History of Art, Architecture, and Archaeology Commons^™

From Renaissance To Modernism: Design Conventions Of Italian Maiolica In The Ceramic Output Of The Bloomsbury Group, Abigail Mansfield

MA in Fine and Decorative Art and Design Dissertations

This dissertation explores the Bloomsbury Group’s engagement with Italian decorative arts, with a focus on the ceramics of Roger Fry, Vanessa Bell, Duncan Grant, and Phyllis Keyes. Despite ongoing debate surrounding the group’s boundaries and practices, their ceramic production reveals a deliberate reinterpretation of historical motifs, particularly Italian tin-glazed earthenware, or maiolica. By drawing on the Italian belle donne tradition and Mediterranean design principles, Bloomsbury artists adapted historical forms to articulate a modernist vision of aesthetic innovation, social critique, and nonconformity. Bloomsbury ceramics are situated within a longer British fascination with Italian art, shaped by Grand Tour practices, historical …

On Dark Skinned Jesus Of Nazareth: Why Color Matters, Nicholas Berkel

MA Theses

This thesis examines the historical, religious, and cultural consequences of portraying Jesus as white within Christian art. Although Western art has overwhelmingly depicted Christ with white skin, archaeological, and contextual evidence supports a dark-skinned Jesus rooted in the ethnogeography of first century Palestine. The persistence of a White Jesus has shaped religious imagination and perception for centuries, reinforcing racial hierarchy and legitimizing systems of white supremacy. Through an interdisciplinary analysis combining biblical studies, Christian iconography, ethnography of ancient Semitic, Greco-Roman, and Egyptian peoples, medieval symbolism, modern mass-produced imagery, and Black thought, this study demonstrates how Jesus’ original complexion was gradually …

Representation And Cross-Cultural Mediation Of Contemporary Ink Art In New York’S Primary Art Market: A Case Study Of Fqm Gallery, Mengtian Melody Yang

MA Theses

This study investigates the representation and cross-cultural mediation of contemporary Chinese ink art within New York’s primary art market. Using Fu Qiumeng Fine Art (FQM) as a core case study, the research adopts a qualitative methodological framework that integrates document analysis, visual analysis, and semi-structured field interviews to examine how the gallery operates as a cultural intermediary. It explores how FQM defines and frames “Contemporary Ink Art,” selects and presents artists, and translates the aesthetic and philosophical foundations of this tradition for Western audiences. The findings show that FQM positions ink art not merely as a medium-based practice but as …

The Cultural Adaptation Of Abstract Expressionism In The Middle East, Solmaz Shoukohi

MA Theses

Abstract Expressionism emerged in post-WWII New York as both an artistic revolution and a tool of cultural diplomacy. This thesis examines how that ostensibly “American” art movement was adapted and transformed in the Middle East from the 1950s through the  1980s. Chapter 1 outlines the rise of Abstract Expressionism amid Cold War politics, highlighting how the style was promoted globally as a symbol of freedom. It discusses the role of U.S. institutions in exporting avant-garde art – famously described by Eva Cockcroft as a “weapon of the Cold War” – through touring exhibitions and covert sponsorship. Chapter 2 then traces …

About Witch Hunt: Feminist And Political Agency In Contemporary Art, Rana Sumerler

MA Theses

The Witch Hunt exhibition conjures a powerful dialogue between history, identity, and empowerment, bringing together sixteen international artists to channel the spirit of the witch. This show traces a vast genealogy of women—from the 15th century witch hunts to Californian artistic legacies of the 1970s, to the exhibitions opening in 2021, and into present day. The participating artists emerge as symbols of resistance through their creations which transform domesticity, sexuality, and labor into sites of inquiry all while grappling with the intersectional concerns of womanhood.  In a moment marked by political upheaval, the exhibition is particularly resonant in its exploration …

An Investigation Into The Scottsdale Art Week: Cultural Focus, Location, And Sustainability In An Already Saturated Environment, Sophia K. Meshel

MA Theses

This thesis examines the role of regional art fairs within the wider American art market and examines how these events contribute to the growth of local cultural artistic ecosystems. While firmly established international art fairs often dominate attention within the global market, lesser known regional fairs play an important role in connecting artists, galleries, collectors, and cultural platforms within specific communities. Through analysis of established regional fairs and consideration of factors such as artist selection, audience engagement, institutional partnerships, and economic impact, this study investigates how art fairs can move beyond temporary commercial events to become meaningful cultural platforms. Particular …

Echoes Of A Country In Question: Visualizing And Constructing Lebanese Identity Through Contemporary Artistic Practice At The Venice Biennale, Anoush Manoukian

MA Theses

Historically (and presently) riven by sectarianism, struggling with massively degraded infrastructure, and seething with starkly apparent class divisions, Lebanon has long been tied up with bloody postwar politics, paralyzed by innumerable crippling setbacks on its path to recovery. During war, images of conflict have been plastered across media stations, firming the country’s place in the global conversation and imagination; everyone had heard about Lebanon, and people from the art world were attracted to the work being produced in Beirut: a localized body of work that was thematically interesting, formally unique, aesthetically neoconceptual and allegorical in approach. Unresolved conflicts have long …

The Weight, Hammet Reavis

Theses and Dissertations

What follows drifts between out to under, argument to object, learned to unlearned, and then back again, for now. What remains is not erased, but held in tension - pressed forward by an unspoken weight. However, let's go on record and retrace this gesture, not by means of crossthru, but as underline.

Curating The Other: Colonial Genealogies, Institutional Logics, And Market Classification In The Construction Of 'Latin American Art', Mariana Duque Mordecai

MA in Art Business Dissertations

This dissertation investigates how “Latin American art” emerged as a category within the intertwined fields of museums and the art market, revealing how institutional, linguistic, and economic practices shaped its visibility and limits. It argues that the label was never neutral, but a performative construct born from colonial histories and sustained by market logics that translated cultural difference into economic value. Drawing on decolonial theory, the study examines the creation of MoMA’s Latin American Collection (1943) and Sotheby’s establishment of its Latin American Art Department (1979) to trace how regional identity became a curatorial and commercial framework. Through discourse analysis, …

The Symbolic Language Of Militarized Orthodoxy In Patriarchal Sermons, Architecture, And Pseudo-Historical Memory, Oleksandr Lukyanenko

Occasional Papers on Religion in Eastern Europe

The article is devoted to a comprehensive cultural and religious analysis of the processes of militarization of religious worldview in modern Russia using the example of public speeches of Patriarch Kirill of Moscow, as well as the symbolic space of the Main Temple of the Armed Forces of the Russian Federation. Particular attention is paid to the study of the mechanisms of sacralization of war through the integration of historical memory, Orthodox rhetoric and the state ideology of the “Russian world”. The study analyzes the peculiarities of the interpretation of World War II as the sacred foundation of modern Russian …

Science Fiction Cinema And The Technological Sublime: Spectacle And The Infinite From Early Cinema To Digital, David Jackson Dr.

Theses and Dissertations (Comprehensive)

This dissertation examines how science fiction cinema constructs and reimagines the technological sublime in the twentieth century: the experience of awe, terror, and admiration provoked by human-made power and scale. Drawing on the philosophical foundations of the sublime in Edmund Burke and Immanuel Kant and extending through Leo Marx’s and David E. Nye’s theorization of the technological sublime, I propose an aesthetic mode in which representation inflected with affect translates technological spectacle into examinations of humanity’s role and agency in the face of overwhelming technologized worlds and in some cases, even the universe itself.

Through three distinct historical periods …

Tax As Curator: Tax Incentives And The Mediation Of Acquisition In Uk Museums, Julia Dalton

MA in Art Business Dissertations

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The Marketability Of The Muse: Understanding The Valuation Of Muse-Artists On The Contemporary Market, Mairi Alice Dun

MA in Art Business Dissertations

The label ‘muse,’ and the attention that comes with it, has kept female artists' names in the minds and institutions of the art world for the past 25 years. The word itself carries enough intrigue to make the women behind great male artists’s works interesting. However, in the past five or ten years, while other, formerly invisible, female artists have received a massive reevaluation in the market, and collectors have trended towards adding women to their collections, the art of female muses still trails that of their male counterparts by a large margin. The gendered value gap is not just …

How Have Emil Nolde’S Political Biographies Impacted His Market, From ‘Weimar Degenerate’ And ‘Dissident’, To ‘Complicit Antisemite’?, Samuel Goodwin-Hudson

MA in Art Business Dissertations

Emil Nolde is regarded as one of the most accomplished and innovative modernists. Celebrated for his varied iconographies expressed with thick, erratic brushstrokes, displaying highly saturated, non-naturalistic tonal contrasts, and pronounced, distorted forms. He often draws comparisons to Paul Gauguin and Vincent van Gogh. He died a national hero in Northern Germany, 1956, at 88 years of age. His oeuvre has inspired numerous artists, such as Georg Baselitz, Daniel Richter and Anselm Kiefer. Accordingly, his art has been exalted by institutions and converted by learned collectors, subsequently demanding huge sums.

The exhibition 'Emil Nolde. A German Legend. The Artist during …

Laws, Looting, And Legitimate Trade: The Effectiveness Of The Icc At Prosecuting Cultural Heritage Crimes From An Art Market Perspective, Kassidy Houlihan

MA in Art Business Dissertations

This dissertation is a legal analysis of cultural heritage crime prosecution at the International Criminal Court aimed for art market practitioners. It seeks to evaluate whether the ICC could be an effective means of prosecuting cultural heritage crime in a way that positively effects the art market. It closely reads the Rome Statute to determine how the cultural heritage crimes of looting and intentional destruction of cultural property could be charged at the ICC. It then uses the case studies of Prosecutor v. Al Mahdi and Prosecutor v. Al Hassan, the only two cultural heritage cases at the ICC to …

Artwork Or It-Bag? How Arts-Luxury Collaborations Impact Artist Cultural Visibility, Edwina Keary

MA in Art Business Dissertations

Since Marc Jacobs’ introduction to Louis Vuitton in 1997 and experimentation with artist collaboration, art and luxury collaboration has boomed. Over the years, customer demands have shifted in the wake of postmodern consumer culture, and brands must keep up with them to maintain their competitive advantage. The nature of collaborations has therefore shifted their focus to include experiences as well as products. Different collaboration types have a unique impact on both the brand and the artists involved. This research explores the impact of product versus experience-based collaboration on the cultural visibility of the artists involved through press coverage analysis. This …

Institutional Legitimation And Artistic Value In Portuguese Contemporary Art, Constança Maria Lobo De Castro Afonso

MA in Art Business Dissertations

This dissertation examines the mechanisms of institutional legitimation in the Portuguese art market, with main emphasis on museums, curatorial practices, media mediation and the ever-changing role of public participation. Drawing field theory (Bourdieu), art world sociology (Becker) and recent studies of media and symbolic capital, it positions Portugal as a ‘semi-peripheral’ market in which institutional framing and international infrastructures play a critical role in establishing value and reputation. The literature review shows that legitimacy is collectively produced by a constellation of actors, narratives and conventions, rather than solely by the intrinsic properties of artworks or straightforward market demand.

Through a …

Female Ultra-Contemporary Artists: Rise And Career Trajectories, Alexie Talabard

MA in Art Business Dissertations

Over the past decade, ultra-contemporary women artists, those born after 1974, have gained important visibility and market success. Despite the attention they attract, there has been little academic research on why this rise has happened. This dissertation explores the factors behind their prominence, looking at how the art market, institutions, social movements and digital platforms, have shaped their success.

The study draws on literature, market data, case studies and interviews to situate these artists within both commercial and cultural contexts. It finds that their rise is not just a short-term trend but reflects broader shifts in the art world, including …

An Imperial Pivot: How The Qing Court Shaped The Kapāla And Its Global Value, Haiyi Wang

MA in Art Business Dissertations

This thesis examines the journey of the kapāla, a Tibetan Buddhist ritual skull cup, from a sacred implement to a global commodity. It argues that the modern identity, display, and commercial value of the kapāla in the Western world are not a natural extension of its original religious meaning but are fundamentally a product of its aesthetic and political re-creation by the Qing imperial court. This study posits the Qing court's intervention as the "decisive pivot" that systematically replaced the object's native "religious value system," based on ritual efficacy, with a new "imperial value system" rooted in craftsmanship, precious materials, …

4 "Partire, Partirò, Partir Bisogna" Or Napoleon's Bayonettes, Ilaria Serra

Andante: Chapter 1 The Napoleonic Era

Music for this section: Canto dei Coscritti sung by Caterina Bueno

Cover art: La partenza dei coscritti nel 1866; by Gerolamo Indunno