Roma In Lima: Italian Renaissance Influence In Colonial Peruvian Painting,
2014
CUNY Graduate Center
Roma In Lima: Italian Renaissance Influence In Colonial Peruvian Painting, Christa Irwin
Dissertations, Theses, and Capstone Projects
The full extent of the long-lasting presence of the Italian Renaissance in colonial Lima has never been explored. This dissertation asserts that the Italian impact on painting in colonial Lima was connected to the authority of Rome, the center of the Catholic Church, and the artistic prestige of Italy in the culture of the sixteenth century. The Italian influence will be made evident through a survey of the careers of three Italian painters, Bernardo Bitti (1548-1610), Mateo Pérez de Alesio (1547-1616), and Angelino Medoro (1567-1631), who traveled to Lima in the end of the sixteenth century and went on to …
If You See Something, Say Something: A Look At Experimental Writing On Art,
2014
CUNY Graduate Center
If You See Something, Say Something: A Look At Experimental Writing On Art, Charlotte Lucy Latham
Dissertations, Theses, and Capstone Projects
Signs all over New York City state, "If you see something, say something," but museum studies repeatedly find viewers do not attend to pictures, just as eye witness testimony is invariably skewed. Ways of seeing have been limited to known ways of discussing. Alternative approaches offer new insights. The first section, "Experiments in Art Writing," examines two texts: T.J. Clark's The Sight of Death, a journal of his daily visits looking at two Poussin paintings, for which he maintains the ambiguity of exploration and argues to keep visual images from their dissolution into political symbols; and, Charles Simic's Dime Store …
Changing Identities In A Changing Land: The Romanization Of The British Landscape,
2014
CUNY Graduate Center
Changing Identities In A Changing Land: The Romanization Of The British Landscape, Thomas Ryan
Dissertations, Theses, and Capstone Projects
This thesis will examine the changes in the landscape of Britain resulting from the Roman invasion in 43 CE and their effect on the identities of the native Britons. Romanization, as the process is commonly called, and evidence of these altered identities as seen in material culture have been well studied. However, the manifestations of this process in the landscape have been less well examined. Applying current theories in landscape archaeology, the Selsey peninsula oppidum of the Atrebates and two hillforts of the Durotriges, sites that have been well excavated and examined, will be the focus of this thesis. The …
Disseminating Devotion: The Image And Cult Of The Black Christ In Colonial Mexico And Central America,
2014
CUNY Graduate Center
Disseminating Devotion: The Image And Cult Of The Black Christ In Colonial Mexico And Central America, Elena Fitzpatrick Sifford
Dissertations, Theses, and Capstone Projects
Following the conquest of Mexico in 1521, Spanish conquerors and friars considered it their duty to bring Christianity to the New World. Even before the task of conversion began, they introduced Christian images, like the cross, to the native peoples they first encountered. Eventually, local artists began to create the sacred objects.
This study is the first in-depth, art historical inquiry into the significance of the most prominent Black Christ crucifix images and cults in various regions of Mexico and Central America from the sixteenth to early nineteenth century. It traces the origin and history of the Black Christ, often …
A Feminist Inheritance? Questions Of Subjectivity And Ambivalence In Paul Mccarthy, Mike Kelley And Robert Gober,
2014
CUNY Graduate Center
A Feminist Inheritance? Questions Of Subjectivity And Ambivalence In Paul Mccarthy, Mike Kelley And Robert Gober, Marisa White-Hartman
Dissertations, Theses, and Capstone Projects
Feminist art of the 1970s was groundbreaking in many regards and importantly impacted specific projects by three male artists: Paul McCarthy's performance Sailor's Meat (1975), Mike Kelley's installation Half a Man (1989) and Robert Gober's 1989 installation at the Paula Cooper Gallery. Despite the general absence of feminist artists as possible influences in the critical literature on these artists, feminist sources have been hidden in plain sight in regards to these works. These artists all take up the problematic of identity formation within the domestic sphere, which was made a legitimate area of inquiry in art by numerous feminist artists …
Dynamics And Divisions At The Salons Of The Rose-Croix: Statistics, Aesthetic Theories, Practices, And Subjects,
2014
CUNY Graduate Center
Dynamics And Divisions At The Salons Of The Rose-Croix: Statistics, Aesthetic Theories, Practices, And Subjects, Mary Slavkin
