History of Art, Architecture, and Archaeology Commons^™

3rd Place Contest Entry: Clement Hurd And The Artistic Integrity Of Illustrated Children's Books, Cassandra Chan

Kevin and Tam Ross Undergraduate Research Prize

This is Cassandra Chan' submission for the 2025 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a sample of their research project on the work of illustrator Clement Hurd.

Cassandra is a fourth-year student at Chapman University, majoring in Art History. Their faculty mentor is Dr. Justin Walsh.

Teaching Art Beyond The Hierarchy: How “Big Ideas” Combat Cultural Appropriation, Carlie Pearson

Institute for the Humanities Master's Papers, Projects, and Capstones

[First paragraph] As an art educator who has worked with children aged 5-18 in the public-school setting, I find myself constantly assessing and reevaluating my practices. When I was in high school and falling in love with the world of visual art, I had a teacher who introduced me to the beautiful and sacred art of mandala making. We learned about how Buddhist Monks create massive works with colorful sand, and I was shocked to hear that the pieces are traditionally swept away upon completion. When I started my first full time teaching position seven years ago at a high …

Hieronymus Bosch’S Dismantled Triptych As A Moralizing Guide For Reforming The Catholic Church, Heather Thurston

Institute for the Humanities Theses

This thesis expands on the current interpretation of a dismantled triptych by the Dutch painter Hieronymus Bosch, which includes four extant panels: Ship of Fools, Allegory of Intemperance, Death and the Miser, and The Wayfarer. Current scholarship claims that the paintings warn viewers against various sins. This thesis argues that the triptych was specifically directed toward the Catholic Church and functions as a commentary on the potential consequences of their sins. This new reading will become clear by examining and connecting its unorthodox iconography to the tumultuous religious climate at the turn of the sixteenth century …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall

SACAD: Scholarly Activities

The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.

A Canvas Decolonized: An Exploration Of Haiti’S Colonial History Through Haitian Artists Philemon Obin, Jean Appolon, Sheilby Mecena, Flex Morisseau–Leroy, And Claes Gabriel, Dominique Dempsey

Graduate Research Conference (GSIS)

A Canvas Decolonized examines the complex realities faced by Haiti through the lens of its vibrant artistic heritage, highlighting the role of art in interpreting, preserving, and challenging narratives about the nation's history and identity. By exploring the works of Haitian muralists, photographers, painters, and poets including Jean Appolon, Flex Morisseau Leroy, Claes Gabriel, and Edwidge Danticat this study illuminates how these artists engage with themes of colonization, immigration, generational trauma, and cultural displacement. Grounded in the theoretical frameworks of Frantz Fanon and Benedict Anderson, the paper argues that Haitian art provides a powerful medium to analyze and contextualize the …

Imperial Crosshairs: Grand Marronage At Negro Fort Along The Apalachicola River, Colby J. Williams Ii

USF Tampa Graduate Theses and Dissertations

Grand marronage describes the process whereby Africans sought to liberate themselves from enslavement through means of escape to establish permanent communities and create a truly free society. The Southeastern region of the modern United States was once a geopolitical arena where European and Euro-American empires sought to spread their power and influence over both the Indigenous and African inhabitants. Following the American Revolution was the War of 1812, fought between the former colonial master and the recently formed United States. Commonly referred to as the Second War of American Independence, and infamously known for the burning of the White House. …

Ras El-‘Amud, Jerusalem: Radiocarbon Dating Of The Intermediate Bronze Age, Ron Lev, Elisabetta Boaretto

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-ʽAmud uncovered two complete pithoi found in situ in a courtyard, resting on bedrock and attributed to Stratum VI. Sediments within the pithoi contained organic material, including two charred olive pits (Olea europaea), which were analyzed using radiocarbon dating. The results produced relatively broad calibrated date ranges that fall well within the timeline of the Intermediate Bronze Age.

