History of Art, Architecture, and Archaeology Commons^™

Pipeclay Beads From Norton St Philip, England, Marek Lewcun

BEADS: Journal of the Society of Bead Researchers

In 17th-century England, the village of Norton St Philip was well known as a center for the manufacture of clay tobacco pipes. In recent years, however, discoveries have shown that pipes were not the only things they made, as among a variety of interesting objects are some quite remarkable beads.

A Place Called Home: Frank Lundahl And The Quad Cities, Augustana College, Rock Island Illinois

2015-2016

Frank Lundahl (1858-1932) was a Swedish-American artist born in Rock Island. A painter of interior murals by trade, his works in Augustana’s collections focus on the world around him, calling our attention to the everyday beauty of our region, this place we call home.

Rodcon, Program, 2015, University Of Northern Iowa

RodCon Documents

Saturday, March 28, 2015 - 11:00am to 4:00pm

Program distributed at the event.

Welcome to the 2nd Annual Rod Library Mini Comic Con. The event is free and open to the public. Our goal is to provide an open forum for discussion about the theme of a networked society focused on popular culture, comics, and gaming. Our panel presentations are also focused on providing a forum for discussion about the complex issues of race, gender, class and social justice in popular entertainment. To see your entry, use the hashtag #RodCon15

Group Sizes Of Upper Paleolithic Cave Artists, Leslie Vangelder

Walden Faculty and Staff Publications

Since the first cave art was discovered two central questions have plagued the research. “Who made the art?” and “Why?” Multiple theories have been raised and explored, however, few lacked hard data to be able to narrow down to the individual level of artist and intention. Recent research focused on the study of finger flutings – lines drawn with hands and fingers in the soft surfaces of caves – has yielded a wealth of forensic data about their creators. While there is still no definitive way to know if the fluters are also the artists of the painted and engraved …

Rodcon, Flier, 2015, University Of Northern Iowa

RodCon Documents

Saturday, March 28, 2015 - 11:00am to 4:00pm

Flier used in promotion of the event.

Persistence And Polychronicity In Roman Churches, Dale Kinney

History of Art Faculty Research and Scholarship

No abstract provided.

Front Matter

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

A 17th-Century Glass Bead Factory At Hammersmith Embankment, London, England, Karlis Karklins, Laure Dussubieux, Ron G.V. Hancock

BEADS: Journal of the Society of Bead Researchers

Excavations in 2001 and 2005 at Hammersmith Embankment in West London uncovered the remains of two glass furnaces with associated wasters relating to the manufacture of drawn glass beads during the second quarter of the 17th century. The site is significant as it represents the first archaeological evidence for the production of glass beads in post-medieval England. A preliminary study of the recovered material reveals the presence of 43 different bead varieties, many with stripes and multiple layers. While a number have not yet been observed elsewhere, a few have correlatives at a contemporary bead production site in Amsterdam, as …

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Photography of Personal Adornment, by Robert K. Liu, reviewed by Alice Scherer

Beads from Jablonec: A History in Beads, by Floor Kaspers, reviewed by Margret Carey

Journal: Borneo International Beads Conference 2015, edited by Heidi Munan and Anita MacGillivray, reviewed by Ann Armstrong

The Face Of Our Wartime, Sharon Sliwinski

Data and Test Instruments

This paper considers a turn toward portraiture amongst contemporary photojournalists who have covered the War on Terror. A series of wartime faces is examined in order to consider the way prolonged conflict flattens our visual landscape.

Beautiful Forms And Compositions Are Not Made By Chance: Exploring The Efficacy Of Portable X-Ray Fluorescence To Sort And Source English Lead Glazed Ceramics, Steven J. Sarich

Dissertations, Master's Theses and Master's Reports - Open

Advances in portable X-ray fluorescence (pXRF) technology have made it a viable option for the non-destructive exploration of the underlying chemical composition of ceramic artifacts for the purposes of classification. However, because the literature regarding the use of this instrument on historic artifacts is limited, it is necessary to begin with a broad scale exploratory assessment that might act as a jumping off point for future studies on this topic. Toward that end, this research uses a collection of British and Continental European ceramics ranging from 1650-1920, owned and curated by the Chipstone Foundation in Fox Point, WI, to explore …

On The Hallelujah Efect: Priming Consumers, Recording Music, And The Spirit Of Tragedy, Babette Babich

Articles and Chapters in Academic Book Collections

An overview of The Hallelujah Effect concentrating on priming or sonic branding, media, online porn as well as marketing and media programming, with a special excursus on the space of music --and radio in Adorno's Current of Music, and a detailed discussion on Nietzsche and music in antiquity as he explores this with reference ot Beethoven in The Birth of Tragedy.

