History of Art, Architecture, and Archaeology Commons^™

Spaces Of Japonisme And The Art Of Whistler, Van Gogh, And Monet: Collecting, Decoration, And The Japanese Other, Diane Marie Towle

All Theses and Dissertations (ETDs)

The belongings a person surrounds himself with can be physical representations of his interior life and social aspirations. Many avant-garde artists in late nineteenth-century Europe collected Japanese art, particularly woodblock prints, and used this art to decorate their living spaces. In this dissertation, I studied the collections and decorations of Whistler, Van Gogh, and Monet, and analyzed their art to discover how they used ideas from Japanese art and their understanding of Japanese culture to define their artistic identities and to develop a decorative vision, moving away from spaces defined by linear perspective and tonal indications of volume, and toward …

Through The Body: Corporeality, Subjectivity, And Empathy In Contemporary American Art, Elissa Yukiko Weichbrodt

All Theses and Dissertations (ETDs)

This dissertation considers the relationship between embodied experience, subjectivity, and empathy expressed in artworks created and exhibited in New York in the early 1990s and linked with identity politics. I focus on works that represented or evoked bodies and elicited viscerally somatic responses from viewers. As I demonstrate, the multicultural and post-structuralist interpretive frameworks applied to these artworks hinged on implicitly antagonistic notions of subjectivity which undercut the works' affective potential. In particular, such models disregarded the powerful epistemological import of corporeality in favor of discursive constructions. Through three paired case studies, I investigate how these artists engaged with emerging …

Body As A Vessel, Matt Chenoweth

Department of Art and Design

No abstract provided.

Proceed To Olympus: The Iconography Of The Return Of Hephaestus, Catherine Hensly

Hollins Student Conference (2012-2016)

The mythological story of Hephaestus’ return to Mount Olympus exists in fragmentary literary accounts which are augmented by a pictorial record. Working backward from Classical images of Hephaestus’ return, the François Vase manifests as the primary source of the depiction’s overall composition. Examination of sixty-three vases featuring the return as published in the Lexicon Iconographicum Mythologiae Classicae reveals certain themes cycling through over the course of the 6th and 5th centuries BCE. By creating a timeline of these images, deductive reasoning establishes the François Vase as the iconographic prototype. Later images expand or abbreviate its motifs as they simultaneously reflect …

Exploring The Problem We All Live With: The Motivation And Ambition Behind Norman Rockwell’S Civil Rights Depictions, Kelly Richman

Creative Activity and Research Day - CARD

Using Norman Rockwell’s The Problem We All Live With (1964) a Civil Rights-era depiction of the integration of black and white students in 1960, I argue that Rockwell chose to portray Civil Rights themes in order to make an altruistic plea for equality. To demonstrate my claim, I have researched academic sources, journal articles that explore Rockwell’s views and painterly approach to race, and documents of important political events of the Civil Rights Movement. Through this research, I use textual evidence to conclude that Norman Rockwell was genuinely committed to promoting Civil Rights in his work.

Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie Jo Niang

Interior Design Program: Student Creative Activity

Baye Fadioul Niang described himself as a traditional European designer of wood furniture, doors, and trim. In 1945, at age 22, Fadioul began designing furniture as an apprentice in the state labor department of Kaolack. He settled in Dakar, where Fadioul not only designed and constructed furniture, but was a popular informal educator in the business. His furniture shop became a center for education in Menuserie and Ebenisterie, which is the art of furniture making. In 2005 Fadioul retired from furniture making because of deteriorating eyesight. Includes photos taken in February 2013 in Dakar, Senegal.

Bearing Likeness, Christine M. Salama

CGU MFA Theses

The world is saturated with images and things. I have chosen to put more images and things into the world. In doing so, I complicate and further saturate these connections, but I also find clarity and answers through the mark, the gesture, the image, and material. I make marks with materials that are closely related to the meanings of the things I depict. The images and objects I make are ones that I know and understand because they are close to me, but the process of making leaves room for inquiry and unfamiliarity with these same objects.

I am guided …

Crooked And Narrow Streets, Amy Johnson

Art Faculty Scholarship

In The Crooked and Narrow Streets of the Town of Boston (1920), historian and social reformer Annie Haven Thwing documents the development of Boston's streets in the seventeenth and eighteenth centuries. She illustrates her text with stock photographs depicting these ancient alleys lined with nineteenth-century tenement buildings. This juxtaposition of colonial and modern Boston through text and image privileges the city as a historical site, significantly doing so at a time when Bostonians were grappling with the concerns of twentieth-century urbanism, such as overcrowding, urban reform, and historic preservation.

Lessons In Playing: Robert Morris’ Bodyspacemotionthings As A Biopolitical Environment, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk

Academic Symposium of Undergraduate Scholarship

No abstract provided.