Ras El-‘Amud, Jerusalem: The Flint Assemblage, Jacob Vardi

Qadum: Journal of Excavation Reports from Israel

The excavation at Ras el-‘Amud yielded 599 flint items, all discovered in the Intermediate Bronze Age (IBA) and Middle Bronze Age IIA (MB IIA) strata. These include debris items, debitage items, flake cores and tools, reflecting a non-standardized, flake-based industry. The assemblage shows continuity with Early Bronze Age traditions. It consists mainly of ad hoc tools used for various domestic tasks, with Canaanean sickle blades indicating cereal harvesting and testifying to crop agriculture as part of the site’s subsistence economy. No non-Canaanean sickle blades can be attributed to the MB IIA, possibly reflecting a different economic strategy during this period …

Ras El-‘Amud, Jerusalem: Faunal Remains From The Intermediate Bronze And Middle Bronze Age Settlement, Nimrod Marom

Qadum: Journal of Excavation Reports from Israel

The small faunal assemblage from Ras el-‘Amud provides insights into the economic strategies of a rural settlement during a period of urban growth. A shift from a self-sufficient goat and pig economy to a specialized sheep-focused one is observed, likely driven by urban demand. Analysis of caprine skeletal remains suggests consumption patterns and potential ritualistic practices. The Middle Bronze IIA village exhibits a decrease in butchery waste, possibly due to changes in spatial organization or waste disposal practices. The assemblage offers valuable insights into the economic and social dynamics of rural settlements during the Middle Bronze Age.

Ras El-‘Amud, Jerusalem: A Hebrew Inscription Engraved On A Jar Handle, Daniel Vainstub

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-‘Amud yielded a partially preserved Hebrew inscription engraved on the handle of a storage jar before firing. The surviving part of the inscription reads: נחם ⸱ [ל ] ר̇̇ם—“(belongs) [to ]rm (son of) Nḥm.” All the letters of the inscription are paleographically consistent with the Hebrew script of the eighth–seventh centuries BCE. A short, semi-oblique stroke descending from upper-left to lower-right was used to divide the words. Personal names constructed on the root nḥm (“console”, “comfort”) are very common in the Hebrew onomasticon, as well as in other West Semitic languages. The suffix רם …

Ras El-‘Amud, Jerusalem: The Groundstone Tool Assemblage, Aaron Greener

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-‘Amud yielded 71 identified groundstone tools, 55 of which were discovered in the Intermediate Bronze Age (IBA) strata, with the remaining 16 found in the Iron Age and Roman/Byzantine strata and in unclear contexts. These tools mainly comprise hammerstones, likely associated with the production of flint tools at the site, as well as perforated stones, mortars, bowlets, rubbing stones, a grinding stone, a pestle and some other tools. The identified groundstone tools suggest activities related to the processing of cereals, grains and other agricultural produce, as well as possible animal fiber processing and various domestic tasks …

Ras El-‘Amud, Jerusalem: A Scarab And Two Pithos Handle Impressions, Baruch Brandl

Qadum: Journal of Excavation Reports from Israel

The excavations at Ras el-‘Amud yielded a scarab and two stamped pithos handles, all recovered from Stratum III and dated to the Middle Bronze IIC. The scarab, attributed to the group of Late Middle Bronze Age Canaanite Scarabs, has only one published parallel from a Canaanite site. The two stamped pithos handles likely originated from a single pithos. Variations in the size and outline of their impressions, as well as in the location and size of the hieroglyphic signs, suggest they were made either from different plaques or from opposite faces of the same bifacial plaque. Both impressions have only …

Ras El-‘Amud, Jerusalem: Pottery From The Iron Age And The Persian Period, Liora Freud

Qadum: Journal of Excavation Reports from Israel

This article presents Iron IIB pottery sherds, along with some Persian-period sherds, from the excavation at Ras el-‘Amud. The sherds were retrieved from accumulations around the Iron Age terrace walls and their foundations. The dating of the sherds, along with the results of previous excavations on the ridge of the site, suggests a small occupation at Ras el-‘Amud, primarily during the Iron IIB–C.

Mount Of Olives (Ras El-‘Amud), Jerusalem: Settlement Remains From The Intermediate Bronze Age And Other Remains From The Middle Bronze, Late Bronze, Iron Age, Roman And Byzantine Periods / הר הזיתים (שכונת ראס אל–עמוד), ירושלים: שרידי יישוב מתקופת הברונזה הביניימית ושרידים מתקופות הברונזה התיכונה, הברונזה המאוחרת, הברזל, הרומית והביזנטית, Ron Beeri, Irina Zilberbod, Shoshana Israeli