Nietzsche's Antichrist: The Birth Of Modern Science Out Of The Spirit Of Religion, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche argued that the Greeks were in possessions of every theoretical, mathematical, logical, and technological antecedent for the development of what could be modern science. But if they had all these necessary prerequisites what else could they have needed? Not only had the ancient Greeks no religious world-view antagonistic to scientific inquiry, they also lacked the Judeo-Christian promissory ideal of salvation in a future life (after death). Subsequently, when Greek culture had been irretrievably lost, what Nietzsche regarded as the "decadent" Socratic ideal of reason ultimately and in connection with the preludes of religion and alchemy developed into modern science …

Joseph’S Dream In The Thomson Collection: Reconsidering The Reconstruction Of The Infancy Of Christ Window From Suger’S Saint-Denis, Michael Watt Cothren

Art & Art History Faculty Works

No abstract provided.

Statecraft: Vandalism And Iconoclasm In The Digital Age, Connell Vaughan

Conference papers

Not only is vandalism increasingly subject to digital documentation, but the aesthetic nature of vandalism itself is different as a result of the digital. No longer is vandalism a local destructive act, it has become an act performed primarily for broadcast to global markets. This paper uses the example of Islamic State (IS) iconoclasm to explore the way in which digital media is strategically used by vandals and considers the responses of the heritage industry to respond to such destruction. It illustrates how the deliberate digital documentation and subsequent global broadcasting of the destruction of cultural heritage by Islamic State …

Primitivism And Identity In Latin America: The Appropriation Of Indigenous Cultures In 20th-Century Latin American Art, Rachel Newman

Art History Honors Papers

No abstract provided.

‘Fuchsia Lipstick’: The Domestication Of Lee Krasner In Post-War Criticism, Aleisha E. Barton

Richard A. Harrison Symposium

After the Second World War, the art world shifted from Europe to New York and a new form of painting that defined itself as distinctly American demanded attention from the public. This style, abstract expressionism, created an inability to survey clear subject matter allowed critics to imply gendered metaphorical resonances within works, as meanings were fluid and inconclusive to the viewer. Coupled with instability in the social sphere, artistic abstraction served as motivation for critics to seek out gendered aspects within an artwork, identifying and constructing difference to preserve order and control in a society that had dramatically changed from …

Refinement And Architecture In Early Ypsilanti, Lynda Mccarron

Master's Theses and Doctoral Dissertations

The objective of this work is to examine refinement and architecture in nineteenth-century America with a focus on rural areas and Ypsilanti, Michigan in particular. The research utilized consists of an analysis of primary and secondary sources. Included among the primary sources are architectural style books such as those by Andrew Jackson Downing, pioneer writings such as those of Caroline Kirkland and Solon Robinson, historical buildings, and probate record inventories of Washtenaw County. Ypsilantians did not assume the genteel refinement that developed in the nineteenth century. They instead modified gentility to become a form of respectability that suited their needs. …

Notre Dame De Paris: Before, During, And After The Hunchback: A Study In Medievalism, Maura Wilson

The Bay Area Undergraduate Art History Research Symposium

Nestled against the banks of the River Seine towers a monument of a time and place lost to the world surrounding it. The building’s dark and brooding facade watches over the crowds that visit it every day of every year, swarming in herds to take pictures with it. However, as the cameras snap millions of pictures in the quest for the perfect selfie, the question arises: are the photographers really seeing the testament to medieval life that looms above them or do they see a beloved character from a wildly manipulated fairytale?

The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko

Pomona Faculty Books

“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …