History of Art, Architecture, and Archaeology Commons^™

Imperialism, Economics And Sacred Experience In The Golden Mosaics Of San Marco, Alexandra Steadman

Art Journal

No abstract provided.

The Places Between Events: “Architectural Interest” And The Shifting Cultural Definition Of America In Stephen Shore’S Uncommon Places, John Ronalter

Art Journal

No abstract provided.

The Significance Of Walker Evans’ Many Are Called In Two Distinct Moments, Margaret North

Art Journal

No abstract provided.

The Impropriety, Informality And Intimacy In Vigee Le Brun's Marie Antoinette En Chemise, Kelly Hall

Art Journal

No abstract provided.

Gino Severini's Dancers And His Theatrical Milieu, Maria Haidinger

Art Journal

No abstract provided.

Prostitution And Prayer: An Examination Of Ruega Por Ella From Francisco Goya’S Los Caprichos, Eileen Donovan

Art Journal

No abstract provided.

Art Journal 2014 - Bound

Art Journal

No abstract provided.

The Life And Status Of Women In Achaemenid Persia, Erika Mikkelson

Posters, Presentations, and Papers

“The Life and Status of Women in Achaemenid Persia” aims to understand and explain Persian culture in light of the story of Esther and to dispose of presuppositions that may have arisen from misunderstandings of Jewish culture. Understanding this information gives us a better picture of how women lived within the palace thereby facilitating an understanding of how Esther may have lived. To accomplish this, the Persepolis Fortification Tablets, resources that examine the archeological structure and composition of the Palace in Persepolis, and current studies on women in Persia have been explored. The Persepolis Fortification Tablets provide information on transactions …

Observance: A Record Of Experiments, Olivia L. Mosley

Undergraduate Theses—Unrestricted

Thesis writing on the work of Olivia Mosley, Bachelor of Fine Arts candidate in Printmaking at Washington University in St. Louis. Engaging with a diverse history of photography and observation through the theoretical writings of Barthes, Berger, Didi-Huberman and others, Mosley conducts a series of visual experiments as part of her art practice in an attempt to expand her visual knowledge. Exploring the concepts of visualization, observation and the role technology plays in both of the aforementioned activities, Mosley’s work is discussed alongside the visual contributions of scientists, artists and hobbyists experimenting with the photographic medium throughout history, including, Wilhelm …

Story Guided Virtual Cultural Heritage Applications, Selma Rizvic

Journal of Interactive Humanities

Virtual cultural heritage applications, particularly virtual museums, nowadays include various forms of storytelling. Every object, site or artifact is better perceived and understood through the adjoining story. Interactive applications naturally request the storytelling to become interactive as well. This paper describes the concepts of interactive digital storytelling in our virtual museums and cultural heritage presentations and discusses their advantages and drawbacks recognized through user evaluation. We used digital stories not only to introduce visitors with the context and information on the objects, but also to enhance their navigation through virtual environments with purpose of learning and perceiving maximum amount of …

To Drip Or To Pop? The European Triumph Of American Art, Catherine Dossin

Artl@s Bulletin

This paper considers the so-called triumph of American art from the perspective of what Western Europeans could actually see and know of American art at the time. Relying on a database of exhibitions, purchases, and publications of American art in Western Europe from 1945 to 1970 created in the framework of Artl@s, it reconstructs the precise chain of events and circulations that marked the dissemination and reception of American art in Europe. It consequently draws a more refined and complex understanding of postwar artistic exchanges out of the entangled historical perspectives of the European peripheries, which challenges the retrospectively dominating …

Italian Art In Yugoslavia From 1961 To 1967: An Overlooked Chronicle, Giovanni Rubino

