History of Art, Architecture, and Archaeology Commons^™

Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andie Near, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Post 9/11 American Novel: Political Orientations In Representing Arabs, Mubarak Altwaiji

Khazar Journal of Humanities and Social Sciences

September 11, 2001 has been the most aggressive day in the History/ Archaeology of modern America. The physical and psychological damages caused by the attacks left a unique experience of the day in the mind of American writers. Therefore, if literary and political orientations changed after the 9/11, novel's subject matter and themes changed too,because novel is a reflection of its social and political context. This study examines the assumption implicit in the dominant conceptions that novel serves the state's politics in its pursue of interests through representations and misrepresentations of other nations. This study examines how American novel expresses …

Review Of Exiled In Modernity: Delacroix, Civilization, And Barbarity By David O’Brien, Heather Belnap

Faculty Publications

Hailed as both one of the last of the Old Masters (“je suis un pur classique”) and as the quintessential Romantic rebel (“the Victor Hugo of painting”), Eugène Delacroix stands as a towering but liminal figure in the history of art. In Exiled in Modernity: Delacroix, Civilization, and Barbarism, David O’Brien explores how Delacroix’s later artistic period is deeply engaged with pressing issues of the age, including the development of civilization, the processes of modernity, the conceptualization of the Other, the place of nature, and so on. While acknowledging the place for political interpretations of Delacroix’s work, the author is …

A Strategy Of Truth: Andreas Feininger And The Creation Of Propaganda For The Office Of War Information, 1942, James Swensen

Faculty Publications

In 1942 photographer Andreas Feininger travelled across the United States documenting war industries for the Office of War Information, a New Deal agency. In the midst of world war, Feininger’s straightforward photographs of plane production, copper mining, and other key industries were carefully crafted propaganda designed to combat German rhetoric and bolster public support and confidence in the war effort. Feininger’s style, an admixture of modernist ideas and social detachment, found resonance within US ideological efforts that stressed data and facts, and became known as the ‘Strategy of Truth’.

Lifetime, Emily E. Kuchenbecker

Theses and Dissertations

Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities.

I do not fear death.

The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am.

But what am I? Am I my body- or is it much deeper?

Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through …

The Wild Beasts, Peter Cochrane

Theses and Dissertations

The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …

Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv

Theses and Dissertations

Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …

William Bernard Cooke, George Cooke, And J.M.W. Turner: Business Of The Topographical Print Series, Saskia C. Turpijn

Theses and Dissertations

The organization of eighteenth and nineteenth-century British printmaking and publishing was based on economic principles and occurred in the collaborative sphere of the engraver’s studio. Print designers, engravers, printers, and publishers formed a professional network that operated on economic principles, publishing prints that served to generate income for its participants. These ventures faced great challenges in the lengthy and laborious processes of engraving and publishing, and in financing the project for the duration of that time.

This project examines the economic structure of early nineteenth-century prints. Using comprehensive accounting records, it analyzes two well-known topographical print series. The profitable Southern …

Toward Liveness: The Polytemporality Of Performance Objects, Tracy Stonestreet

Theses and Dissertations

In this dissertation, I examine the temporal and material connections between component parts of hybrid artworks, specifically between live events / acts of performance and the long-lasting sculptural elements that those events / performances produce. I propose a re-orientation of the temporal gaze of performance art history, from one oriented to the past to one focused on the continually unfolding present. Such a re-orientation requires a nonlinear approach to art making that complicates set boundaries of past and present, liveness and record, and presence and absence, and disrupts in potentially corrective ways our historically normative systems of looking, categorizing, and …

The Fayoum, The Seila Pyramid, Fag El-Gamous And Its Nearby Cities: A Background, Kerry Muhlestein, Cannon Fairbairn, Ronald Harris

Faculty Publications

Because the excavations discussed in this volume take place in the Fayoum, and cover a time period that spans from the Old Kingdom through the Byzantine era, many readers will find it helpful to understand the history, geography, and geology of the Fayoum. Here we provide a brief outline of those subjects. This is not intended to present new information or be a definitive discussion. Rather, it is aimed at contextualizing the rest of the material presented in this volume, and thus making all of its information more accessible. The Fag el-Gamous cemetery and the Seila Pyramid are located on …

Guide To The Mission San Diego De Alcalá Excavation Records, Raymond Brandes

University Records

The Mission San Diego de Alcalá Excavation records document the nearly twenty years of excavation work conducted during a University of San Diego course led by Professors Raymond Brandes and James Moriarty. Among the records are course materials, newspaper articles, photographs and negatives, research materials, maps, and audio recordings. Course materials include planning materials for the course, informational materials for students, and documentation of excavation work. This includes notes about work conducted during class sessions, inventories of found artifacts, and drawings of the excavation areas. Aerial photographs taken of the Mission San Diego de Alcalá site, and topographical maps created …

