Her Paris: Women Artists In The Age Of Impressionism,
2018
Colorado Mesa University
Her Paris: Women Artists In The Age Of Impressionism, Meghan Bissonnette
Art Inquiries
No abstract provided.
Rodin: The Human Experience,
2018
Savannah College of Art and Design
Takashi Murakami: Lineage Of Eccentrics,
2018
Framingham State University
Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:3, Full Issue,
2018
Virginia Commonwealth University
An Interview With Stacey M. Holloway,
2018
Maryland Institute College of Art (MICA)
An Interview With Stacey M. Holloway, Kerr Houston
Art Inquiries
No abstract provided.
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits,
2018
Lamar University
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick
Art Inquiries
No abstract provided.
Native Art Now!: Developments In Contemporary Native American Art Since 1992,
2018
University of Pittsburgh
Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco
Art Inquiries
No abstract provided.
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life,
2018
Assumption College
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris
Art Inquiries
Review of Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life, by Lucy Hartley.
Howardena Pindell: What Remains To Be Seen,
2018
University of Illinois, Urbana-Champaign
Howardena Pindell: What Remains To Be Seen, Alyssa Bralower
Art Inquiries
No abstract provided.
Boredom,
2018
University of Toledo
Cristóbal De Villalpando: Mexican Painter Of The Baroque,
2018
Winston-Salem State University
Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez
Art Inquiries
No abstract provided.
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man,
2018
University of North Carolina Greensboro
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman
Art Inquiries
No abstract provided.
Michelangelo: Divine Draftsman & Designer,
2018
University of Mary Washington
Michelangelo: Divine Draftsman & Designer, Marjorie Och
Art Inquiries
No abstract provided.
Manet: A Symbolic Revolution Pierre Bourdieu,
2018
University of Virginia
Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond
Art Inquiries
Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.
Back Matter,
2018
Virginia Commonwealth University
Sargent's Women: Four Lives Behind The Canvas, By Donna M. Lucey, New York: W.W. Norton & Company, 2017 (Book Review),
2018
Old Dominion University
Sargent's Women: Four Lives Behind The Canvas, By Donna M. Lucey, New York: W.W. Norton & Company, 2017 (Book Review), Anne-Taylor Cahill
Philosophy Faculty Publications
No abstract provided.
Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I),
2018
CUNY Bernard M Baruch College
Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo
Open Educational Resources
This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.
American Encounters: Art, History, And Cultural Identity,
2018
Washington University in St. Louis
American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts
Books and Monographs
American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.
Mindful Escapism,
2018
Georgia Southern University
Mindful Escapism, Kench Weathers
College of Graduate Studies: Theses & Dissertations
This thesis examines the art work included in Kench Weathers’ MFA thesis exhibition. This work explores major themes such as the sacred, contemplation, optical illusion and paradox. The installations involve multiple three-dimensional geometric shapes that are formed with steel tubing (welded together). These works have various inspiration; both contemporary secular and sacred and are influenced by sacred paradox, both visual and ideological. The mixture of the two-dimensional with the three-dimensional creates multistable perception within the viewer. The work introduces visual and perceptual distortions of depth and dimensionality. These forms are nonrepresentational but act as a catalyst for the viewer. I …
Table Of Contents (V. 30, 2018),
2018
Syracuse University
Table Of Contents (V. 30, 2018)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