The Ambiguous Graveyard: Religious Sympathy And Erotic Desire In Sir John Everett Millais's The Vale Of Rest, Greg W. Spangler

School of Art, Art History, and Design: Theses and Student Creative Work

The Vale of Rest, 1859, despite or because of its oddities—two nuns digging a grave—was in its own day understood as a touchstone for Sir John Everett Millais and his career. Its critical reception in 1859 was hostile, with charges of “ugliness,” but by 1897, it was hanging in the Tate museum. Scholars and biographers have accordingly seen it as a turning point in Millais’s abandonment of Pre-Raphaelite realism for a more aestheticized and bourgeois style. The subject of nuns has led other scholars to investigate Millais’s sympathies with the Oxford Movement, the midcentury effort to reform the Anglican …

A Temple Of Pleasure, A Temple Of Art: The Structural And Social Veneers Of Opulence In Charles Garnier's Paris Opéra, Sarah W. Parker

Student Publications

At the height of opulence in Second Empire France, Napoléon and Haussmann’s restructuring of Paris called for the construction of a new opera house, selecting from a smorgasbord of competitors the architectural design of the virtually unknown Charles Garnier. The plan employed all manner of techniques in order to present its decoration and composition as a veritable litany of formal styles, combining the Neoclassical with the Néobaroque, all with an affinity for the Beaux-Arts. Garnier’s vision implements modern technologies, while also rediscovering classic methods, and utilizes atypical materials to achieve classic ends, ultimately establishing the space as truly eclectic masterpiece, …

Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna

Scripps Senior Theses

Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and to …

Danger In Deviance: Colonial Imagery And The Power Of Indigenous Female Sexuality In New Spain, Mariel Frechette

Scripps Senior Theses

The primary objective of this work is to understand the importance of the indigenous, female body in early New Spain through the study of visual media from the first two centuries of colonization: specifically looking at illustrations from Book 10 (of 15) in the Florentine Codex and images of indigenous Christian wedding ceremonies such as the painted folding screen Indian Wedding and a Flying Pole (c.1690). I argue through visual, theoretical and historical analysis that regulating indigenous female sexuality was a critical component to in the creation of colonial New Spain and that imagery played an essential role in this …

Clay-Potter Imagery In The Bible: Theological And Practical Implications For Daily Christian Life, Karl Stelzer

Doctoral Dissertations and Projects

God, the Master Potter, uses clay-potter imagery to explain spiritual truth. These passages are ignored, explained superficially, or misinterpreted and have not had the divinely intended impact. Theologically, doctrines of Theology Proper, Bibliology, and Anthropology have been compromised. Practically, the Holy Spirit has been hindered. To demonstrate the need for clay-potter instruction, research will include a comparative analysis of information gathered through questionnaires to churches that have held a clay-potter conference and those that have not, and an examination of written material and popular presentations. This author combines professional pottery expertise and biblical training to present accurate exposition. This thesis …

Along The Tokaido With Two Brushes (2013), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"This book is a student version of a scholarly catalog – it was written by RISD students to accompany the Japanese prints’ exhibition they have curated at the RISD Museum as the final project for 2013 spring semester course in art history. The idea of the course was to put emphasis on active learning from objects – not only through looking at the originals and analyzing them during visits to the museum but by trying a hand at various responsibilities of a museum curator. The Department of Prints, Drawings and Photographs of the RISD Museum welcomed this experimental course and …

Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

After Greenberg's famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market. (Gaywood 1997) Here Picasso and cultural appropriation were supplanted by Marcel Duchamp and the readymade. The products of art became completely non-native on all fronts, the world so reflected was postcultural. In that sense, cultural appropriation was no longer an aesthetic, it was a commodity for production, and as much as possible, production by machines. The form of such commodity, of Pacific Islander cultures, was highly variable, from a 17th century English play by John Clarke, to …

Wpa Projects In Anaheim, Ca, During The Great Depression, Laura Enomoto

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The Works Progress Administration (WPA), served as a catalyst for public works programs, specifically in the area of providing work to the unemployed. In cities all over the nation, the WPA provided grants that either paid employees directly or allocated funds to private firms. These programs were fundamental not only to the individuals they employed, but to the future of the cities themselves. Through the construction of public buildings, art projects, parks, and roads, American cities endured, remained intact, and even flourished as a result of the WPA.

The Genealogical Series In The Late Middle Ages: A Survey Of The Importance Of Lineage For Dynastic Power, Skye Cornelia

Undergraduate Student Research Awards

No abstract provided.

Standing Nude: The Academic Influence In Figural Works By Henri-Edmond Cross, Callie Jackson

Theses and Dissertations

The available scholarship on Henri-Edmond Cross (1856-1910) focuses on his later Divisionist landscape paintings, giving little attention to his academic years and figural works. This study reviews the artist's formative years by looking at an academic figure study held in the Arkansas Arts Center collection entitled Standing Nude. To attribute a date to the sketch, it will be considered three ways: the figure, the cross-hatching technique and role of the model in the oeuvre of Cross. The suggested date will illustrate that Cross was not only working within the non-traditional movement of Neo-Impressionism, but that he also possessed academic training.