History of Art, Architecture, and Archaeology Commons^™

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

Titian’S Bacchus And His Two Loves, Fern Luskin

Publications and Research

Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy-satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed pentimenti. Titian was probably the first to embed this homoerotic love story in a painting depicting the Bacchus and Ariadne myth. The textual impetus for Titian's inclusion of the Ampelos myth was Nonnos' Dionysiaca. Guided by Nonnos' text, Titian alludes not only to Bacchus' love for Ampelos, …

Development And Evaluation Of The Da Vinci Ai Tutor: Enhancing Accessibility And Personalized Learning In Art History Education, James Hutson, Tiffani Barner

Faculty Scholarship

This study examines the implementation of the Da Vinci AI Tutor, an innovative artificial intelligence (AI)-based tutoring platform designed specifically for enhancing personalized and accessible learning in art history within higher education. Launched in Fall 2024 at a private liberal arts institution in the Midwest, the system integrates a conversational AI avatar modeled after Leonardo da Vinci, incorporating immersive virtual reality environments and multimodal interaction capabilities to engage students across undergraduate survey courses, advanced Renaissance classes, and graduate comprehensive exam preparations. Addressing significant gaps in existing humanities education research, the current study explores two primary research questions: (i) How AI-driven …

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

74/2 | Hellenistic Nysa-Scythopolis: The Finds And Conclusions, Gabriel Mazor,, Walid Atrash, Débora Sandhaus

IAA Reports—Monograph Series of the Israel Antiquities Authority

This is the fifth volume of publications of the Bet She’an Archaeological Project, describing the large-scale IAA excavations at the site of Bet She’an–ancient Nysa-Scythopolis, during 1986–2002. Bet She’an V: Hellenistic Nysa-Scythopolis is the second volume presenting the full excavation report of the IAA excavations at Tel Iẓṭabba, conducted between 1991 and 1994. The first volume in this series, Bet She’an IV (IAA Reports 62), focused on two corpora of finds: stamped amphora handles and sealings. The current volume, Bet She’an V, is comprised of two parts (IAA Reports 74/1, 74/2) dedicated to the stratigraphy, architecture and finds from the …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

“Gli Scheletri Della Dittatura”: Fascist Art, Architecture, And Monuments In Modern Italy, John "Jack" Moore

History & Classics Undergraduate Theses

When Italy reconstituted itself as a republic in 1948, it inherited the art, architecture, and monuments that were constructed under Fascism. Many of these artifacts contained inherent Fascist imagery and were made to exalt the regime, but Italy’s postwar government – known as the First Republic – neglected to systematically confront them. This mirrored the First Republic’s approach to shaping Italy’s memory of Fascism, as the government established an anti-fascist narrative without addressing the country’s support for the regime. During the 1980s, notions of anti-fascism began to fall alongside the political power structure upholding them. This coincided with the rise …

3rd Place Contest Entry: Clement Hurd And The Artistic Integrity Of Illustrated Children's Books, Cassandra Chan

Kevin and Tam Ross Undergraduate Research Prize

This is Cassandra Chan' submission for the 2025 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a sample of their research project on the work of illustrator Clement Hurd.

Cassandra is a fourth-year student at Chapman University, majoring in Art History. Their faculty mentor is Dr. Justin Walsh.

Teaching Art Beyond The Hierarchy: How “Big Ideas” Combat Cultural Appropriation, Carlie Pearson

Institute for the Humanities Master's Papers, Projects, and Capstones

[First paragraph] As an art educator who has worked with children aged 5-18 in the public-school setting, I find myself constantly assessing and reevaluating my practices. When I was in high school and falling in love with the world of visual art, I had a teacher who introduced me to the beautiful and sacred art of mandala making. We learned about how Buddhist Monks create massive works with colorful sand, and I was shocked to hear that the pieces are traditionally swept away upon completion. When I started my first full time teaching position seven years ago at a high …

Hieronymus Bosch’S Dismantled Triptych As A Moralizing Guide For Reforming The Catholic Church, Heather Thurston

Institute for the Humanities Theses

This thesis expands on the current interpretation of a dismantled triptych by the Dutch painter Hieronymus Bosch, which includes four extant panels: Ship of Fools, Allegory of Intemperance, Death and the Miser, and The Wayfarer. Current scholarship claims that the paintings warn viewers against various sins. This thesis argues that the triptych was specifically directed toward the Catholic Church and functions as a commentary on the potential consequences of their sins. This new reading will become clear by examining and connecting its unorthodox iconography to the tumultuous religious climate at the turn of the sixteenth century …

The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall

SACAD: Scholarly Activities

The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.

A Canvas Decolonized: An Exploration Of Haiti’S Colonial History Through Haitian Artists Philemon Obin, Jean Appolon, Sheilby Mecena, Flex Morisseau–Leroy, And Claes Gabriel, Dominique Dempsey

Graduate Research Conference (GSIS)

A Canvas Decolonized examines the complex realities faced by Haiti through the lens of its vibrant artistic heritage, highlighting the role of art in interpreting, preserving, and challenging narratives about the nation's history and identity. By exploring the works of Haitian muralists, photographers, painters, and poets including Jean Appolon, Flex Morisseau Leroy, Claes Gabriel, and Edwidge Danticat this study illuminates how these artists engage with themes of colonization, immigration, generational trauma, and cultural displacement. Grounded in the theoretical frameworks of Frantz Fanon and Benedict Anderson, the paper argues that Haitian art provides a powerful medium to analyze and contextualize the …

Imperial Crosshairs: Grand Marronage At Negro Fort Along The Apalachicola River, Colby J. Williams Ii

USF Tampa Graduate Theses and Dissertations

Grand marronage describes the process whereby Africans sought to liberate themselves from enslavement through means of escape to establish permanent communities and create a truly free society. The Southeastern region of the modern United States was once a geopolitical arena where European and Euro-American empires sought to spread their power and influence over both the Indigenous and African inhabitants. Following the American Revolution was the War of 1812, fought between the former colonial master and the recently formed United States. Commonly referred to as the Second War of American Independence, and infamously known for the burning of the White House. …

Ras El-‘Amud, Jerusalem: Radiocarbon Dating Of The Intermediate Bronze Age, Ron Lev, Elisabetta Boaretto

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-ʽAmud uncovered two complete pithoi found in situ in a courtyard, resting on bedrock and attributed to Stratum VI. Sediments within the pithoi contained organic material, including two charred olive pits (Olea europaea), which were analyzed using radiocarbon dating. The results produced relatively broad calibrated date ranges that fall well within the timeline of the Intermediate Bronze Age.

Ras El-‘Amud, Jerusalem: The Flint Assemblage, Jacob Vardi

Qadum: Journal of Excavation Reports from Israel

The excavation at Ras el-‘Amud yielded 599 flint items, all discovered in the Intermediate Bronze Age (IBA) and Middle Bronze Age IIA (MB IIA) strata. These include debris items, debitage items, flake cores and tools, reflecting a non-standardized, flake-based industry. The assemblage shows continuity with Early Bronze Age traditions. It consists mainly of ad hoc tools used for various domestic tasks, with Canaanean sickle blades indicating cereal harvesting and testifying to crop agriculture as part of the site’s subsistence economy. No non-Canaanean sickle blades can be attributed to the MB IIA, possibly reflecting a different economic strategy during this period …

Ras El-‘Amud, Jerusalem: Faunal Remains From The Intermediate Bronze And Middle Bronze Age Settlement, Nimrod Marom

Qadum: Journal of Excavation Reports from Israel

The small faunal assemblage from Ras el-‘Amud provides insights into the economic strategies of a rural settlement during a period of urban growth. A shift from a self-sufficient goat and pig economy to a specialized sheep-focused one is observed, likely driven by urban demand. Analysis of caprine skeletal remains suggests consumption patterns and potential ritualistic practices. The Middle Bronze IIA village exhibits a decrease in butchery waste, possibly due to changes in spatial organization or waste disposal practices. The assemblage offers valuable insights into the economic and social dynamics of rural settlements during the Middle Bronze Age.

Ras El-‘Amud, Jerusalem: A Hebrew Inscription Engraved On A Jar Handle, Daniel Vainstub

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-‘Amud yielded a partially preserved Hebrew inscription engraved on the handle of a storage jar before firing. The surviving part of the inscription reads: נחם ⸱ [ל ] ר̇̇ם—“(belongs) [to ]rm (son of) Nḥm.” All the letters of the inscription are paleographically consistent with the Hebrew script of the eighth–seventh centuries BCE. A short, semi-oblique stroke descending from upper-left to lower-right was used to divide the words. Personal names constructed on the root nḥm (“console”, “comfort”) are very common in the Hebrew onomasticon, as well as in other West Semitic languages. The suffix רם …

Ras El-‘Amud, Jerusalem: The Groundstone Tool Assemblage, Aaron Greener

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-‘Amud yielded 71 identified groundstone tools, 55 of which were discovered in the Intermediate Bronze Age (IBA) strata, with the remaining 16 found in the Iron Age and Roman/Byzantine strata and in unclear contexts. These tools mainly comprise hammerstones, likely associated with the production of flint tools at the site, as well as perforated stones, mortars, bowlets, rubbing stones, a grinding stone, a pestle and some other tools. The identified groundstone tools suggest activities related to the processing of cereals, grains and other agricultural produce, as well as possible animal fiber processing and various domestic tasks …