Many Worlds Converge Here: Vision And Identity In American Indian Photography,
2013
University of Nebraska-Lincoln
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
School of Art, Art History, and Design: Theses and Student Creative Work
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20th and 21st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.
This thesis comprises two sections. In the first section, the analysis is focused on the historical …
Transformational Effects Of Museum Exhibits Upon Their Patrons: The National Underground Railroad Freedom Center,
2013
Indiana State University
Transformational Effects Of Museum Exhibits Upon Their Patrons: The National Underground Railroad Freedom Center, Cassandra Caruso-Woolard
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
Veronese’S Goblets: Glass Design And The Civilizing Process,
2013
Rhode Island School of Design
Veronese’S Goblets: Glass Design And The Civilizing Process, Pascale Rihouet, Theory & History Of Art & Design Department
Faculty & Librarian Work
Taking its cue from Veronese’s lavish Wedding at Cana (1563), this article explores the meanings of fine and ordinary glassware, focusing on the performative value of Renaissance goblets. Drinking vessels are analyzed here as tools for the gradual transformation of human behavior, or the ‘Civilizing Process’ that sociologist Norbert Elias expounded. In the mid-sixteenth century, new designs for fine glasses supported and shaped the proper conduct expected of guests and servants in banquets. Iconographic sources such as the exquisite wine cups depicted by Veronese, didactic literature and the objects themselves document the kind of challenges and expectations that handling glass …
Envisioning The Unseen: Sisyphos In Chthonic Landscapes,
2013
Washington University in St. Louis
Envisioning The Unseen: Sisyphos In Chthonic Landscapes, Elizabeth Graff Wolfson
All Theses and Dissertations (ETDs)
No abstract provided.
Weight Loss Methods And Eating Disorder Risk Factors In Collegiate Wrestlers,
2013
Indiana State University
Weight Loss Methods And Eating Disorder Risk Factors In Collegiate Wrestlers, Jessica Rea
All-Inclusive List of Electronic Theses and Dissertations
Purpose: The purpose of the study is to investigate the weight loss of collegiate wrestlers and assess their risk for eating disorders (ED). Methods: Wrestlers were recruited by contacting the athletic trainer (AT) at the institution they wrestled. ATs who agreed to participate were sent an electronic link containing a survey, 143 wrestlers provided usable data. The survey was created from two surveys one allows the athlete to describe his eating behaviors and the ATHLETE questionnaire which measures risk for ED. We analyzed the data using descriptive statistics and frequencies. Results: 76.6% of wrestlers indicated binge eating; eating behaviors are …
The Effect Of External Ankle Support On Football Specific Performance Tests And The Perception Of The Athletes That Wear Them,
2013
Indiana State University
The Effect Of External Ankle Support On Football Specific Performance Tests And The Perception Of The Athletes That Wear Them, Matthew Cutts
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
Levels Of Selection In A Polymorphic Species,
2013
Indiana State University
Levels Of Selection In A Polymorphic Species, Marisa L. Korody
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
Validity Of Instrument Assisted Soft Tissue Mobilization For Detecting Myofascial Adhesions Through Secondary Diagnostic Ultrasound Analysis,
2013
Indiana State University
Validity Of Instrument Assisted Soft Tissue Mobilization For Detecting Myofascial Adhesions Through Secondary Diagnostic Ultrasound Analysis, Kaitlyn Silbaugh
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
K-12 System Reforms Across Studies: The Significance Of Change, Meta-Analysis, And Logistics Regression,
2013
Indiana State University
K-12 System Reforms Across Studies: The Significance Of Change, Meta-Analysis, And Logistics Regression, Mashal Almutairi
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
All-Nighter 2013,
2013
Rhode Island School of Design
All-Nighter 2013, Students Of Risd, Risd Archives
All Student Newspapers
All-Nighter was a digital student publication that began in 2011 as all-nighter.com. The Spring 2013 issue is the only known print issue. It contains writing previously published online as well as new content. Highlights include photographs from Senior Open Studios; articles on the Quad mosaics, community gathering spaces, the timing of Thanksgiving break, Saturday night dinner parties in Ewing House, dining employees around campus, how Mike Fink saved Carr House, and the trouble with summer subletting; as well as comics by Maddy Trower, Jackie Ferrentino, and Casey Roonan.
The Effect Of Laser Therapy On Baseball Pitchers,
2013
Indiana State University
The Effect Of Laser Therapy On Baseball Pitchers, Connor Barnes
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
Chronicles Of Revolution And Nation: El Taller De Gráfica Populars 'Estampas De La Revolución Mexicana' (1947),
2013
University of New Mexico
Chronicles Of Revolution And Nation: El Taller De Gráfica Populars 'Estampas De La Revolución Mexicana' (1947), Mary Theresa Avila
Art & Art History ETDs
This dissertation concentrates on the key 1947 portfolio Las Estampas de la Revolución Mexicana' ('Prints of the Mexican Revolution') produced by El Taller de Gráfica Popular (The Popular Graphics Workshop) or TGP, a graphic art collective founded in Mexico City in 1937. The album's eighty-five prints recount Mexican history from the l870s to the 1940s, as well as address the human condition and denounce social and civil injustices. These images are anchored in the diverse narratives and legacies of the Mexican Revolution (1910 and 1920). My analysis of the visual, textual, and historical components in the TGP's 1947 portfolio, a …
The Delaware Indians And The Development Of Prairie-Style Beadwork,
2013
University of New Mexico
The Delaware Indians And The Development Of Prairie-Style Beadwork, Denise Neil-Binion
Art & Art History ETDs
At the time of European contact, the Native Americans of North America had a long-standing tradition of decorating their clothing and other objects of personal adornment. This activity extended beyond ornamentation to encompass significant cultural practices associated with their concepts of well-being and wealth. The coming of the white man to North America had immediate and far-reaching impact on the Indians that included their manner of dress as they incorporated trade goods such as glass beads and woven cloth into their clothing. The Delaware were regarded as the grandfathers or original people' by the Eastern Woodlands Indians. The story of …
Spaces Of Japonisme And The Art Of Whistler, Van Gogh, And Monet: Collecting, Decoration, And The Japanese Other,
2013
Washington University in St. Louis
Spaces Of Japonisme And The Art Of Whistler, Van Gogh, And Monet: Collecting, Decoration, And The Japanese Other, Diane Marie Towle
All Theses and Dissertations (ETDs)
The belongings a person surrounds himself with can be physical representations of his interior life and social aspirations. Many avant-garde artists in late nineteenth-century Europe collected Japanese art, particularly woodblock prints, and used this art to decorate their living spaces. In this dissertation, I studied the collections and decorations of Whistler, Van Gogh, and Monet, and analyzed their art to discover how they used ideas from Japanese art and their understanding of Japanese culture to define their artistic identities and to develop a decorative vision, moving away from spaces defined by linear perspective and tonal indications of volume, and toward …
Through The Body: Corporeality, Subjectivity, And Empathy In Contemporary American Art,
2013
Washington University in St. Louis
Through The Body: Corporeality, Subjectivity, And Empathy In Contemporary American Art, Elissa Yukiko Weichbrodt
All Theses and Dissertations (ETDs)
This dissertation considers the relationship between embodied experience, subjectivity, and empathy expressed in artworks created and exhibited in New York in the early 1990s and linked with identity politics. I focus on works that represented or evoked bodies and elicited viscerally somatic responses from viewers. As I demonstrate, the multicultural and post-structuralist interpretive frameworks applied to these artworks hinged on implicitly antagonistic notions of subjectivity which undercut the works' affective potential. In particular, such models disregarded the powerful epistemological import of corporeality in favor of discursive constructions. Through three paired case studies, I investigate how these artists engaged with emerging …
Body As A Vessel,
2013
Indiana State University
Proceed To Olympus: The Iconography Of The Return Of Hephaestus,
2013
Hollins University
Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly
Hollins Student Conference (2012-2016)
The mythological story of Hephaestus’ return to Mount Olympus exists in fragmentary literary accounts which are augmented by a pictorial record. Working backward from Classical images of Hephaestus’ return, the François Vase manifests as the primary source of the depiction’s overall composition. Examination of sixty-three vases featuring the return as published in the Lexicon Iconographicum Mythologiae Classicae reveals certain themes cycling through over the course of the 6th and 5th centuries BCE. By creating a timeline of these images, deductive reasoning establishes the François Vase as the iconographic prototype. Later images expand or abbreviate its motifs as they simultaneously reflect …
Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions,
2013
University of San Francisco
Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman
Creative Activity and Research Day - CARD
Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.
Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal,
2013
University of Nebraska-Lincoln
Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie Jo Niang
Interior Design Program: Student Creative Activity
Baye Fadioul Niang described himself as a traditional European designer of wood furniture, doors, and trim. In 1945, at age 22, Fadioul began designing furniture as an apprentice in the state labor department of Kaolack. He settled in Dakar, where Fadioul not only designed and constructed furniture, but was a popular informal educator in the business. His furniture shop became a center for education in Menuserie and Ebenisterie, which is the art of furniture making. In 2005 Fadioul retired from furniture making because of deteriorating eyesight. Includes photos taken in February 2013 in Dakar, Senegal.
Bearing Likeness,
2013
Claremont Graduate University
Bearing Likeness, Christine M. Salama
CGU MFA Theses
The world is saturated with images and things. I have chosen to put more images and things into the world. In doing so, I complicate and further saturate these connections, but I also find clarity and answers through the mark, the gesture, the image, and material. I make marks with materials that are closely related to the meanings of the things I depict. The images and objects I make are ones that I know and understand because they are close to me, but the process of making leaves room for inquiry and unfamiliarity with these same objects.
I am guided …
