History of Art, Architecture, and Archaeology Commons^™

My Encounters With Paradise: The Evolution Of Natural Beauty And Luminist Aesthetics In Central Florida, Jeremy Laplanche

Honors Program Theses

Historically, the marshes and swamps of Central Florida have been depicted as a paradise in artwork by naturalists such as William Bartram and Luminist landscape painters like Martin Johnson Heade. Today, the image of Florida’s tourism centers around theme parks and beaches. However, state parks in Central Florida preserve and restore unique ecosystems. This thesis analyzes the effectiveness of Wekiwa Springs State Park and Blue Spring State Park’s management practices for maintaining the Luminist and naturalist aesthetics. Previous research has identified the role of landscape paintings, particularly from the Hudson River School and the American West, in establishing America’s appreciation …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

Las Urnas Zapotecas (Estado De Oaxaca, México): Una Iconografía Del Espacio Y Del Tiempo, Pascal Mongne

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La cultura zapoteca (Estado de Oaxaca, México) es famosa por sus célebres “urnas funerarias”, de las que existen unas 4.000 en el mundo. Conocidas desde principios del siglo XIX, estas piezas han sido objetos de estudios iconográficos que, sin embargo, han incluido numerosas falsificaciones realizadas a raíz de su éxito. Las “urnas” zapotecas fueron el tema de una investigación doctoral realizada por el autor entre 1980 y 1985. Esta, basada en los informes de excavaciones publicados o conservados en los archivos, permitió reunir datos hasta entonces poco tratados, tanto sobre la evolución estilística como sobre su entorno (condiciones de descubrimiento, …

Indecent Bodies In Early Modern Visual Culture: An Introduction, Fabian Jonietz, Mandy Richter, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Indecency ‒ the polar opposite of propriety, appropriateness, respectability, decorum ‒ has played a central role in our understanding of Early Modern cultural norms since the beginning of art history as an academic field in the nineteenth century. Accordingly, the concept of indecency was fundamental to historical and contemporary discourses that attempted to balance social limits on indecorous behaviour and images. At the same time, the appeal of such visual imagery, the attraction of graphic depictions of bodies and their actions, resulted in conflicting responses on the part of viewers. Historically, decency and indecency played defining roles in both the …

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Gush Halav A-9490/2023, Anya Kleiner

Favissa: Past Archaeological Excavation Reports

In April 2023, a trial excavation was conducted at Gush Halav (Permit No. A-9490/2023; Map ref. 241702/770293, 241574/770025), prior to the laying of a sewage line. The excavation, on behalf of the Israel Antiquities Authority and funded by the Peleg-Hagalil corporation, was directed by A. Kleiner, with the assistance of Y. Yaakobi (administration) and Y. Tzur (district inspector, scientific consultation). The excavation was conducted inside an olive grove, at the bottom of the northwestern slope of the Gush Halav hill. A surface of the natural rock slightly sloped westward was exposed, on top of which was a thick layer of …

Jerusalem, Beit Hanina A-9484/2022, Ofer Sion

Favissa: Past Archaeological Excavation Reports

In January 2023, a salvage excavation was conducted in the Beit Hanina neighborhood in Jerusalem (Permit No. A-9484/2022; Map ref. 22150/63735). The excavation, on behalf of the Israel Antiquities Authority and funded by M. Tawil was directed by O. Sion, with the assistance of E. Marko (photogrammetry), Y. Shalev (scientific counseling), N. Nehama (administration) and A. Rose (drafting).

Tel ‘Agol A-9544/2023, Barak Tzin

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted on Tel ‘Agol (Permit No. A-9544/2023; Map ref. 235091/726359), after the site had been damaged. The excavation, on behalf of the Israel Antiquities Authority and funded by the Ministry of Defense, was directed by B. Tzin (field photography), with the assistance of R. Be'eri (scientific guidance), Y. Zilpa (administration), A. Shapiro (location map), M. Asakla, A. Ibrahim and B. Hanna (Lower Galilee and Valleys district), Tz. Lang and laborers from Kafr Manda.

Netiv Hagdud 16-03-2023, Oz Varoner

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted in the southern margins of the Netiv Hagdud settlement (Permit No. 16-03-2023; map ref. 242546-914/654183-876). The excavation was carried out following plowing of the land prior to planting. The excavation, on behalf of the Archaeological Staff Officer of Judea and Samaria and funded by the Israeli Civil Administration, was directed by O. Varoner with the assistance of A. Miller (administration), T. Orenstein (photography) and O. Bejarano (preparation of illustrations). No finds were discovered that could be linked to one of the nearby prehistoric sites.