Qadum: Journal of Excavation Reports from Israel

Excavations conducted on the southern outskirts of the Ras el-‘Amud neighborhood, at the foot of the southwestern slope of the Mount of Olives ridge, revealed six occupational strata (VI–I), dating from the Intermediate Bronze Age to the Byzantine period. Strata VI–V uncovered a permanent agricultural settlement from the Intermediate Bronze Age, featuring residential buildings and courtyards. Stratum IV yielded an activity layer from the Middle Bronze IIA, indicating the existence of a rural settlement from the beginning of this period, which was part of the agricultural hinterland of Jerusalem. Stratum III contained a burial or burials from the Middle Bronze …

74/1 | Hellenistic Nysa-Scythopolis Stratigraphy And Architecture, Gabriel Mazor, Walid Atrash, Debora Sandhaus

IAA Reports—Monograph Series of the Israel Antiquities Authority

This is the fifth volume of publications of the Bet She’an Archaeological Project, describing the large-scale IAA excavations at the site of Bet She’an–ancient Nysa-Scythopolis, during 1986–2002. Bet She’an V: Hellenistic Nysa-Scythopolis is the second volume presenting the full excavation report of the IAA excavations at Tel Iẓṭabba, conducted between 1991 and 1994. The first volume in this series, Bet She’an IV (IAA Reports 62), focused on two corpora of finds: stamped amphora handles and sealings. The current volume, Bet She’an V, is comprised of two parts (IAA Reports 74/1, 74/2) dedicated to the stratigraphy, architecture and finds from the …

Framing The Gaze: The Transformation Of Storytelling From Chinese Scrolls To Persian Miniature Illuminations, Lindsey A. Maslar

Theses

Miniature painting represents one of the many exquisite traditions in Islamic art, flourishing particularly during the Safavid period (1501–1736 CE). Numerous power shifts throughout Persia during this time resulted in significant cross-cultural artistic exchanges, particularly with visual culture from the Ming Dynasty. The Mongol invasion of Persia in the 13th century facilitated a profound cultural diffusion, as Persian artists and patrons selectively incorporated Chinese motifs, techniques, and spatial concepts, adapting them to suit local aesthetic and ideological frameworks. This thesis examines how the adaptation of Mongol artistic elements in Persian miniatures influenced not only stylistic conventions but also transformed the …

Under The Veil: Women's Head Coverings In Tudor England, Savannah Toth

Honors Program: Senior Projects (Public)

This thesis seeks to discover and analyze the agency and meaning of the role of women’s head coverings and veils within the context of Tudor Christianity, society, and the fashion world of English culture. By observing the usage of the veil through various lenses, this thesis examines the nuance of the veil as an object and actor in Tudor society that enables yet prohibits personal choice for women. This research uses various sources such as Tudor paintings and portraits, surviving pieces of garments, and written accounts to paint a picture of the impact and significance the veil had in every …

What's The Art In Artificial Intelligence?, Emily Verla Bovino

Open Educational Resources

This workbook learns from Black and Indigenous artists working with Artificial Intelligence to confront issues of ethics and aesthetics in its technologies. It features guided learning activities with links to publicly available video lectures and online articles, and includes options for experiential learning through both a tutorial in Midjourney and a visit to the public art collection at York College in Jamaica, Queens. Featured artists include: American Artist, Rizvana Bradley, Beth Coleman, Denise Ferreira da Silva, Suzanne Kite, Sondra Perry, Mimi Onuoha and Alisha B. Wormsley. Works by Martin Puryear and Maren Hassinger are explored in the Midjourney exercise.

About …

The Dw2 Shipwreck: The Tobacco Pipe Finds / ספינה טרופה: ממצא המקטרות, Ofra Barkai, Anna De Vincenz, Idit Yovel Even-Zur, Jacob Sharvit

Qadum: Journal of Excavation Reports from Israel

The excavation of the DW2 shipwreck uncovered 13 ceramic tobacco pipes. Most of the pipes are of the cup type, with a few examples of the bowl or disk-base types. All the pipes are decorated with geometric patterns; two are also adorned with floral motifs, and one bears a maker’s stamp. The pipes date from the seventeenth century to the early twentieth century CE, with most attributed to the late nineteenth to early twentieth centuries. Parallels were identified at several sites, including the ‘Akko 1 and Kitten shipwrecks. Petrographic analysis of eight pipes indicates they were manufactured in the geographic …