Artl@s Bulletin

In the 1950s and 1960s, the relationship between Italy and the Socialist Federal Republic of Yugoslavia improved despite the Cold War. For the Italian artists involved in the New Tendencies, this new situation provided opportunities for recognition as an alternative to Art Informel, the dominant style in the international art market. Getulio Alviani, Enzo Mari and Eugenio Carmi, are three of the key Italian artists in this period who exhibited in Yugoslavian museums and galleries. Using new archival material, this paper sheds light on a unique postwar revival of Constructivism within a peripheral artist network far from New York and …

To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux

Artl@s Bulletin

How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …

Modernism, Seen From Prague, March 1937, Derek Sayer

Artl@s Bulletin

Focusing on the period 1890-1939, this paper explores exchanges between three generations of Prague artists and international—especially Parisian—avant-gardes. Documenting the extraordinary receptiveness of Prague to modernism, particularly in the applied arts, it argues for a thorough rethink of the conceptual geographies of art history.

The Uses And Abuses Of Peripheries In Art History, Béatrice Joyeux-Prunel

Artl@s Bulletin

Introduction to the Artl@s Bulletin's issue on "Peripheries" (vol. 3, issue 1).

Manuel De La Cruz Gonzalez: Transnationalism And The Development Of Modern Art In Costa Rica, Lauran Bonilla-Merchav

Dissertations, Theses, and Capstone Projects

While scholars are increasingly scrutinizing twentieth-century Latin American art and inserting it into the canon of modern art history, studies of the region usually leap from Mexico to South America, skipping Guatemala, El Salvador, Honduras, Belize, Nicaragua, Costa Rica, and Panama. This is not due to a lack of dedicated artistic effort in the isthmus, but rather to poor cultural infrastructure, which made being a modern artist in the region particularly challenging, and the underdeveloped state of local art histories, which have yet to traverse national borders. This oversight of Central American art makes it difficult to grasp the full …

Saudi Aramco And The Politics Of Cultural Heritage, Anahid Hanounik Huth

Dissertations, Theses, and Capstone Projects

Culture Heritage in recent decades has become a catch word within world discourse. It is increasingly receiving generous attention in both money and time form private and public sectors on preservation policy. The application of so-called preservation and restoration projects, the alleged care for Cultural Heritage, has become a motive and battle cry of UNESCO, World Bank, private companies, banks, NGOs, European Council, and Western governments' foreign policy. This leads us to ask what is behind this increasing attention, and whether we should see it as Christina Luke 2013 suggested in her article--is Heritage increasingly being seen as a soft …

From Berlin To Broadacres: Central European Influence On American Visionary Urbanism, 1910-1935, Margaret Herman

Dissertations, Theses, and Capstone Projects

In the 1920s and 1930s, Eliel Saarinen, Richard Neutra, and Frank Lloyd Wright each designed plans for real and imagined American cities. Saarinen's Chicago and Detroit plans of 1923-1924, Neutra's Rush City Reformed of 1926, and Wright's Broadacre City of 1935 are stylistically unique but all contain a similar fascination with hypothetical transportation networks and high-speed expansion that reflect a common relationship to the development of urban planning as a discrete field in Berlin and Vienna around 1910.

This dissertation will highlight several features of turn-of-the-century Central European planning that played an outsize role in the development of these visionary …

Households, Landscapes, And Post-Collapse Continuity In Postclassic Jalieza, Valley Of Oaxaca, Mexico, Elise Marie Maragliano

Dissertations, Theses, and Capstone Projects

Through the lens of household and landscape archaeology, this dissertation examines an Early Postclassic archaeological site located in Jalieza in the Valley of Oaxaca, Mexico. The analysis reviews data collected during an intensive archaeological field survey consisting of mapping and systematic surface collection. The site of Postclassic Jalieza is compared with other Postclassic sites in the Valley, as well as with the Early Classic and Late Classic settlements at Jalieza. The Postclassic component at Jalieza is a single time-period occupation restricted to the Early Postclassic, thus presenting a rare glimpse into this turbulent and little understood episode in the history …

Paris And Havana: A Century Of Mutual Influence, Laila Pedro

Dissertations, Theses, and Capstone Projects

This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …