur: Examining The Churrigueresque In Spanish Architecture From The Seventeenth And Eighteenth Centuries, Sarah Staeben

Capstone Showcase

Following the Protestant Reformation, Spain was in a unique position compared to the rest of Europe. The importance of Catholicism was intrinsic to Spanish society by this point, as it was under King Ferdinand and Queen Isabella, aptly dubbed the Catholic Monarchs, that the Christians reconquered the Iberian peninsula in 1492, after an eight century rule by Arab-Muslims. In the centuries that followed, Spanish architecture reached new levels of grandeur in the wake of reformed Catholic doctrine. Following the motto “docere, delectare, movere”(to teach, to delight, to move), architects were urged to convey the Church’s power and garner new supporters. …

Kyiv Christianity In The Portraits Of Metropolitans: Artistic Language And Coding Of Identity In The 18th Century, Oleksandr Lukyanenko, Vitaly Dmytrenko, Vita Dmytrenko, Nazar Maistruk

Occasional Papers on Religion in Eastern Europe

The article is devoted to the analysis of the iconography of the Kiev metropolitans of the 18th century as a unique phenomenon of religious Ukrainian Baroque art. The portraits of the bishops are considered not only as representative images of spiritual power, but also as carriers of cultural codes that record a special type of “Kyiv Christianity” formed on the border of Eastern and Western civilizations. Special attention is paid to Baroque aesthetics – the splendor of the bishop’s vestments, the ornamentality, theatricality of the compositions and at the same time the psychological depth of the portrayed. The study shows …

Ramat Bet Shemesh, Khirbat El-Qut, A-10028, Vitaliy Starman

Favissa: Past Archaeological Excavation Reports

During March–April 2025, a salvage excavation was conducted at Khirbat el-Qut in Ramat Bet Shemesh (Permit No. A-10028; map ref. 198640–975/622479–723). The excavation was carried out approximately 1 km southeast of Tel Yarmuth, within the agricultural hinterland of Horbat Bet Natif (for background and references, see Storchan 2022). The work was initiated following the exposure of cisterns during development operations in Neighborhood Hey (E) of Ramat Bet Shemesh. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by the Ministry of Construction and Housing, was directed by V. Sterman, with the assistance of N. Nehama (administration), N. …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Mansiones: A New Look At Mansio Archaeology In Light Of San Miceli And Household Archaeology, Christopher Randall Chadwick

Dissertations

Problem

The identification of mansiones in the archaeological record has proven difficult, if not impossible. One factor contributing to the problem has been focusing on typological and descriptive studies in order to identify the functional characteristics of mansiones. Another has been the lack of any explicit method and theory for interpreting the functional characteristics of the archaeological data related to mansiones. Both of these factors have been observed in the recent excavations at San Miceli.

Method

Due to the functional nature of mansiones, there is a need to reevaluate current paradigms for interpreting the archaeological data related to mansiones. One …

Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King

Pomona Senior Theses

Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.

Disrupting The Timeline: Challenging Notions Of A Singular, Linear Early Muslim Historiography, Grayson D. Shaw

Pomona Senior Theses

Few historical events have received the same attention in the formative years of Islam as the so-called “‘Abbāsid Revolution” in 132 AH/750 CE. In both the medieval and modern contexts, this event has been recognized as a monumental formation from which the rest of Islamic history comes downstream from. Problematically, there are no cohesive historical sources from the losers of this conflict; the Umayyads. Utilizing numismatic and architectural evidence, I argue that the alleged rupture between the Umayyads and their ‘Abbāsid successors is overblown by historiography two centuries after the fact. Then, I further analyze what this continuity means for …

Mocking The Malicious: Investigating John Heartfield’S Anti-Nazi Photomontages, Abigail J. Emory

Capstone Showcase

In this paper, I will discuss John Heartfield’s Dada infused photomontages, which he made in the 1930s following the rise of Adolf Hitler. During their ascension to power the Nazi regime used propaganda to glorify Hitler. The Nazi party also used a visual campaign to attack their enemies and people they deemed “inferior.” Throughout this time of media poisoning, John Heartfield created his photomontages that attacked everything the Nazis stood for. His anti-Nazi works for the Communist magazine Arbeiter Illustriere Zeitung (AIZ), covered a variety of angles including mocking Hitler as a person, pointing out the party’s greed, and exposing …

Preserving The Stolen: Cultural Appropriation And The Case Of Seattle's Totem Pole, Olga S. Koutroulis

Scripps Senior Theses

This thesis investigates the cultural appropriation and conservation of the Chief-of-All-Women totem pole, originally stolen by Seattle businessmen from the Tlingit village of Tongass in 1899 and later reinstalled in Pioneer Square as a symbol of the city. By framing the totem pole as a site of both physical and cultural displacement, I trace its journey from sacred object to public monument, and ultimately to federally funded replica. Drawing on conservation theory, oral history, archival research, and an interview with Haida artist Sondra Segundo, I argue that the pole’s removal, replication, and continued display reflect broader patterns of settler colonialism …

Unveiling Legacies: Exploring And Analyzing Cultural Artifacts In The Higbee Collection, Samantha Staller

Williams Honors College, Honors Research Projects

Anthropology and the Cummings Center to find ways to properly analyze an archaeological collection's artifacts to understand the overall significance of everything better. Before starting my research, I came up with the following questions: Can any artifacts be considered culturally affiliated? Is everything in the collection authentic? What is the overall background of the collection? Does this collection have any connection to Ohio history? Can anything in the collection be dated? Throughout the research, I will create an Excel inventory list to include qualitative and quantitative data from the artifacts to give insight into what is included in the Higbee …

Kain Tayo, Ramier Villarama

Art and Art History Honors Projects

Kain Tayo (“Let’s eat!” in Tagalog) is a sculptural installation inspired by the Filipino tradition of Kamayan—a communal feast eaten with one’s hands and served on banana leaves. Using found and discarded objects, the work reimagines a shared dining experience as a celebration of cultural memory, sustainability, and participation. Each piece mimics traditional Filipino dishes like lumpia and lechon, inviting viewers to touch, rearrange, and reflect on the meaning of value, waste, and connection. This honors project merges my background in Studio Art and Environmental Studies, transforming everyday scraps into a joyful expression of identity and storytelling.

Wiring Attachment, Alexander K. Bacon

Theses and Dissertations

This thesis began with a question: can diagrams create understanding, or only reflect it? Through paintings that layer automotive wiring schematics with family photographs, I explore how the human attachment system resists easy mapping. Using digital tools like Photoshop and scanning, alongside analog methods such as papier-collé and photo transfer, I examine how systems built for clarity—like wiring diagrams—contrast with the layered, often messy realities of human relationships. Drawing from attachment theory’s empirical foundation, rather than the metaphorical leanings of psychoanalysis, my work investigates how emotional bonds form, falter, and repair over time. Material loss and layering are not flaws, …