To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean,
2018
Syracuse University
To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz
BEADS: Journal of the Society of Bead Researchers
This article serves as an introduction to the use of beads – both indigenous and European – in surviving examples of body ornaments of the early colonial period Caribbean: a cemí/belt in the collections of Rome’s Museo Nazionale Preistorico Etnografico “L. Pigorini,” a belt from the Weltmuseum Wien, and a cache of beads in a wooden vessel from the collections of the Museo de Historia, Antropología y Arte, Universidad de Puerto Rico. These artifacts offer insights into how the Taíno may have adopted newly introduced foreign goods, aligning them to their own aesthetics and world view. Glass beads, acquired via …
Book Reviews And End Matter,
2018
Syracuse University
Book Reviews And End Matter
BEADS: Journal of the Society of Bead Researchers
Not Just for Show: The Archaeology of Beads, Beadwork and Personal Ornaments, by Daniella E. Bar-Yosef Mayer, Clive Bonsall, and Alice M. Choyke (eds.), reviewed by Karlis Karklins. The Art & Tradition of Beadwork, by Marsha C. Bol, reviewed by Valerie Hector. Stone Beads of South and Southeast Asia: Archaeology, Ethnography and Global Connections, by Alok Kumar Kanungo (ed.), reviewed by Karlis Karklins. Beads in the World, by Kazunobu Ikeya (ed.), reviewed by Margot Thompson. Journal: Borneo International Beads Conference 2017, by Heidi Munan and Anita MacGillivray (eds.), reviewed by Louise M. Macul.
Art 11 Introduction To Art History,
2018
CUNY Bronx Community College
Art 11 Introduction To Art History, Deborah Lewittes
Open Educational Resources
No abstract provided.
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América,
2018
Chapman University
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono
Art Faculty Articles and Research
"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."
Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area,
2018
Minnesota State University, Mankato
Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner
All Graduate Theses, Dissertations, and Other Capstone Projects
The Late Woodland and Terminal Woodland traditions encompass a number of Native American cultural groups living in the Upper Midwest United States, dating between A.D. 400/500 and 1100/1200. Although archeological work has been done on many Woodland and Terminal Woodland sites in Illinois, Iowa, Michigan, Wisconsin, comparatively little has been done in Minnesota, and only a small amount has been done in southeastern Minnesota. As a result, Late Woodland and Terminal Woodland pottery complexes in the Red Wing, Minnesota area are still poorly understood.
Pottery types are the single most important artifact class used to identify population segments and trace …
2018 Bethsaida Field Report,
2018
University of Nebraska at Omaha
2018 Bethsaida Field Report, Rami Arav
Field Reports
THE EXPEDITION
A two weeks session of excavations was conducted from June 25th to July 4th , 2018. Since the expedition was arranged late in time, the group of excavators was limited to 16 participants.
The team included the architects Kenneth Bensimon from Washington State, Nic Birt from New Zealand, co-director and area supervisor Dr. Carl Savage, Drew University, Dr. Stefania Peluso Greco-Roman pottery expert, Haifa University, photographer Hanan Shafir, co-director Dr. Jerome Hall, University of San Diego, and director Prof. Rami Arav, University of Nebraska at Omaha and the Hebrew Union College Jerusalem.
This year the expedition was lodged …
Moving Vision: Anne Truitt, Paintings 1972-1991,
2018
Trinity University
Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Art and Art History Faculty Research
No abstract provided.
From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process,
2018
University of Kentucky
From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill
Theses and Dissertations--Art and Visual Studies
The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic technique was; and if Degas did have …
Kinetic Landscape And Unalloyed Potential: Rethinking The Extractive Landscape Of Michigan's Native Mass Copper Mining Industry,
2018
Michigan Technological University
Kinetic Landscape And Unalloyed Potential: Rethinking The Extractive Landscape Of Michigan's Native Mass Copper Mining Industry, Sean Gohman
Dissertations, Master's Theses and Master's Reports
This dissertation examines the extractive landscape and persistent lifespan of native mass copper mining in Michigan’s Upper Peninsula. The historic native copper mining industry of Michigan lasted for over a century, though its impacts on the landscape can be broken into two distinct, though overlapping, phases of extractive practice: mass mining and disseminated lode mining. Each mined specific native copper deposits, utilized related but specialized technologies, and relied upon different sources of energy to power its practices. A first, formative phase of mass mining exploited fissures of pure metallic copper using traditional technology and organic sources of fuel. A second …
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts,
2018
Claremont Colleges
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland
Scripps Senior Theses
The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.
The Influence Of Nizami Ganjavi’S Heritage On The
Shaping Of The Coherent Cultural Tradition In Oriental
Literature,
2018
Khazar University,National Museum of Literature named after Nizami, ANAS
The Influence Of Nizami Ganjavi’S Heritage On The Shaping Of The Coherent Cultural Tradition In Oriental Literature, Rafael B. Huseynov
Khazar Journal of Humanities and Social Sciences
No abstract provided.
Early Photography As Cultural Transfer In Imperial
Russia: Visual Technology, Mobility And Modernity In
The Caucasus And Central Asia,
2018
Collège de France
Early Photography As Cultural Transfer In Imperial Russia: Visual Technology, Mobility And Modernity In The Caucasus And Central Asia, Svetlana Gorshenina, Heather S. Sonntag
Khazar Journal of Humanities and Social Sciences
Photography is well understood as a global technology that rapidly circulated by the midnineteenth century, but the History/ Archaeology of its early transfer to and within the Russian imperial context has been overlooked. This paper will focus on the technological transfer of photography from the 1840s to the 1870s, applying the theory of cultural transfer to examine various case studies of modernity along a trajectory from West to East. It considers exchanges of this visual technology from its European origins to Russia, and then from Russia to colonized territories in Asia. Specifically, this route of transfer assumes that from France, …
[Introduction To] Almost Eternal: Painting On Stone And Material Innovation In Early Modern Europe,
2018
University of Richmond
[Introduction To] Almost Eternal: Painting On Stone And Material Innovation In Early Modern Europe, Piers Baker-Bates, Elena Calvillo
Bookshelf
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History.
Eye On The West: Photography And The Contemporary West.,
2018
Brigham Young University - Provo
Eye On The West: Photography And The Contemporary West., James R. Swensen
Faculty Publications
While working in the American West, Ansel Adams liked to wear a Stetson. In many ways the famed photographer and his cowboy hat are emblematic of two of the most enduring cliches of the West. Even though he was the first to protest being typecast, Adams’s near perfect photographs of untrammeled Western landscapes are often seen today as too pristine and too popular. The cowboy, moreover, has become the embodiment of the lone, laconic, male hero braving prairies and rugged mountains. Eye on the West resists both of these Western tropes. Yes, Ansel Adams makes his appearance in the text …
A Zooarchaeological Analysis Of Hole-In-The-Wall Canyon (45kt12) And French Rapids (45kt13) Sites: Ginkgo State Park, Washington,
2018
Central Washington University
A Zooarchaeological Analysis Of Hole-In-The-Wall Canyon (45kt12) And French Rapids (45kt13) Sites: Ginkgo State Park, Washington, Matt Johnson
All Master's Theses
A taxonomic and taphonomic faunal analysis was completed for the entire zooarchaeological collection (n=5,354) for two prehistoric archaeological housepit sites, Hole-in-the-Wall Canyon (45KT12) and French Rapids (45KT13). Both sites are located near Vantage, Washington, within the inundated area of the Wanapum Reservoir. Work focused on compiling site records, projectile point analysis, and radiocarbon dating in order to study site chronology, as well as the faunal analysis itself. Site 45KT12 includes at least two occupations; one occurring around 2000 cal B.P., and one beginning around 1100 cal B.P. and continuing at least through 650 cal B.P. A single analytical unit was …
Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists,
2018
Bucknell University
Listening To An/Other Voice: Gender, Creativity, And The Divine In The Works Of Female Christian Mystics And Women Surrealists, Stephanie Garboski
Honors Theses
This thesis will compare two groups, Christian women mystics and women surrealists, by analyzing select works by Hildegard of Bingen, Mechthild of Magdeburg, Leonora Carrington, and Dorothea Tanning. This analysis will involve a comparative, theoretical approach that draws connections between the way in which both groups utilize varying literary and artistic forms, symbols, and polyglottery. I will utilize Bourdieu’s terms of cultural production as a framework in which to better understand how women of both fields are used for their creativity and supposed connection to an/other, which is the source of inspiration native to each field, God and the unconscious. …
Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles,
2018
University of Nebraska-Lincoln
Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman
Department of English: Dissertations, Theses, and Student Research
When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …
La Ceguera Como Condición De La Crítica De Arte. Una Propuesta De Los Incoherentes,
2018
Universidad de Zaragoza
La Ceguera Como Condición De La Crítica De Arte. Una Propuesta De Los Incoherentes, Víctor Lope Salvador
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Este trabajo se centra en la lectura del prefacio que escribieron Charles Leroy y Georges Moynet en el Catalogue de l'exposition des Arts Incohérents 1884. Es un texto breve pero muy significativo acerca del carácter de las propuestas del grupo de los Incoherentes y puede ser considerado como un manifiesto al modo en el que, décadas después, se redactarían los manifiestos de las vanguardias de principios del S. XX. En esta ocasión, junto con la propuesta de que unos ciegos ejerzan de críticos de arte, laten con fuerza planteamientos irracionalistas muy afines al Romanticismo. Como en el número 24 de …
Photography And Mourning: Excavating Memories Of My Great-Grandmother,
2018
Scripps College
Photography And Mourning: Excavating Memories Of My Great-Grandmother, Eva Weiner
Scripps Senior Theses
This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures of her children taken after she had …
Representing Wilderness In The Shaping Of America's National Parks: Aesthetics, Boundaries, And Cultures In The Works Of James Fenimore Cooper, John Muir, And Their Artistic Contemporaries,
2018
Bucknell University
Representing Wilderness In The Shaping Of America's National Parks: Aesthetics, Boundaries, And Cultures In The Works Of James Fenimore Cooper, John Muir, And Their Artistic Contemporaries, Alana Jajko
Master’s Theses
This project studies the works of James Fenimore Cooper, John Muir, and their artistic contemporaries in relation to the shaping of America’s national parks and what it means for the parks and their attending wilderness to be symbolic of the nation. It seeks to reveal the national parks as artistic representations of a constructed wilderness, while also emphasizing the physical experience of the natural world as a means of supplementing our subjective views. Through the lenses of aesthetics, boundaries, and cultures, I narrow my study to focus on three distinct perspectives by which we can understand the national parks and …