Dissertations, Theses, and Capstone Projects
A variety of alternative Salons arose in France following the demise of the official Salon. Within this phrenetic climate for alternative exhibition venue creation, Joséphin Péladan founded the Salons of the Rose + Croix (1892-1897). He framed the Salons as ideologically unified exhibitions at which idealized works focusing on spirituality, tradition, and beauty would engender social reform by encouraging a decadent society to focus on timeless poetic and mystical ideas. Nevertheless, in practice the Rose + Croix functioned mainly as an exhibition venue for artists whose work only loosely responded to the established platform. The exhibited works reveal some overlap …
The Art Of The Commonplace: Found Sounds In Compositional Practice,
2014
CUNY Graduate Center
The Art Of The Commonplace: Found Sounds In Compositional Practice, Jennifer Stock
Dissertations, Theses, and Capstone Projects
This dissertation contains a historical analysis of the emergence of found sounds or everyday noises as a compositional strategy in Western art music through the first half of the 20th century. Pioneering works are examined to determine the motives and aesthetic goals that first led composers to bring noise to the musical surface, including the avant-garde collaboration Parade, Futurist noise experiments, and Pierre Schaeffer's early work with musique concrète. These early works are used to create two analytical spectra with which to analyze contemporary pieces that incorporate founds sounds with instrumental music: one spectrum that considers the level of integration …
Infrastructure, Production, And Archive: American And Japanese Video Art Production Of 1960s And 1970s,
2014
CUNY Graduate Center
Infrastructure, Production, And Archive: American And Japanese Video Art Production Of 1960s And 1970s, Ann Atsuko Adachi
Dissertations, Theses, and Capstone Projects
Focusing a study on the infrastructure of artistic production and maintenance opens a space in which to examine the relationship between artistic inspiration and knowledge making, the occurrences and the writing of its history. In the case of the comparative study of the emergence of Japanese and American video art, common artistic technique employed may indicate motivations derived from the technical possibility of the video medium, while the study of infrastructure demonstrates how large-scale funding, formation of archives, the establishment of systems of distribution and channels of education affect the emergence and development of video art as a genre. This …
Standard Deviations: Reality, Reproducibility, And Politics In Performance Art Since 1989,
2014
CUNY Graduate Center
Standard Deviations: Reality, Reproducibility, And Politics In Performance Art Since 1989, Jonah Westerman
Dissertations, Theses, and Capstone Projects
Performance art is conventionally seen as having a privileged relation to reality because of the way it insists on the immediate experiences of specific human bodies, the full depth of which can never be adequately reproduced or captured. This understanding of performance as accessing authenticity through ephemerality has long made it a stage for artistic and political subversion. Since the early 1990s, however, a group of European artists responding to processes of globalization that have changed the nature of political economy--the demise of the Soviet Union, NAFTA, and new regulations concerning trade and travel in the E.U.--have developed performance strategies …
Salvaging Print: Letterhead In Post-Industrial Urban America,
2014
Loyola University New Orleans
Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins
The Mid-America Print Council Conference
This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.
Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …
Ancient Maya Regional Settlement And Inter-Site Analysis: The 2013 West-Central Belize Lidar Survey,
2014
University of Nevada, Las Vegas
Ancient Maya Regional Settlement And Inter-Site Analysis: The 2013 West-Central Belize Lidar Survey, Arlen F. Chase, Diane Z. Chase, Jaime J. Awe, John F. Weishampel, Gyles Iannone, Holley Moyes, Jason Yaeger, Kathryn Brown, Ramesh Shrestha, William Carter, Juan C. Fernandez-Diaz
Anthropology Faculty Research
No abstract provided.
Petition Of Prisoners In Worcester Jail To Extend The Prison Yard, September 8, 1784.,
2014
Wofford College
Petition Of Prisoners In Worcester Jail To Extend The Prison Yard, September 8, 1784., Elijah Isaacson, George Shayer, Jacob Ellison, Henry Chase, Jonathan Willington, Daniel Novell, Asa Danforth, Matthew Knight
Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection
The prisoners ask that the prison yard at Worcester jail be extended to accomodate the increasing number of prisoners.
Expanding Art's Audience,
2014
Minnesota State University, Mankato
Expanding Art's Audience, Tony Connors
Journal of Undergraduate Research at Minnesota State University, Mankato
This paper investigates the need for contemporary art museums to expand their audience to fit their role as educational institutions. It is based on research that looks at ways museums have typically been operated in the past and then focuses on newer modes of operation, using the Brooklyn Museum as an example of a museum that educates and reaches a greater audience. Lastly, the paper looks at how particular artists have broken the mold of presenting art in order to interact with and relate to audiences in new ways. This research explains ways that art can be made accessible to …
A Comparison Of Teacher Perceptions Of Principal Leadership Actions In Highly Effective Schools As Measured By The Audit Of Principal Effectiveness,
2014
Indiana State University
A Comparison Of Teacher Perceptions Of Principal Leadership Actions In Highly Effective Schools As Measured By The Audit Of Principal Effectiveness, Michael Stephens
All-Inclusive List of Electronic Theses and Dissertations
The role of the principal has never been as multi-faceted or as scrutinized as it is in today’s schools. Principals are looked to for leadership and guidance in the processes, communications, relationships, instructions, and curriculum of today’s schools. Marzano (2013) listed 21 responsibilities of the principal of today. Principals of today wear many hats and are looked to have knowledge and skills beyond the scope of leaders in many other professions. The purpose of the quantitative study was to examine the perceptions of the teachers in Indiana high schools pertaining to their principal’s level of effectiveness as measured by the …
Flax Fibre: Innovation And Change In The Early Neolithic; A Technological And Material Perspective,
2014
University College London
Flax Fibre: Innovation And Change In The Early Neolithic; A Technological And Material Perspective, Susanna Harris
Textile Society of America: Symposium Proceedings
Flax (Linum sp.) was one of the first domestic plants in Neolithic Europe, providing a potential cultivable source of fibres for the first farmers. As the plant provides both oil and fibre, it is a matter of enquiry as to whether the plant was first domesticated for its seeds or stem. Through examining new data collected by the EUROEVOL Project, UCL it is possible to chart the earliest archaeobotanical evidence for flax species in Europe. This provides the basis on which to consider the origin of fibres from the flax plant (linen) as a basis for change and innovation …
Rethinking Visual Resources Centers In The Digital Age: Case Studies At The University Of Georgia And The University Of Michigan,
2014
University of Louisville
Rethinking Visual Resources Centers In The Digital Age: Case Studies At The University Of Georgia And The University Of Michigan, Courtney Baron, Molly Schoen
Faculty and Staff Scholarship
Visual Resource Centers are facing many challenges—and opportunities—in the wake of the digital era. Since their beginnings as slide libraries, many VRCs have had missions across college campuses to serve the image needs of faculty in art-related fields. More recently, visual resources professionals have guided faculty and other colleagues into the digital era by providing digitization services and support. But as faculty and other clientele have become more tech-savvy over the years, and as high quality art images have become more readily available than ever before, the fate of VRCs and similar departments is at risk. In order to stay …
Tall Hisban,
2014
Andrews University
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York,
2014
Seton Hall University
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor
Seton Hall University Dissertations and Theses (ETDs)
New York City's most recognizable museums like the Metropolitan Museum of Art and the American Museum of Natural History came to prominence in the second half of the nineteenth century thanks to the support of wealthy benefactors. At the same time, social reformers, mostly Protestant and middle or upper-class, were combating the vice and poverty that they saw in the diversifying city with a moralizing rhetoric of character building. This paper will show that these two movements, the rise of Philanthropic Museums and the Social Reform movement were connected and that the large temple-like museums that thrive to this day …
Reflections On Canvas: Caravaggio And The Development Of Optical Stype,
2014
Minnesota State University, Mankato
Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper
Journal of Undergraduate Research at Minnesota State University, Mankato
At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in …
Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement,
2014
Minnesota State University, Mankato
Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert
Journal of Undergraduate Research at Minnesota State University, Mankato
The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop artist …
