History of Art, Architecture, and Archaeology Commons^™

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Photography of Personal Adornment, by Robert K. Liu, reviewed by Alice Scherer

Beads from Jablonec: A History in Beads, by Floor Kaspers, reviewed by Margret Carey

Journal: Borneo International Beads Conference 2015, edited by Heidi Munan and Anita MacGillivray, reviewed by Ann Armstrong

The Face Of Our Wartime, Sharon Sliwinski

Data and Test Instruments

This paper considers a turn toward portraiture amongst contemporary photojournalists who have covered the War on Terror. A series of wartime faces is examined in order to consider the way prolonged conflict flattens our visual landscape.

Beautiful Forms And Compositions Are Not Made By Chance: Exploring The Efficacy Of Portable X-Ray Fluorescence To Sort And Source English Lead Glazed Ceramics, Steven J. Sarich

Dissertations, Master's Theses and Master's Reports - Open

Advances in portable X-ray fluorescence (pXRF) technology have made it a viable option for the non-destructive exploration of the underlying chemical composition of ceramic artifacts for the purposes of classification. However, because the literature regarding the use of this instrument on historic artifacts is limited, it is necessary to begin with a broad scale exploratory assessment that might act as a jumping off point for future studies on this topic. Toward that end, this research uses a collection of British and Continental European ceramics ranging from 1650-1920, owned and curated by the Chipstone Foundation in Fox Point, WI, to explore …

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.

Nietzsche's Antichrist: The Birth Of Modern Science Out Of The Spirit Of Religion, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche argued that the Greeks were in possessions of every theoretical, mathematical, logical, and technological antecedent for the development of what could be modern science. But if they had all these necessary prerequisites what else could they have needed? Not only had the ancient Greeks no religious world-view antagonistic to scientific inquiry, they also lacked the Judeo-Christian promissory ideal of salvation in a future life (after death). Subsequently, when Greek culture had been irretrievably lost, what Nietzsche regarded as the "decadent" Socratic ideal of reason ultimately and in connection with the preludes of religion and alchemy developed into modern science …

Joseph’S Dream In The Thomson Collection: Reconsidering The Reconstruction Of The Infancy Of Christ Window From Suger’S Saint-Denis, Michael Watt Cothren

Art & Art History Faculty Works

No abstract provided.

Statecraft: Vandalism And Iconoclasm In The Digital Age, Connell Vaughan

Conference papers

Not only is vandalism increasingly subject to digital documentation, but the aesthetic nature of vandalism itself is different as a result of the digital. No longer is vandalism a local destructive act, it has become an act performed primarily for broadcast to global markets. This paper uses the example of Islamic State (IS) iconoclasm to explore the way in which digital media is strategically used by vandals and considers the responses of the heritage industry to respond to such destruction. It illustrates how the deliberate digital documentation and subsequent global broadcasting of the destruction of cultural heritage by Islamic State …

Primitivism And Identity In Latin America: The Appropriation Of Indigenous Cultures In 20th-Century Latin American Art, Rachel Newman

Art History Honors Papers

No abstract provided.

‘Fuchsia Lipstick’: The Domestication Of Lee Krasner In Post-War Criticism, Aleisha E. Barton

Richard A. Harrison Symposium

After the Second World War, the art world shifted from Europe to New York and a new form of painting that defined itself as distinctly American demanded attention from the public. This style, abstract expressionism, created an inability to survey clear subject matter allowed critics to imply gendered metaphorical resonances within works, as meanings were fluid and inconclusive to the viewer. Coupled with instability in the social sphere, artistic abstraction served as motivation for critics to seek out gendered aspects within an artwork, identifying and constructing difference to preserve order and control in a society that had dramatically changed from …

Notre Dame De Paris: Before, During, And After The Hunchback: A Study In Medievalism, Maura Wilson

The Bay Area Undergraduate Art History Research Symposium

Nestled against the banks of the River Seine towers a monument of a time and place lost to the world surrounding it. The building’s dark and brooding facade watches over the crowds that visit it every day of every year, swarming in herds to take pictures with it. However, as the cameras snap millions of pictures in the quest for the perfect selfie, the question arises: are the photographers really seeing the testament to medieval life that looms above them or do they see a beloved character from a wildly manipulated fairytale?

The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko

Pomona Faculty Books

“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …

'Each Wise Nymph That Angles For A Heart': The Politics Of Courtship In The Boston 'Fishing Lady' Pictures, Andrea Pappas

Art and Art History

This essay examines the Boston fishing lady embroideries in light of eighteenth-century courtship practice, depictions of women anglers in prints and on decorative porcelain, and recreational fishing in colonial culture. In representing the fishing lady as a successful independent angler, women needleworkers addressed, and even covertly resisted, male control of courtship, a crucial life transaction. The regular placement of the image of the fishing lady in the narratives created by the complex embroideries asserts the woman’s pivotal, if brief, authority in the courtship process.

Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh

Schmucker Art Catalogs

Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.

This fall, students in my course at Gettysburg College “Art and Public …

“1636 And 1726: Yemen After The First Ottoman Era.” In Asia Inside Out: Changing Times, Vol. 1. Ed. E. Tagliacozzo, H. Siu, And P. Purdue, 112-34. Cambridge, Ma: Harvard University Press, 2015., Nancy Um

Art History Faculty Scholarship

No abstract provided.

Greek At Chartres, William S. A. Dale

Visual Arts Publications

This study of the so-called Headmaster of the West Portals of Chartres Cathedral attempts to demonstrate that this sculptor was probably a Greek, as suggested by Revoil.

First, it describes the present setting of the West Portals, and reviews the evidence for their change in location. Next, it distinguishes between the hand of the Head Master and those of his associates in the carving of the column figures of all three doorways, and describes his illusionistic use of low relief and a form of linear projection in the Maiestas Domini of the central tympanum.

A brief demonstration of the difference …

Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa

Architecture Program: Faculty Scholarly and Creative Activity

Inigo Jones’s interpretation that Stonehenge was a Roman temple of Coelum, the god of the heavens, was published in 1655, 3 years after his death, in The most notable Antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, Restored.¹ King James I demanded an interpretation in 1620. The task most reasonably fell in the realm of Surveyor of the King’s Works, which Jones had been for the preceding 5 years. According to John Webb, Jones’s assistant since 1628 and executor of Jones’s will, it was Webb who wrote the book based on Jones’s “few indigested” notes, on …

How To Trace An Erased De Kooning, Ian Gonsher

Scholarly Research

This essay describes a series of paintings made in the early 2000s that investigate art history as a process of sous-rature (under erasure); signified by what is both present and absent in the work.

Ceramics And Glass Beads As Symbolic Mixed Media In Colonial Native North America, Gregory A. Waselkov, David W. Morgan, Billie Coleman

BEADS: Journal of the Society of Bead Researchers

During the 17th and 18th centuries, Native Americans rarely adorned ceramic objects with glass beads, despite the millions of beads introduced by Europeans through trade. Bead-decorated ceramics have been reported from only nine sites in North America, perhaps due to a tendency for archaeologists to overlook or misclassify bead-inlaid pottery. The 40 artifacts represent widely divergent ethnic groups separated from each other culturally, as well as by great distances in space and time. Yet they display a remarkable consistency in the pattern of bead arrangement and use of color. Colored glass beads stand in for human eyes in effigy smoking …

Women Surrealist Photographers And Their Response To The Objectification Of Women In Male Surrealist Art, Lois X. Nguyen

UROP Posters

Objectification of women in Male Surrealist art depicted the male gaze in its darkest form, through the ideas of the uncanny, fetish, and convulsive beauty. Women were treated as objects throughout Surrealist photography and painting instead of as human subjects. Their femininity and beauty were valued to the extent of held belief that a woman’s destiny is to be beautiful and be present for the male gaze. Women Surrealists have gained notoriety in the last sixty years for their presence in the Surrealist movement and for their diligence in providing the female perspective in opposition to the male perspective.

This …

Previously Undocumented Art Criticism By Walt Whitman, Wendy J. Katz

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Whitman’s “Letters from a Travelllling Bachelor,” written for the New York Sunday Dispatch (October 14, 1849, through January 6, 1850) are well known, as is his practice of contributing news about Brooklyn and Brooklyn artists to the Dispatch as well as to other newspapers like the Evening Post.1 But his extended description of a painting by Jesse Talbot, Encampment of the Caravan, in the Evening Post (“Encampment of the Caravan,” April 29, 1851; p. 1), and his critique of the National Academy of Design annual exhibition in the Dispatch of the following year (“An Hour at the Academy of Design,” …