Nahal Zena‘ A-9718/2023, Dror Halpern

Favissa: Past Archaeological Excavation Reports

In December 2023, a salvage excavation was conducted at Nahal Zena‘, west of Nafha Prison (Permit No. A-9718/2023; map ref. 177436–955/515333–6039; Fig. 1), prior to the construction of a water reservoir. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by the Dead Sea Drainage Authority, was directed by D. Halpern, with the assistance of A. Montague (surveying and field photography), Y. Alamor (administration), D. Eisenberg-Degen (scientific guidance), G. Seriy, I. Radashkovsky, N. Lect Ben-Ami, Y. Samuel Cohen (Southern Negev District), I. Azoulay (plans), and workers from Ar‘ara. The excavation exposed four installations, a possible grave, and …

Rodcon, Flier, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 1, 2023
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Multisensory Experiences In Archaeological Landscapes—Sound, Vision, And Movement In Gis And Virtual Reality, Heather Richards-Rissetto, Kristy Primeau, David E. Witt, Graham Goodwin

Department of Anthropology: Faculty Publications

Archaeologists are employing a variety of digital tools to develop new methodological frameworks that combine computational and experiential approaches which is leading to new multisensory research. In this article, we explore vision, sound, and movement at the ancient Maya city of Copan from a multisensory and multiscalar perspective bridging concepts and approaches from different archaeological paradigms. Our methods and interpretations employ theory-inspired variables from proxemics and semiotics to develop a methodological framework that combines computation with sensory perception. Using GIS, 3D, and acoustic tools we create multisensory experiences in VR with spatial sound using an immersive headset (Oculus Rift) and …

Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In Field Guide to a Hybrid Landscape Dana Fritz traces the evolution of the Bessey Ranger District and Nursery of the Nebraska National Forest and Grasslands. Fritz’s contemporary photographs of this unique ecosystem, with provocative environmental essays, maps, and historical photographs from the United States Forest Service archives, illuminate the complex environmental and natural history of the site, especially as it relates to built environments, land use, and climate change.

The Nebraska National Forest at Halsey, as it is known colloquially, is the largest hand-planted forest in the Western Hemisphere, and formerly in the world. This hybrid landscape of a …

Taste, Lust, And The Male Body: Sexual Representations In Early Sixteenth-Century Northern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

During the second quarter of the sixteenth century, Sebald Beham (1500‒1550) engraved a number of small prints with biblically related titles, Joseph and Potiphar’s Wife and Death and the Lascivious Couple. These prints, tiny enough to be held in the palm of one’s hand, show the male sexually aroused. First printed in Nuremberg and later in his new home of Frankfurt am Main, these sexual or erotic prints were popular enough to be copied by contemporaries and by Beham himself. This essay argues that Beham’s prints and their copies are part of a broader interest and taste for erotic imagery …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Jerusalem, 30 Bibas Street, A-9631/2023, Uriel J. Prince

Favissa: Past Archaeological Excavation Reports

In July of 2023, a salvage excavation was conducted at 30 Bibas Street, in the Nachlaot neighborhood of Jerusalem (Permit A-9631/2023; map ref. 219810-22/632437-48; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Breidman, Agmon architect, was directed by V.W. Avrutis and published by U.J. Prince, assisted by N. Sapir and Tz. Kanias (Jerusalem district), Y. Shalev (scientific guidance), S. Halevi (field photography and photogrammetry), N. Nechama (logistics), A. Zakaim (plans) and E. Rabinovich (sight inspection).

Tintoretto: Painting In The Chaotic Reformations, Summer Markham

OUR Journal: ODU Undergraduate Research Journal

The following essay investigates Tintoretto’s, a Venetian artist during the 16^th century, artist techniques in his painting the Last Supper and how the period is reflected within it. For instance, the chiaroscuro and sfumato techniques in the painting are used to allude the darkness surrounding the self-indulgence, financial abuses, and religious corruption during the Counter-Reformation. Research of underlying symbolism and historical events further reveal how the Last Supper reflects the dark, confusing time that Europe was in during the Counter-Reformation. Understanding the Last Supper and understanding it’s historical context aids in the ability to observe the emotions during that …

Ramat Beth Shemesh A-9505/2023, Rifka Ben Chelouche

Favissa: Past Archaeological Excavation Reports

In January 2023, a trial excavation was undertaken prior to the planned expansion of the Neve Shamir neighborhood in Bet Shemesh. The excavation, conducted on behalf of the Israel Antiquities Authority and financed by the Dissi Group, was directed by R. Ben Chelouche, with the assistance of N. Nehama (administration), E. Marco (photogrammetry), O. Rose (location map and plan), Y. Shalev (scientific consultant), and A. Eirikh-Rose, Z. Kanias, and S. Gendler (Judah District).

Bet She’An A-9586/2023, Gur Peled

Favissa: Past Archaeological Excavation Reports

In July 2023, a trial excavation was conducted in south of Bet She'an (Permit No. A-9586/2023; Map ref. 246330-545/710040-256). The excavation, on behalf of the Israel Antiquities Authority, was directed by G. Peled, with the assistance of G. Leyfirer (trial trenches), R. Be'eri and W. Atrash (scientific counseling), Y. Yaakobi and Y. Zilpa (administration), A. Shapiro (GIS), B. Tzin (GPS), B. Hanna (district archaeologist), A. Ibrahim (regional archaeologists), and with the participation of laborers from Jenin.

Nahal Zanoah, Ramat Bet Shemesh A-9630/2023, Eliana Wexler

Favissa: Past Archaeological Excavation Reports

In July 2023, a trial excavation was conducted on plot No. 400 in The Mishkafayim Neighborhood in Ramat Bet Shemesh (Permit No. A-9630/2023; Map ref. 200475-490/624890-935). The excavation, on behalf of the Israel Antiquities Authority and funded by the 'Shibolet Ltd.' company, was directed by E. Wexler, with the assistance of N. Nehama (administration), Z. Matskevich (trial trenches), S. Halevi (photography), E. Marko (surveying), O. Zakaim (drafting), S. Gendler (district archaeologists), Y. Shalev (archaeological consultation), T. Winter (glass) and with the participation of laborers.