History of Art, Architecture, and Archaeology Commons^™

Constructing Jain Goddess Padmavātī In Gujarati Literature, Venu Mehta

Monsoon: South Asian Studies Association Journal

Worship of the goddess Padmāvatī emerged more than a thousand years ago. This article explores three songs about her in Gujarati by Paṇḍit Vīrvijayajī (1773-1852). By analyzing the style and form of his work, one learns a great deal about devotional liturgies that commemorate goddess Padmāvatī’s protection of the Jina Pārśvanātha and, in turn, his protection of her.

Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu

Monsoon: South Asian Studies Association Journal

Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.

Mai Bhago And Amrita Devi Bishnoi: Women Of Strength, Sowmya Ayyar

Monsoon: South Asian Studies Association Journal

Mai Bhago (1670-1720), also known as Bhag Kaur, distinguished herself on the battlefield to defend the Sikh faith. Amrita Devi Bishnoi (d. 1730) is said to have sacrificed her life with 362 others to protect the Khejari trees in the Rajasthan desert. Both women continue to inspire social justice and ecological activism.

An Examination Of Gandhian Economic And Political Thought And Its Relevance To The Empowerment Of Women, Purnima Mehta Bhatt

Monsoon: South Asian Studies Association Journal

Mahatma Gandhi (1869-1948) sought to alleviate poverty and empower women. His commitment to nonviolence and the economic ideal of “small is beautiful” continue to inspire grassroots movements around the globe. This article discusses the Chipko movement of northern India, the protection of rain forests in Kerala’s Silent Valley, the Self Employed Women’s Association (SEWA), and Medha Patkar’s valiant though ultimately futile attempt to save the Narmada River from a massive government damming project. The ongoing legacy of these movements can be found in AWAG, the Ahmedabad Women’s Action Group and Women’s Shanti Sena (Peace Force).

Indigenous Stitch-Arts Of India: Tradition And Revival In A Global Age, Punam Madhok

Monsoon: South Asian Studies Association Journal

Stitch art allows for the creative expression and economic support of countless women throughout India. This article examines four notable styles: chikankari, flora and fauna stitched in white thread on fine white cotton, rabari, the stitching of mirrors into colorful cloth, phulkari, resplendent flowery motifs sewn into shawls in Punjab, and kantha, Bengali patch work yielding quilts and seating mats. In addition to describing each technique, this article discusses how women have been economically empowered through this art by such organizations as Self-Help Enterprise (SHE) in Kolkata and Adithi, a women’s cooperative, in Bihar.

“A Tyrannical Grace”: Mabel Frazer, The American West, And The Navigation Of A Man’S Space, James R. Swensen

Faculty Publications

In 1949 the painter Mabel Frazer (1887–1981) applied for, and finally received, promotion to the position of associate professor of art at the University of Utah. Yet, after nearly three decades of diligent service, she witnessed her male peers, often with far fewer bona fides, receive advancement.1 This was the challenge, she acknowledged, of being a “woman in a man’s institution.”2 Throughout her career Frazer repeatedly overcame similar challenges and, by so doing, defied and redefined what it meant to be a female artist in Utah. This essay explores one of the significant ways in which Frazer’s work stretched gendered …

Identities Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Artistic Engagement With Monadnock: A Hermeneutic Phenomenological Study, Jonathan W. Coffin

Antioch University Dissertations & Theses

This hermeneutic phenomenological study discloses the lived experience of creating art in association with New Hampshire’s Mount Monadnock. This study reveals the potential for artistic invention in association with place gradually to undermine an established sense of separation from environment and to prompt conscious awareness of continuity with environment. A series of interviews with four artists who create art of or in the presence of Monadnock revealed in the lived experience of creating Monadnock art a process that consists of five phases: first encounter, abstract appreciation, existential understanding, sustained attention, and continuity. A hermeneutic circular method of interpretation based upon …

Asia Pacific Perspectives Vol. 18 No 1. 2023, University Of San Francisco

Asia Pacific Perspectives

Contents:

Articles

Urban Youth on the Margins: Inequality in China’s Sent Down Youth Movement by Sanjiao Tang

Chinese Firms in the Belt and Road Initiative: A Cross-Sectoral Study of BRI Activities in Kenya by Yabo Wu

Book Review

W. Puck Brecher. Animal Care in Japanese Tradition: A Short History by James Stone Lunde

Elizabeth Rockwell Raphael And Outlines Gallery, Pittsburgh, Pennsylvania, 1941-1947, Sydney Michelle Pascarella

Graduate Theses, Dissertations, and Problem Reports (ETD)

In 1941, Elizabeth Rockwell (1920-1998) opened Outlines, a modern art gallery in Pittsburgh, Pennsylvania. Outlines would come to have one of the most impressive chronologies of a modern art gallery of its time, however it receives little to no attention in any type of academic history. Rockwell herself was an important figure in Pittsburgh, had the ability to understand avant-garde art, but also to solve problems within her community. Rockwell was curating shows of similar caliber of those produced by her peer, Peggy Guggenheim, however, she does not share the same level of fame. In this thesis, I will discuss …

Arhs 4573 Artists Of New Spain, Ana Pulido Rull

All Syllabi

No abstract provided.

Arhs 5573 Artists Of New Spain, Ana Pulido Rull

All Syllabi

No abstract provided.

Arhs 5973 Seminar In Art History, Ana Pulido Rull

All Syllabi

No abstract provided.

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee

Theses and Dissertations

This thesis examines a Korean Conceptual photographer, Nikki S. Lee’s performative photographs and film in the series of Projects (1998-2001) and Parts (2002-2005). Through a theoretical analysis of her self-representation in disguise, my research explores established Western stereotypes as well as the artist’s fluid identity in relation to other cultures.

An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano

Theses and Dissertations

This thesis foregrounds the methodology of humor and play employed by Chilean artists during the late 1970s and early 1980s. I argue that, through comic relief, collaborative practice, and melodrama, artists from different fields worked together in Santiago to reimagine the relationship between intellectuals and the public sphere and criticize the Pinochet regime.

Indecent Bodies In Early Modern Visual Culture, Fabian Jonietz, Mandy Richter, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ʻdecentʼ and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they …

Taking Chardin's Kitchen Maids Seriously, Danielle Ezor

ABO: Interactive Journal for Women in the Arts, 1640–1830

Historically, Jean-Siméon Chardin’s The Kitchen Maid and Return from the Market have been characterized as austere images of middle-class virtue. However, the engravings made after these paintings include verses that place the paintings within the satirical tradition. Thus, there is a misalignment between the canonical interpretation of Chardin’s kitchen maids as virtuous and the satirical understanding of these paintings. I reconcile these two contradictory interpretations by offering a feminist reinterpretation of Chardin’s The Kitchen Maid and Return from the Market, juxtaposing the prints and their satirical verses and considering the female viewer. In my analysis, I focus on small, …

Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis

ABO: Interactive Journal for Women in the Arts, 1640–1830

Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of …

James Monroe’S White House: The Genius Of Politics And Place, Susan Glen Amos

Doctoral Dissertations and Projects

This research endeavor has discerned the origins of an enduring American nationalistic distinctiveness perpetuated by President James Monroe’s White House. A careful scholarly examination of Monroe’s White House as a cultural landscape enquires into the genesis of interdependence between place and politics. It also studies the depth of the American people’s ability to embrace, as their own, the symbolism and national vision fashioned in these spaces. The juxtaposition of James Monroe’s election as the first United States president after the War of 1812 with the resurrection of the White House manifested for him an exclusive opportunity, still fraught with perils, …