A Gift No More: A Byzantine Reliquary Of The Holy Cross, Justin Willson

Faculty Scholarship

For nearly a century, scholars have interpreted a Byzantine reliquary of the True Cross at the Vatican Museums using the framework of gift-giving, as famously theorized by Marcel Mauss (figs. 1a–b).1 Brought to light in 1903, the reliquary is constructed of wood and consists of a shallow base with a sliding lid.2 Decorated with painted images outside and in, the reliquary’s unusual iconography has led scholars to suggest that it must have been designed as a gift from the Byzantine Church to the papacy.3 The outer surface of the lid displays a dramatic scene of the Crucifixion. Mary, who typically …

Building An Image: Japanese Influence On The Perception Of Western Countries, A Study Of The 1904 St. Louis World’S Fair, Andrea M. Fowler

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this thesis, I argue that the Japanese government has utilized art and artistic expression to influence the perception that Western countries had of its nation and culture. This phenomenon is examined through a case study of Japanese participation at the 1904 St. Louis World’s Fair, and the exhibits that they presented. These exhibits are examined utilizing both reception and post-colonial theory, and then applying these theories to primary source material from the 1904 World’s Fair. These materials include guidebooks and photographs from both the United States and Japanese authors, to showcase differences between how the East and West interpreted …

"The More They’Re Beaten The Better They Be": Gendered Violence And Abuse In Victorian Laws And Literature, Danielle T. Dominguez

CMC Senior Theses

During the Victorian age, the law and society were in conversation with each other, and the law reflected Victorian gender norms. Nineteenth-century gender attitudes intersected with the law, medical discourse, and social customs in a multitude of ways. Abuse and gender violence occurred beneath the veneer of Victorian respectability. The models of nineteenth-century social conduct were highly gendered and placed men and women in separate social spheres. As this research indicates, the lived practices of Victorians, across social and economic strata, deviated from these accepted models of behavior. This thesis explores the ways that accepted and unaccepted standards of female …

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

Historiography Of Industrialization In Nigeria: 1914–1960, Chris. B.N Ogbogbo, Ayodele Samuel Aborisade

Journal of Humanities and Social Sciences

The historiography of industrialization in Nigeria has a rich but confused literature. Scholars from various disciplinary orientations have engaged this subject matter from perspectives that have complexified the idea and concept of industrialization in a colonial state. This study interrogates the various perspectives of intellectual inquiry on industrialization of colonial Nigeria, and argues that although industries and industrial activities existed in pre-colonial and colonial Nigeria, industrialization between 1914 and 1960, as portrayed by a number of scholars, was a farce. Thus, the interrogation of theoretical and historical explanation of industrialization by scholars as one of the important components of colonial …

A Syntactic Analysis Of Relative Clauses In The Southern Cushitic Language, Iraqw, Chrispina Alphonce

Journal of Humanities and Social Sciences

The article offers an account of the syntax of relative clauses in Iraqw, a Southern Cushitic language of the Afroasiatic Micropylum spoken in northern Tanzania. It examines the structure of relative clauses, relativization strategies, relative markers and noun phrase accessibility hierarchy (AB). Using the descriptive research design, coupled with the qualitative approach, data were generated through elicitation. 8 informants were sampled through snowball technique to inform the study. Text collection was also done to identify relative clauses. The analysis of the data obtained revealed the following: (i) Iraqw displays postnominal relative clause, the feature that is common in most of …

Esthétique Environnementale : Art, Écologie Et Politique, Alexandre Melay

The Goose

Loin de « l’idée » romantique de la nature, l’artiste Olafur Eliasson produit des « environnements environnés » à grande échelle mettant en scène les éléments naturels. L’être humain et l’expérience humaine sont au centre de ses installations, invitant le visiteur à expérimenter la spatialité et la temporalité. Eliasson utilise son art pour sensibiliser l’homme avec l’environnement et interroger sa position en tant que sujet phénoménologique. À l’activisme traditionnel, Eliasson propose une autre vision en rapport avec les mutations contemporaines et les enjeux écologiques liés au réchauffement de la planète, tout en préconisant un retour à la nature comme une …

Lords From The Desert, Caroline Mercado

Capstones

Lords from the Desert

This work explores a reality that is little talked about: how the most prestigious pre-Columbian art exhibits in the United States hide a murky origin. From looting of temples to illicit art trafficking, to smuggling and collectors’ affairs, the pieces gain value in proportion to the social prestige of their owner. Along the way, the most important is lost: research that provides context and allows us to know history. The First World wins a seductive, but simplistic story. The Third World, from which all these cultures emerge, loses patrimony and possibilities of understanding themselves. A pair …

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …